The child in "Dear Child" is the most straightforward point to Hehe.
She has always been a special being.
Because of her, she reshaped family relationships;
Because of her, she healed everyone;
Because of her, throughout the play.
Hehe, of course, is also the tear point of the whole play, contributing to one tearful moment and moment after another.
In the finale, a monologue made people cry, but fortunately, the final Hehe was rescued, which drew a satisfactory end to the play.
First, let's look at this monologue.
In this monologue, Hehe tells Su Jingwei his secret, knows that he has two fathers, knows that he is about to die, and knows that adults are always lying to him. And she also sent out a series of questions, and she was confused about the world.
Revisiting everything that happened in the past from the perspective of Hehe is another perspective on the world.
In a secret tone, he has a dialogue with Su Jingwei and tells us what the child's world is like.
We underestimate the grass, we underestimate the children.
Such a narrative is also a common method used in film and television works, but it has an important role and significance in this drama.
Everything that happens in the adult world, children have their own cognition, but due to the limited knowledge and experience, they cannot understand all this more deeply, but it does not mean that they cannot understand intuitively.
The white lies of adults are a complete deception in the world of children.
Why?
It's the key question that children always ask about the world. You can see that they want to understand, and they don't always have to be deceived or kept in the dark. Reality and fairy tales, in fact, children can clearly distinguish, but do not know how to express, how to distinguish specifically.
This monologue is touching because we all misunderstand, this is a reversal, this is a re-recognition of the child, this is also a process of re-examining the self.
In the gentle tone, revealing rationality and maturity, expressing disappointment and doubt, this is a dialogue that strikes directly at the heart.
Not only is Hehe's monologue, but it is also an introspection of every adult.
Of course, we also see the purity and innocence of the child's inner world.
Although this is her secret, this secret is not mixed with any selfishness, because the child has not been too polluted by the external environment, so that this secret remains pure, and in the face of death, the child is braver and stronger than anyone. It's just that the adults themselves are calculating the gains and losses of various interests, looking forward and looking back.
And that's what adults are missing.
In a way, the child becomes an adult, and the adult becomes a child.
So "dear child" does not refer specifically to one person, a group of people, but to a state, a stage.
We often say: children distinguish between right and wrong, and adults only look at the pros and cons.
It was a big mistake.
Children are not only divided into right and wrong, but only right and wrong in education, whether it is school education or family education, telling children what is right and what is wrong, but this does not mean that children's cognition is only right and wrong.
Of course, adults do not only look at the pros and cons, but in the interest relationship, have to consider the pros and cons, once there is an emotional relationship, the intervention of human nature, then it is not just looking at the pros and cons.
For the actor of Hehe, here we must also praise it fiercely.
Her name is Zheng Yingxian.
Now he is only 10 years old, but he has starred in many works, such as "囧Mom", "My Hometown and Me", "Red Fox Scholar", etc., and TV dramas include "East Palace", "Qingping Le", "Jiangshan So Many Petite" and so on.
I have participated in the variety show "I am an actor", cooperated with Ren Suxi, and am also the daughter of the actor, so this time in "Dear Child", the two are not strangers, so it also makes their cooperation look quite tacit.
This young actor has a sense of life texture, for the interpretation of the role of Hehe, there is a maturity beyond the same age, of course, this is closely related to its family environment, of course, in the final finale of the monologue design, Hehe here is not just a specific child, but incarnated as an angel, so in her speech, there is a kind of deeper expression, but also need to cooperate with the age of the child, so the use of "secret" "why" and other words to present, with abstract and specific dual settings, There are multiple expressions of ideals and reality.
It is this kind of setting and expression that makes the role of Hehe, in the quiet, present a force that strikes people's hearts, coupled with the external texture, which becomes the tear point of the play.
For the finale of the play to say a little more, it does seem a bit hasty, after the monologue of Hehe, the treatment is omitted, the result is directly displayed, and it is the result after two years, although it is healing and warm, but in the narrative, it is slightly anxious, and the other is to use luck to represent reality, and slightly deliberate. Compared with the procrastination of the middle section, the haste of the ending also reduces the overall level.
However, Hehe's monologue performance still enhances the connotation and pattern of the play, and she is a major contributor to the play.