Huang Ji is one of the giants filmed in "A Hundred Years of Masters and Fine Arts".
"A Hundred Years of Masters and Masters of Fine Arts" looks back at the evolution of Chinese art in the past hundred years and presents a visual version of the history of modern Chinese art. Most of them came from poor backgrounds, but they continued to improve themselves, withstood the tempering of the years, and achieved themselves with extraordinary will and effort.
Although they all live in the same social environment and cultural background, they have their own unique insights and unique creations in artistic practice. What they have left for the world is a beautiful and exquisite work, an indelible cultural heritage in the history of modern art.
"Centennial Master - Yellow Gizzard" wonderful trailer
Copying or imitating is only an initial stage of learning to draw. It is okay for a mature painter to occasionally imitate the techniques of others, but it should never be done with it. The phrase "learn to use" should be firmly remembered that we copy it for the purpose of using it now or in the future, so we must have a choice. There are many excellent traditional painting techniques in China, the most important aspect of which is to pay attention to the "god" of objects and images, rather than to make naturalistic depictions; and its bad side is the formulaization and conceptualization of some works.
Of course, there are good and bad ones in the ancient paintings you see. Those that are good should be studied and analyzed, and those that are not good should also be looked at and lessons should be drawn from them. Accept as much as you can, don't force it. What you don't like now may be liked in a few years, and it cannot be easily denied.
(5th Dynasty) Zhou Wenju Wenyuan Tu Collection of the Palace Museum
Ink painting, just take a look at it, don't have to spend too much time to visit it. Sun Wei's "Gao Yitu", Han Di's "Wenyuan Tu", and Gu Kaizhi's "Female History Zhentu" are all good works, with simple lines, steady color, and also able to pay attention to the description of personality and emotions, and these paintings should be studied more
If you want to paint characters well, you must go to life, discover the beauty of life, and discover the meaning of life. It is not enough to feel it, but it is necessary to draw more.
If you don't draw well, you can't draw a good character. Before you start writing, you must be clear, whether you want to paint portraits or paint dynamics. Otherwise, the image and dynamics are not well drawn, and it is impossible to paint vividly.
Don't be overly selective with a brush. We must learn to use any pen and any paper; we must master the pen without being limited by the pen.
Use ink to know, do not adjust in the plate for half a day and then fall on the paper, so that the drawing is easy to be sluggish.
Learn how to draw, and don't be limited by the way you draw. In order to express the theme, you can paint how you want, and this kind of painting method is inseparable from the cultivation of the painter. The kung fu is shallow, there is no life, and no matter how you think about it, you can't think of a new law. Some people say that the painting method is accidental. I think this sentence is debatable. Although drawing with ink on rice paper sometimes has unexpected effects, it is not accidental. Every painter has something to pursue, and the pen and ink that flows on the paper is related to the goal he pursues.
Zhu Yun works
The effect of the pencil on paper is extremely rich, and I want to use the brush to pursue the smoothness and thickness of its (referring to the pencil). Bada Shanren has the smell of pencil when they use a pen.
If the characters on the screen do not have a suitable basis for speed writing, they should look at the model, otherwise it will give people a conceptual feeling.
Sketching must be serious. Don't just pay attention to the cleanliness of the picture, it doesn't matter if it's dirty, it will be painted slowly after a long time. As serious as creating, a good painting is often developed from a good sketch.
In the past, sketches paid too much attention to so-called integrity, artistry, etc., and some subjects were acceptable, while others were not. For example, birds and animals should pay attention to the dynamics of the look, the flying sound and jumping, the natural environment, and the composition of the chapter, but also should also carefully understand its physical structure like a specimen, otherwise it is difficult to further grasp its spirit.
You should paint more dynamic expressions in life that can best express its characteristics, such as the flowers and birds of the Song people. In the future, the sketch should be very clear about its plot or demeanor, considering whether the composition is complete or not. The number of lines should be secondary, and before writing, you should not consider how others are doing, and first take your own needs as the right.
The practitioner must use more double hook white painting, the purpose is to grasp the image and its growth law, characteristics of the situation, and then observe its changes in the wind, rain and dew, so that they become an expert who is familiar with the characteristics of all objects and images, the advantages and disadvantages of varieties, and then give the author the emotional temperament, that is, to swing into an image. In the past hundred years, those who have drawn orchids only know that according to Tu Suoji, it is naturally difficult to create something.
The pen should be clear, calm, and serious, and even if it is a few strokes, it should not be sloppy and rushed, but should be made useful. The so-called style, artistic taste, etc. are naturally obtained, not strive for.
Huang Ji "Xinjiang Dance", 1986
The use of threads needs to be thirsty and slow, the use of color requires sufficient moisture, and the splash of ink should be painted twice or three times, and once is too thin and too floating. Painting has a change in thickness to be rich, do not be thin and thin, thick and thick, a stroke and ink must be combined with the shape of the object. It is good for people who paint Chinese painting to learn to paint watercolors, which can make us use colors accurately and vividly.
Printmaking, especially woodcuts, will give us great inspiration, and if your paintings are too trivial and lack a sense of wholeness, you should practice these methods. The subject matter of the troops is very rich, because the traditional techniques do not have ready-made expression techniques, it is difficult to paint, but there should be perseverance, as long as you persist and boldly create, you can definitely paint well. Don't be afraid to draw rigidly, rigid because you are not familiar with painting, you have to paint like a brush worm, don't emphasize pen and ink first.
Works by Huang Ji
Drawing is the same as doing work, first break through a link and then continue. With these foundations, everything else can be bypassed.
Painting can not be opportunistic, but to pick up difficult paintings. You are the worst at drawing anything, just work harder in that regard. The size of a person's talent is fundamentally determined by whether he will work hard and use his strength in the right place.
Don't be afraid to paint badly, the more afraid you are of bad painting, the worse you will be. I'm not saying that a scribble can be a good painting, I mean to be both careful and bold.
Huang Ji, "Weaving a Flower Blanket", 1982
Draw a big picture with the same precision as a small painting, and draw a small painting as bold as a big painting. When painting large paintings, the focus is on the overall and far effects.
Using a pen to be powerful is not a sword, it is easy and powerful.
Pen and ink do not pursue small fun, some painters in the south are playing with form. Form is important, but it must serve the content, otherwise it will become magical.
Huang Ji, "Female Militia of Xisha", 1974
Draw sketches don't be afraid to draw wrong, make up a stroke of a mistake, draw boldly until the drawing is right, a little wrong line does not matter, intriguing, just like watching a basketball game, if both A and B are you one by one he throws the ball into the basketball basket, never lose the ball, that kind of ball game will not be watched.
Chinese painters should use brushes to sketch, brush is a unique language of Chinese painting, with unique expressiveness. Painting Chinese painting should be proficient in ink painting skills, just like if you want to practice erhu, you should use erhu to practice, and you should not use the violin to practice erhu.
Huang Ji's "Ode to the Grassland", 1977
Only when the painter understands the times and reflects the times can his works have vitality. A work made behind closed doors in a studio will not move people, no one will remember it, and it will eventually be forgotten. Life is the source, to feel life below, to understand the times, to understand the people, in order to create works that the people like to hear.
Source | Tambelis
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Yang Jingdao, producer and chief planner of "A Hundred Years of Masters", took a group photo with Huang Ji
Yang Jingdao, producer and chief planner of "One Hundred Years of Masters", Zheng Wenhui, wife of Huang Ji, Liang Bibo, director of the fourth part of "Hundred Years of Masters and Fine Arts", Shang Yusheng, secretary general of Wu Zuoren Foundation, and Liang Ying, daughter of Huang Yin, took a group photo
The film crew of "A Hundred Years of Great Master - Huang Guan" interviewed Zheng Wenhui, the wife of Huang Guan
Producer | Hou Xuan
Art Editing | Magical conch
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"A Hundred Years of Masters" was selected as a key documentary celebrating the 100th anniversary of the founding of the Communist Party of China
Mr. Ye Jiaying, a 97-year-old expert in classical poetry, wrote an inscription for "A Hundred Years of Great Masters"
About us
The large-scale cultural project "Centennial Masters" is China's first large-scale series of biographical documentaries focusing on the masters and masters who made outstanding contributions to Chinese civilization in the 20th century, and is jointly produced by the China Federation of Literary and Art Circles, the Central Radio and Television Corporation, the China Academy of Arts, the Central New Film Group, the China Literature and Art Foundation, and the Centennial Masters (Beijing) Cultural Communication Co., Ltd.
"Centennial Masters" is the "Chinese Excellent Traditional Culture Inheritance and Development Project" of the General Office of the CPC Central Committee, the General Office of the State Council and the Central Propaganda Department, which has been selected for two consecutive years as the "Record China" communication project of the Propaganda Department (Information Office of the State Council), the key topic planning project of the "14th Five-Year Plan" documentary of the State Administration of Radio, Film and Television, the key documentary celebrating the 100th anniversary of the founding of the Party, the "Recording the New Era" documentary boutique project and the key documentary project (2018), and the major theme main line publicity and key topic selection project of CCTV. It is also funded by the National Arts Fund, the China Literature and Art Foundation, the China Art and Culture Foundation, the Beijing Municipal Government Cultural Innovation and Development Fund, the Beijing Culture and Art Fund, the Beijing Radio and Television Network Audiovisual Development Fund, and the Beijing Xicheng District Cultural and Art Creation Support Special Fund. It has won 12 documentary awards.
From 2013 to 2017, the filming of 43 masters in the first season of "100 Years of Masters" has been completed, which is divided into art, calligraphy, Peking Opera, drama, music and literature. The filming of 57 masters in the second season of "100 Years of Masters" has been launched in 2018, adding science and technology, education, traditional Chinese studies, architecture, traditional Chinese medicine, opera, and film, which are planned to be completed one after another, and will be presented with the "100 Years, 100 People, 100 Episodes" documentary, "100 Masters Special Exhibition" and "100 Books Publishing".
The completed documentary "100 Years of Masters" has been broadcast on CCTV (one set, three sets, four sets, nine sets, ten sets, fifteen sets, discovery channels, international channels), China Education Television, provincial satellite television, overseas television stations and other 157 tv stations at home and abroad, which have been widely praised and have repeatedly set new high ratings for similar documentaries. "100 Years of Masters (International Edition)" is broadcast worldwide in 8 languages.
CCTV Market Research Co., Ltd. (CTR) in July 2020 According to the statistical results of CSM National Measuring Instrument, "Centennial Masters" reached a total of 10.2 billion people.
The series of books "100 Years of Masters" has been distributed to nearly 1,000 colleges and universities across the country for three consecutive years by the Ministry of Education, the Ministry of Culture and Tourism, and the Ministry of Finance as a "High Art entering the campus" study book.
"Centennial Masters" has become one of the most high-end phenomenon-level brands in the field of culture, and with its unique advantages, it has built an important platform for disseminating China's excellent traditional culture, interpreting and displaying cultural self-confidence, and practicing the core values of socialism.