When painting landscapes, we should observe nature and understand the mysteries of nature. Huang Binhong said that he would only copy and was the last class painter. He felt that painters should have their own opinions and should have their own style. If you can't have creative techniques, it's hard to achieve great things.
Huang Binhong's point of view is a bit sharp, and he unveiled the "fig leaf" of many painters. Since the beginning of the Qing Dynasty, the orthodox Four Kings painting style has become the mainstream of the painting world, and the creative concept of attaching importance to copying has become a golden rule. Through her own creative experience, Huang Binhong told everyone that do not superstitious copying, but should travel to natural scenic spots and seriously experience natural beauty. In order to better understand the charm of Huang Binhong's works, combined with his landscape paintings, he slowly introduced them.
Huang Binhong Landscape
Huang Binhong likes to travel and also likes to carry a sketchbook with him. When he encountered a landscape full of changing beauty, he immediately sketched it out. He observed natural landscapes, studied the techniques of famous masters of past generations, and looked for ways and methods for famous masters to summarize various techniques. He learns the creative process, not the results of "plagiarism" of famous artists. Therefore, his works are full of the beauty of change, the beauty of vividness, the beauty of taste.
Look at the part of the picture below, is it particularly chaotic, the arc is arbitrarily outlined, as if it is indiscriminately smeared. This is what the ancients often mentioned as "there is no way to have a law", which is simply not similar to the sense of beauty. To learn to abide by the rules and regulations, in order to master the basic skills of painting; creation must break the rules in order to draw a temperament. Huang Binhong uses "chaotic lines" to express the mountain stones shrouded in smoke clouds, and adjusts the rhythm of pen and ink with color, so that people can feel the lush temperament of natural landscapes.
Huang Binhong Landscape Local
Some people use the phrase "chaos is not chaotic" to describe this style, chaos is the appearance, not chaos is the internal logic. Huang Binhong uses pen and ink to express his observations, and there are trade-offs between swings, beyond the stage of tracing and writing objects, directly capturing the essence of things. Huang Binhong's landscape paintings have charm, that is, they have charm. For example, painting characters should express personality characteristics, painting flowers and birds should express the vitality of interest, and painting landscapes requires someone to communicate and interact with nature.
Huang Binhong concluded that there are four stages in painting landscapes: they are mountaineering and facing the water, sitting and looking at the suffering is insufficient, and I have all the landscapes, think twice before acting. Starting from observing nature, experiencing the process of being friends with landscapes, accommodating landscapes in your heart, and finally every stroke in the process of painting is what you think in your heart. This process is also known as the creation of the Teacher's Dharma, the source of the heart.
Huang Binhong Landscape Local
Huang Binhong often paints black and white landscapes, and it is not common for landscape paintings with colors like this. Whether it is black and white or color, it is actually a landscape on paper. The natural landscape is rich in color, and to reflect the natural beauty, it is not necessary to leave everything you see on paper. How to choose, or to look at nature more, to see more to know which to give up, which to keep.
Whether it is ink or color, Huang Binhong paints real mountains and real water, so his works are full of charm. In addition, he studied painting theory, compared the gains and losses of predecessors, and summarized pen and ink techniques from observation. Thick Huazi, Gang Jian Wanna, the landscape in the painting can be comparable to nature.
Huang Binhong Landscape Local
This "Landscape" was huang Binhong's work in his 80s, after which his paintings became darker, denser and more chaotic. He completely jumped out of the shackles of tradition and became an example of painting landscapes.