| Introduction to Binwon
Huang Maoqian (黄懋質), also spelled PuQing, was born in Jinhua City, Zhejiang Province, and was a chinese painter of modern and contemporary China.
In the field of modern landscape painting history, Huang Binhong can be called a founding and legendary figure, and the "five strokes and seven inks" proposed in summary provide theoretical support and practical guidance for creating a new realm of Chinese brush and ink, which has a far-reaching impact.
|“ "Boya" and "Child Stage"
If Huang Binhong is compared to "Boya", then the "sub-period" is undoubtedly fu Lei, a famous writer, translator, educator, and art critic in modern China.
Fu Lei once said: "Huang Binhong is a rare great painter in the past hundred years, and in terms of synthesizing his predecessors, Shi Tao is only binweng alone after him."
This is to say that after Shi Tao, Huang Binhong was the first person in theory and painting, and he was the only one, and this high evaluation also shows the value of Huang Binhong's calligraphy and painting.
At first, not many people could understand Huang Binhong's paintings, because unlike Qi Baishi's painting school political factors, Huang Binhong's paintings have always been controversial;
But there is no doubt that Huang Binhong's research on calligraphy and painting finally gave us a starting point for modern calligraphy and painting.
This starting point has ideas, theories, and more methods, and as long as a calligraphy and painting enthusiast studies seriously, he can quickly enter the orthodox learning method.
Fu Lei once used a sentence to point out the three realms of seeing Huang Binhong's calligraphy and paintings:
At first sight, look at the mountain is not a mountain, look at the tree is not a tree;
Macro, looking at the mountain is the mountain, looking at the tree is the tree;
In essence, looking at the mountain is also a tree, and looking at the tree is also a mountain.
People who do not know calligraphy and painting feel "sloppy" when they look at Huang Binhong's paintings, but after in-depth understanding, they will understand that the "sloppiness" of calligraphy and painting does not mean that the picture is neat and tidy, but refers to whether the pen lines are "sloppy", the whole pair of calligraphy and painting is composed of lines full of brushwork and brushwork, in essence, even if you want to distinguish between mountains, stones, grasses and trees!
Fu Lei said: "It must be known that the work of painting is clumsy and has nothing to do with the neatness of shape, and the great beauty of calligraphy and painting is not the flow of realism."
| bizarre characters and legendary lives
When Huang Binhong was alive, a friend went to his home to play with him, and he gave paintings to others, but when others left, they did not take them away, and this kind of unrecognized thing was the norm at that time;
Before his death, he once said a sentence: "No hurry, my paintings will not be understood by future generations until 50 years later", people at that time only felt that it was a joke after listening to it, and felt that this person's bizarre could not be more bizarre;
After Huang Binhong's death, his family donated the painting to the museum according to the will, when the museum was not willing to accept it, and finally put it into the warehouse, and after thirty years, his paintings were valued by the museum, and they were taken out of the warehouse to study and open an exhibition.
At the 2017 auction, Huang Binhong's "Huangshan Tangkou" sold a single high price of 345 million yuan, which no one could match;
Real gold is not afraid of fire, which is a powerful explanation from being understood to being understood, and its value is finally recognized by the market.
Today, almost 68 years after Huang Binhong's death, in today's calligraphy and painting market, Huang Binhong's paintings can be said to have become fragrant and fragrant;
From a bizarre figure to a legendary life, Huang Binhong used his life and half a century to finally get what he wanted.
| social contribution
Huang Binhong is a person who has made a major breakthrough in modern theory, and is well known to the world for his "five pens and seven inks", which talks about how to use pens on rice paper and how to use ink.
But his practical method stems from his theoretical basis, which few people know.
Huang Binhong believes that in the history of Chinese landscape painting, there have always been two disciplines: one is "Junxue" painting and the other is "Folkxue" painting.
"Junxue" pays attention to appearance, caters to people's tastes, and paints for others to see your paintings; another kind of "folk science" is to write and paint for one's own heart, focusing on pleasing oneself rather than pleasing others.
"Junxue" painting in ancient times generally refers to the painter painting for the royal family to appreciate, more fine, more true, is to let the people in the palace do not leave home to enjoy the beauty of the country's mountains and rivers; of course, it is also useful in the folk, in the folk is hung in the home to play the role of decorative painting;
"Junxue" pays attention to appearance, cares about the accuracy of lines, has a craftsman's atmosphere, and the royal academy of painters has established, which specializes in producing such paintings.
"Folk studies" first existed in calligraphy, focusing on the inner spirit and focusing on exerting oneself; later the ancients proposed to use books into paintings, using the brushwork and brushwork of calligraphy to write paintings, so that they can combine with people's inner needs, care about their own inner needs, and initially present large-scale freehand paintings of flowers and birds.
Huang Binhong's concept of writing into painting is based on epigraphy, and writes lines with golden stone interest for use in paintings, making the lines richer, more flexible and vibrant.
Huang Binhong devoted his life to the study of traditional calligraphy and Western painting, he used his pen such as a seal, washed and dignified, vigorous and powerful, in the line of rigorous brushwork, there is a longitudinal and strange interest, is a generation of masters of landscape painting;
The significance of the summary contribution of his theoretical theories and practical methods has also determined Huang Binhong's unshakable position in the field of calligraphy and painting;
The founder of the founding sect is worth exploring and learning for every lover of calligraphy and painting in future generations.
Remarks: The above views are obtained by the author through exchanges with Mr. Dayu and do not directly represent the views of Dayu himself.
Dayu, the number of the void, the founder of traditional Chinese brushwork, nebula chart. His pen is like a seal, washed and dignified, vigorous and powerful, in the line of rigorous pen, there is a long and horizontal interest, is committed to exploring the brush and ink scholars related to calligraphy and painting; the wind of Xu Wei in the Ximing Dynasty, studying the unique painting style of Huang Binhong's "five strokes and seven inks", exploring the collision of traditional pen and ink and cosmic nebula, and creating a new field of National painting style of Nebula Map; its representative works are: 18-meter astonishing long volume "New Fuchun Mountain Residence Map", 12 square meters of huge "Wanfeng Qifeng Map", traditional pen and ink "Pseudo-Huangshan Tangkou", "Qiu Hong", innovative nebula map series "Ten Square Space", "Ten Square Space". Pillar of Creation", "Lost", etc.