In early spring, the light cold gusts, through the light veil-like fog at dawn, you can still feel the shadow of the remnant winter. Until the morning sun shines on the earth, the flowers and trees are bathed in warm sunlight, and the earthly world slowly awakens, so it resumes the boiling of traffic.
In the same March, the mountain temple is very deserted, only the white clouds around the peaks are still floating slowly, and the clear stream in the valley is also flowing slowly. A monk in the ancient temple seems to be a little lonely and wants to go out to visit his old friends, but he did not expect to leave a chapter for future generations. The following introduces a poem by the poet monk Huihong, the scene blends, Su Shi read it and loved it.
swing
Northern Song Dynasty: Huihong
The easel double cut is green and biased, in front of the small building of the beautiful spring play.
Fluttering blood-colored skirts mopped the floor, breaking the Jade Rong people to heaven.
The flower board is moistened with red apricot rain, and the colored rope hangs obliquely with green poplar smoke.
Down to sit idly and calmly, suspected to be the Toad Palace Who Descending Immortal.
Hui Hong, Zi Jue Fan, self-proclaimed Silent Yin Venerable, commonly known as Yu, famous poet monk of the Northern Song Dynasty. He grew up poor, and at the age of 19 he was ordained as a monk at the Tianwang Temple, and then returned to Lushan in the south, where he was a true Zen master at the Guizong Temple. Huihong had a rough life, but he was at ease with the encounter, he liked to study Buddhism, he was also good at writing poetry, and he also had a deep friendship with su Shi, a great literary hero.
Although the poems of the senior monk were quite literary, he often humbly asked Su Shi and Huang Tingjian for advice. And Su Shi is open-minded by nature, and also has Huigen, and often jokes with each other. The two sides used Zen and Buddha to ridicule each other, which was not only funny and humorous, but also released their mood.
One spring, the monks left the monastery to visit. He was simply dressed and carried only a bamboo stick and a bowl. Along the way, there are winds and meals, bittersweet, sometimes overnight in the mountains and forests, sometimes in the temple to sleep beautifully.
On this day, the monk came to a rich and noble family, and the master's family saw that the elder was majestic and majestic, and he had a deep wisdom and elegance, so he received him with great hospitality. It just so happened that the poet was also a little tired, so he rested here.
It was a warm spring, the big lady of the host family was swinging in the courtyard, and when she saw the senior monk visiting, she still did not show restraint, not at all like Li Qingzhao of the Girls' Generation, "When the guests came in, the socks were cut off and the gold was slipped." The poet is idle, watching and recording in the poem.
The first link explained the season, the place, and the gorgeous swing frame, lining the magnificence of the beauty's identity, "the easel double cut Cui Luo is biased, and the beautiful spring play is in front of the small building." "On the patterned swing rack, green swing ropes flutter. In the spring, in front of the small building, beautiful women are playing on the swing. Cuiluo refers to the green rope.
Next, he continued to describe the figure of a beautiful person sitting on a swing and flying up and down, "Fluttering blood-colored skirt mopping the floor, breaking the jade rong people to heaven." "When swinging downwards, the bright red skirt blows with the wind; when pushed upwards, the beautiful beauty loses color.
These two sentences appear lifelike, and the author captures the two moments of the red dress mopping the floor and the beauty's body soaring, showing a dynamic picture. The young girls are usually surrounded by groups of fangs and stand tall, and now they are sitting alone on the swing frame, a delicate and frightened appearance, which is even more feminine and cute.
The neck link describes the situation of the flower board and the colored rope to render the beauty of the picture, "the flower board is moistened with red apricot rain, and the colored rope hangs obliquely with green poplar smoke." "On the carved pedals, the rain of the red apricot blossom period is moistened; the multicolored tethers are entangled with the smoke between the branches of the green poplars.
"Red apricot rain, green poplar smoke", not only points out the typical scene of the warm spring season, but also uses apricot blossoms and green poplars to set off the heroine's mimosa and timidity. At this time, the girl must also be dewy and thin, thin sweat and light clothing.
The tail link is moved into silence, lyrical beauty such as Yushu Linfeng, elegant and tranquil, amazing, "down to idle calmly, suspected to be the toad palace who descended immortals." After a moment, the beautiful woman finished playing, and she stood on the empty ground, just like the moon palace fairy descending on the earth.
The Toad Palace refers to the Moon Palace where Chang'e lives. Although the author is a monk, not only does not avoid the suspicion of the world, but instead portrays the graceful style of the beautiful person swinging in a beautiful tone, which shows the tranquility and openness of the poet monk's heart.
Looking at Hui Hong's Seven Laws, the description is rich, but full of rich breath of life, which makes people forget the real world. The whole poem is like a set of film shots, the first couplet shows the panorama, the middle two are delicate close-ups, and the end is a panorama, highlighting the beauty of the heavenly immortal posture, containing a strong emotion outside the words.
Su Shi read this poem of the poet monk, simply loved it, and later got inspiration from it, lyrically writing a famous sentence, "The swing in the wall is outside the wall." Pedestrians outside the wall, beautiful people in the wall laughing. Therefore, if it comes to the inheritance and innovation of poetry, Su Shi should have the most right to speak!