When people mention Su Shi's words, they often think that such a bold style as "the big river goes to the east, the waves are exhausted, and the characters of the ancient winds" and "the old man talks about the juvenile madness, the left leads the yellow, and the right Qingcang" is Su Shi's consistent style; as everyone knows, such beautiful and sentimental euphemisms as "the night comes to the dream of returning to the hometown, the small Xuan window, is dressing up", "Look closely, it is not Yang Hua, the dot is the tears of people", such beautiful and sentimental euphemisms, in fact, su Shi's best words.
In Su Shi's lyrics, euphemisms that are known for their emotional entanglement and expression of twists and turns even exceed the number and length of the bold words. Su Shi's words are gentle, subtle, lingering, sad and beautiful, and they are no less than euphemisms. His poem "He Bridegroom", created in early summer, is a unique and elegant masterpiece, and the original words are as follows:
Milk Swallow FeiHua House. Quietly no one, Tong Yin turned to noon, and the evening cool new bath. The hand is made of silk white ball fan, and the fan hand is like jade for a while. Gradually sleepy, lonely and mature. Who will push the embroidery household outside the curtain, teach people in vain, and dream of breaking yaotai songs. Again, the wind knocks on the bamboo.
Pomegranate half spit red scarf. Wait for the floating flowers and waves to be exhausted, and accompany the king and the lonely. A branch of Ling Yan looked closely, and the heart was like a bundle. I am afraid of being frightened by the autumn wind. If you wait for the king to come here, Hua Qian can't bear to touch the wine. Tears in the face, two clusters.
This is a masterpiece that has been widely circulated among Su Shi's words, and there have always been many opinions about the creation of this poem: some people think that su Shi composed it for a woman named LiuHua when he was serving as the governor of Hangzhou; some people said that because there was a pomegranate tree in Hangzhou Wanqing Temple, there was a song girl sleeping in the temple, so it was written by Su Shi for a woman named Du Hua.
In fact, Su Shi borrowed the way of writing "Leaving sorrow" to send his own character to beauty vanilla in the words, and the "beauty" and "durian flower" in the words are not real writing, but only virtual illusions, that is, the internalization of Su Shi's own image and character in the words. This is very similar to the Imagery of Yang Hua in Su Shi's "Water Dragon Yin , Sub-Rhymes Zhang Zhifu Yang HuaZi". To put it bluntly, this is actually a strictly borrowed object metaphor.
Su Shi's career was bumpy, because he was upright and dared to adhere to his political views, which was not tolerated by the old and new parties, and was repeatedly belittled. Although Su Shi has the ambition to help the people through the world, he is suffering from not being understood, so Su Shi borrows beauty and durian flowers in this poem to express his feelings of not meeting talents, loneliness and loneliness, and the pure and elegant character of being lonely and self-congratulatory, and unwilling to be with the world. The meaning of the words is profound, and compared with the general chants, it is a rare treasure masterpiece.
The upper film of the word focuses on creating an image of a beautiful person who is pure and pure, otherworldly but also forbidden, lonely and lonely. The first sentence of "Milk Swallow Flying House", Hua House, exquisite house, is also the residence of the woman in the word, which shows that the identity of the woman is not a small family jasper, but a big girl, but also indirectly implies the woman's posture and upbringing.
"Tong Yin turns to noon", the shadow of the tung tree gradually turns to noon. The reason is that after the summer, the day is getting longer and longer, and the speed of light and shadow movement is gradually slower, so people feel that the change of the shadow is extremely slow, and the long summer for the depressed person is even more difficult. Here, the original intention of the lyricist is to write about people's melancholy, but it is not written directly, and the technique is very subtle. The first three sentences are ostensibly a scene, but in fact they are lyrical.
"Evening cool new bath", in the evening cool, a beauty who has just come out of the bath strolls to the tung tree, the "beauty" image in the word is actually the embodiment of the word person. Su Shi likes to write about the beauty of "ice muscle jade bone, cool and sweatless", this bath beauty can evoke a clear, spotless beauty in the surface.
"Hand made raw silk white tuan fan, fan hand for a while like jade", this bathing beauty, holding a silk woven white tuan fan, tuan fan and plain hand like white jade condensed crisp. This tuan fan is suitable for her luxurious identity, and its white delicacy is as pure and exquisite as its owner.
In classical Chinese poetry, there is a tradition of using writers to set off the image of beauty, such as the beauty of Zhuang Jiang in "Shijing Shuoren" is "hands like soft hands, skin like gelatin", such as "E'e red pink makeup, slim out of the plain hands" in "Nineteen Ancient Poems", and then such as Cao Zhi's "Beauty Chapter" in "Sleeves see the plain hands, Hao wrists about the golden ring", are all depicted with the details of the hand to reflect the overall image of the beauty, with the hand to reflect the posture of the beauty, so as to create a beautiful image of the rhyme.
The phrase "the fan hand is like jade for a while" implies the purity of the beauty's body and mind like jade. The beauty of the fan shows the loneliness and boredom of the mood, but also contains another special symbolic meaning, that is, this beauty and her fan have the same fate. According to legend, The Hancheng Emperor's concubine Ban Jie was "beautiful and able to write", and later became jealous of Zhao Feiyan, fell out of favor and retired to the Eastern Palace, where she once composed a tuan fan song. Since the Han Dynasty Ban Jieyu composed the tuan fan song, in the ancient poet's pen, the white tuan fan is often a symbol of red face and short life, and the beauty is out of time.
Su Shi wrote in this poem that the beauty holds a white tuan fan, in addition to reflecting the whiteness of the beauty, it also hints at the beauty's twilight and the fragile mentality of fangshi, which actually conveys the lyricist's life and feelings. Su Shi depicts the mentality of beauty, mainly using the environment to set off, using symbols and hints to create a vaguely confused word context.
The woman in the house was silent, she was silent because she was depressed, what was she sullen about? In fact, it is the helplessness of the passage of time and the sadness of Shaohua's passing. Then Su Shi performed through a dream. "Gradually sleepy, lonely sleepy", the beauty gradually became sleepy, so she leaned on the pillow and fell asleep, and she slept soundly.
This is an elegant Picture of Sleeping Beauty. Here, the writer deliberately combines the beauty's lonely pillow with deep sleep, which is intended to show that the beauty has been freed from the troubles of lust and lust, so she does not care about the lonely pillow, and what she pursues is not only lust, but the ideal confidant.
At this time, I wonder who is pushing open the door of color embroidery? The empty call woke up Yaotai's good dream. Listening closely, it turned out to be the sound of a breeze sweeping through the bamboo forest. But what awaited her was still a loneliness. When Su Shi describes the woman's state of mind in the words, he focuses on the sadness of waking up from dreams and disappointing from hope, and the emotional twists and turns of the beauty are highlighted.
"Dream Break Yaotai Song" is the emotional clue of this word, in the dream, the beauty's feelings are comforted, her ideal is about to be realized, but her dream is awakened by the sound of wind and bamboo, and her inner disappointment can be imagined.
Ancient and modern Chinese and foreign writers like to write dreams, and it is most suitable for expressing the deepest ethereal and subtle feelings of the protagonist's soul. Su Shi also loves to write dreams, and renders dreams extremely cleverly and naturally. Su Shi pins his thoughts and expresses emotions in his dreams, which is for a reason, and this reason is directly related to Su Shi's life experience.
Su Shi is a person who loves life and loves life, whether it is for the future of his home country or the ideal of life, he has a heart; whether it is for his wife, children, daughters or brothers and friends, he has a true heart, and even for the mountains and rivers, grass and trees of nature, he is full of heartfelt gratitude and love.
Su Shi is a person who loves life and has sincere disposition and sincere feelings. Since he stepped into his career with outstanding performance in his youth, he has been caught up in the whirlpool of old and new party struggles, and even experienced the "Wutai Poetry Case" of nine deaths, and later was degraded to Huangzhou, Huizhou, and Danzhou.
Setbacks and blows followed, which made the aspiring and talented Su Shi almost exhaust his whole body to fight against it, especially since he had experienced many disparaging encounters in his life. Therefore, Su Shi's heart gradually became cold, his enthusiasm gradually faded, and he began to feel an unprecedented loss from the cold reality, which made Su Shi feel an unprecedented sense of crisis and the loneliness and depression of life.
In the "Magnolia Order", he even issued an endless sigh of "the frost has lost its length and width, the empty listening is babbling and clear, the beauty is still singing drunken words, and forty-three years is like an electric wipe". The past passed away like an electric wipe, life was like autumn dew, only the lake heart of the West Lake still rippled with a cold moon as the heart of the writer. Life is worth loving, but for Su Shi, life is so full of ups and downs.
Shitu is the path of life that Su Shi chose, but Shitu is so accompanied by pain for Su Shi. What leads to so many profound life sentiments and philosophies about "dreams" in Su Shi's words is precisely such an annoying question.
Su Shi's worldview is full of contradictions, and his heart is full of distress and boredom, so his words reveal a strong negative emotion: either to seek liberation through lao Zhuang philosophy, or to directly call for bitterness, or to seek a moment of peace with the help of dreams.
This is especially evident in his words about "dreams." He expressed his indignation in the word "dream" and vented his troubles, but also in order to seek spiritual liberation. The pride and frustration in his career, the happiness and pain in life, this is the life that Su Shi has to face, and it is also the life choice problem that he has to face.
However, thinking comes from contradictions, and philosophy comes from troubles. At least for Su Shi, the thinking and philosophy of life that appears in his "dream" word comes from the contradictions and troubles he encountered in real life, and the results of this thinking have become the backing for him to resolve contradictions and relieve troubles.
Su Shi affirms his own existence by denying external existence, and he strives to maintain a sober subjective consciousness in a dreamlike life: as long as he grasps himself well, he can transcend the ever-changing of creation; maintaining his own consciousness can transcend the limitations of time and space and obtain the greatest spiritual freedom.
Su Shi did not deny life because of the illusion of life, and strived to transcend the pain and sorrow of life, so he surrendered his body and mind to the nature of the breeze and the quiet dream, tasted the fun of life in the light and gentle daily life, and transcended the bitterness and depression in the insight into the world of life, and obtained spiritual detachment.
After having an understanding of Su Shi's life experiences, looking at this word again, the meaning of the word is suddenly enlightened. The conception and layout of the film mainly write about the lonely sleep of the beauty, and the exquisite house, the cool night, and the white fan of the silk are all reflected and implied by the emptiness and loneliness of the beauty, and all kinds of feelings are all in the unspoken, and the sorrow that no one talks about finally turns into a beautiful dream of the early summer night.
At the beginning of the next film, "Pomegranate half spit red scarf", the durian flower is half open, this is the most beautiful time of the flower: a heavy petal is like a folded red scarf made of a red scarf; just like the hot and beautiful heart of the beauty, although she has a heavy heart, although she is full of meaning, she refuses to easily confide in her heart, and refuses to show people easily. This sentence is not only an objective description of the shape of the durian flower, but also hints at the characteristics of the heart of the durian flower.
This is followed by a large inner monologue by Durian. Su Shi suffered many setbacks in his life, and his heart was undoubtedly very painful. But because of his arrogance and self-confidence, he is unwilling and disdainful to tell others about his pain, and even if he says it, others cannot understand it, so the lyricist's heart can only be poured out to himself: no matter how fierce the wind and rain are, what changes in reality, I will not change my ideals; even if the wind and rain destroy a hundred flowers, I still have to accompany you through the lonely time.
The lyricist obviously described the image of the bath beauty in the previous film, why did he turn his pen sharply at the beginning of the next film and begin to describe the pomegranate flower? What is the relationship between beauty and durian? If it is said that the lyricist hurts himself and sighs, he can use beauty, so why write durian flowers?
The answer is in the next two sentences, "A branch of Jia Yan is carefully taken, and the heart is like a bundle", to the effect that it means: Look closely at this thick pomegranate, and the petals of the thousand layers are just like the tight bundle of the beautiful heart. Su Shi portrays the beauty with a colorful durian flower. When she woke up from the dream, in order to dissipate her idleness, she crossed the tong yin and came to the pomegranate flower to see the half-open, fiery red pomegranate flower. A "rub" word not only vividly writes out the appearance characteristics of the durian flower, but also has the charm of beauty, which is intriguing.
The heroine in the word seems to withdraw her thoughts from the reverie, carefully admiring the flowers in front of her, this red and rich durian flower has many petals, overlapping, and tight. The phrase "a thousand hearts are like a bunch" not only captures the characteristics of the shape of the durian flower, but also once again refers to the unswerving heart of the beauty.
The beauty looked closely at the flowers, and in the midst of the heavy feelings, a sentimental heart flew into the distance. She thought of the future from the scene in front of her: Shaohua is easy to pass away, good scenes are difficult to stay, green branches and green leaves are still unbearable in the autumn wind, not to mention this delicate pomegranate flower like fire?
"Wait for the floating flowers to be exhausted, accompanied by the king and the lonely", this is the feeling and emotion caused by the beauty of the flower. Pomegranates bloom in the summer, as if she is deliberately not competing with the hundred flowers for spring, and when the spring flowers that catch the fashion have withered away, she has just budded and bloomed late. How similar this lonely durian flower is to the lonely beauty.
Therefore, the beauty thinks of the distant people expected in her heart. She seemed to be talking to herself, infinitely affectionately, and said to her sweetheart: When those floating flowers are gone, you feel lonely, and there are pomegranate flowers to accompany you. The "Jun" in the sentence "Accompanied by Jun youduo" vaguely refers to the person in yaotai's dream, which is connected with the meaning of the previous film. These two sentences contrast the durian flower with the "floating flower wave rui", and write the steadfast loyalty of the durian flower, which has a far-reaching meaning.
The meaning of the words is from flowers and people, but the feeling of beauty is late, and the beautiful years will pass in this lonely expectation, and I can't help but think of the person in the dream of yaotai: If you wait for the beauty to come in the coming day, you can't bear to touch it when you drink in front of the flowers. At that time, teardrops and petals will fall together.
From the original meaning of the chant to look at the person's durian flower, the durian flower has a thousand hearts, metaphors for the deepest emotion, the extremely entangled, but this feeling is hidden very deeply, as if the writer's soul has a warm desire to pursue ideals, but it is not willing to lightly reveal to others, but can only confide in themselves. Therefore, the dialogue between the beauty and the durian flower is actually the dialogue between Su Shi and the soul.
If the upper film is written about beauty, that is, the embodiment of the lyricist, then the next film focuses on her beautiful heart. The beauty in the film is inaccessible and arrogant. However, the next film writes that his soul is hot and full of enthusiasm for life and ideals, which is actually the true portrayal of the lyricist.
The next "fear of being frightened, the west wind is frightening green", to the effect that it is afraid that when the autumn wind comes, the delicate flower buds will be blown off, and at that time, although the heart is unchanged, it cannot but wither. That is to say, at the twilight of the twilight, although the determination of the beauty to pursue the ideal remains unchanged, the ideal cannot be realized.
When I am about to wither, even if you can come to see the wine and flowers, I am afraid you will not be able to touch me. Beauty to durian flowers, durian flowers to beauty, the common sense of twilight makes them cry relatively, and pink tears and petals fall together. When his own beautiful ideals are no longer possible, the writer can only shed tears for his own soul.
The whole next film seems to only talk about durian flowers, but it is actually written sentence by sentence. The durian flower in the word is the flower in the eyes of the beauty, with a strong emotional color. When beautiful people look at flowers, they sometimes touch the scenery and feel nostalgic, and they think of it; sometimes they compare themselves with flowers and rely on flowers to speak their minds. Sometimes she is standing on the outside of the flower, sometimes pity the flower, but also self-pity, the flower and the person become one, which is a unique lyrical method in Su Shi's words.
Su Shi's chants have unique writing skills and emotional sustenance, and he uses a lot of Bixing's techniques in some chants, making the things in the words more graphic and more likely to arouse the reader's feelings, so as to enhance the meaning and sustenance of the words. What is even more rare is that many of Su Shi's chants will attach titles to the back of the word plates, such as "Dingfeng Bo Yong Hongmei" and "HuanXi Sha Yong Tangerine", etc., in order to point out the things he is chanting and improve the narrative and lyricism of the chants.
Su Shi's "He Groom", the meaning of the word is gentle and fresh, subtle but not obscure, lingering but not soft, sad and not desolate, gorgeous and not charming, can be called a unique and elegant masterpiece outside the bold. In particular, Su Shi uses beautiful and beautiful images and gentle and lingering styles to tell emotions, and expresses the feeling of frustration implicitly and tortuously through the symbolic method of Bixing, which is original in the history of words.