A little addition to the "Long Compilation of Huang Binhong's Chronology"

The Long Edition of Huang Binhong's Chronology, edited by the late scholar Wang Zhongxiu, was published by Rong Baozhai Publishing House last year. This imperial masterpiece, which has accumulated more than ten years of merit, has taken Huang Binhong's research one step further. Some researchers pointed out that "this million-word chronology still has room for addition."

The author of this article believes that after Huang Binhong moved to Hangzhou in his later years, he had many acquaintances with teachers and students of the National Academy of Fine Arts (now the China Academy of Art), and there must have been many related historical materials on poetry and painting, but somehow there was not much ink in the long edition. This article only mentions the first-hand literature of Huang Binhong's interaction with Zhu Lesan, and talks about it as a supplement.

The "Huang Binhong Chronology" compiled by Mr. Wang Zhongxiu published by Shanghai Calligraphy and Painting Publishing House in June 2005 is an indispensable tool for many people engaged in related research. In April 2021, rongbaozhai publishing house published the "Huang Binhong Chronicle Long Edition" is still edited by Wang Zhongxiu, "the updated edition of the annals in addition to correcting individual lineage errors", in addition to "correcting hundreds of dozens of mistakes planted by others, the addition of more than 200,000 words, most of which are new historical materials, as well as necessary 'talking' materials to say".

Obviously, this imperial masterpiece, which has accumulated more than ten years of achievements, has pushed Huang Binhong's research one step further. The article "Art History is the Study of Man": "After Reading the Long Compilation of Huang Binhong's Chronology" is convincing in its value and merits; in addition, it is not hidden from His Holiness, and some errors in interpretation and compilation are also addressed; and it is pertinently believed that "this multi-million-word chronology still has room for addition." Undoubtedly, this is a very precious academic judgmental attitude.

Indeed, with the continuous construction and opening up of various modern newspaper and periodical databases, it provides researchers with great retrieval convenience, and it is roughly known that there are still important documents of Huang Binhong in many newspapers and magazines. For example, "Gongyan Bao", "Dahua Daily", "Xinmin Bao", "Southeast Daily", "Guangzhou Daily", "Zhongshan Daily", "Henan Minbao", "Datong Bao", "Sichuan Morning Post", "Xinshu Bao" and other newspapers have some rare and valuable pictures. And carefully reviewing all kinds of books, you can also find a number of unseen handwriting. For example, in 1924, the "Collection of Famous Paintings of the Xin'an Sect" published by the Shenzhou Guoguang Society had its own handwritten long text; in 1929, the "Shi GeBu for Mr. Jiang Wenshi's Book Yunzhou Zige" published by the Shenzhou Guoguang Society had its handwritten long trek of "Pengchen Winter Moon Shehuang BinZhi"; the "Collection of Collected Flowers and Birds of the Beijing Academy of Paintings" contained the inscription of his 1947 pseudo-ancient flower and bird album for Wang Shensheng:

Heavenly Fun. Mr. Shensheng is a good painter and learns the ancient without mud. Zji Jin Wen Bo Yue. Ding Hai Eighty-Four Shu Binhong.

Other treks are:

Tang paintings are carved, Song paintings are fierce; Yuanren takes the essence of the macro, removes its dross, and captures the elite, so it is super yi on it. The flower and bird family, called Shang Xuanhe, Huang Xiaofugui, Xu Xiyeyi, parted ways, each extremely victorious. To Wang Ruoshui and Zhang Zizheng, the two families of the law, the law of the long house short, the unique creation of The Ancients. Zi Zheng's work, just soft in the middle. This volume has long been hidden in the Inner House, and the treasures are all bally, which is especially rare to see. Mr. Shensheng, Miaomiao Danqing, several times through the flow, tacit understanding of the chest, sprinkled, the form and the spirit are complete, no beauty is prepared. Admiration to the point, Zhi Shen is fortunate to be in the clouds. Ding Hai Eighty-Four Shu Binhong.

There are also 1926 "Art Views" containing "Zhao Zijun Character Album Hidden by King Xuefanjun"; there are paintings and poem inscriptions for Zhu Qizhan's "Plum Blossom Caotang Collection"; there are several long treks written for Rong Geng; there are "Guihai Ji Travel Poems and Paintings" written for Ye Gongqi. As such, there are still some that have been seen, and there are certainly more that have survived, and the omissions in the compilation can be filled.

As for the public and private materials, it seems that they need to be excavated and supplemented. Among them, after Huang Binhong moved to Hangzhou in his later years, he had many connections with teachers and students of the National Academy of Fine Arts (now the China Academy of Art), and there must have been many related historical materials on poetry, calligraphy and painting, but somehow there was not much ink in the long edition. Here, only the first-hand literature of Huang Binhong's interaction with Zhu Lesan is mentioned here, and the conversation is used as a supplement.

A few tongzha and a few calligraphy paintings

In Zhu Lesan's article "My Artistic Career", it is clearly written, "In the second half of 1946, at the invitation of his old friend Pan Tianshou, he came to Hangzhou National West Lake Art College to teach. Soon, Mr. Huang Binhong also came to teach at the art college, and my reunion with Bin Lao's long farewell was particularly cordial. In the early 1950s after liberation, he once specialized in landscape painting in addition to his academic administrative work, and often asked For advice from Binlao." This is not false. In the autumn of 1948, Mr. Huang Lao also came to Hangzhou Art College to teach, and Le Lao "often contacted him after that, talking about how traditional pen and ink techniques were combined with the expression method of creating nature, so he understood that even if he was a little uniform, he could not be smeared at will, which was dazzling." In this year, Huang Binhong had a small preface to the Three Hands book of Zhule (Figure 1):

Since the Yuan Dynasty, Wu Qiuyan wrote the "Thirty-Five Moves" and continued to talk about the seal engraving of the Fa, and there is no shortage of people. To the former Qing Dao Guangjian, Jin Shi Xuesheng, Weixian Chen Yizhai "Seal Lift", thousand seals and thousands of seals, the examination of the system, the regret of the undead chapter, nearly scattered. Nowadays, when antiquities have been unearthed, there are many seals, and Mr. Lesan will compile and expand them from this, fortunately. Peng Zi Eighty-Five Shu Binhong.

Figure 1 Huang Binhong for Zhu Le's three inscriptions, 1948

The "Complete Collection of Huang Binhong's Collected Works" marked this article as "Title Zhu Le Three Compilation Seal Engraved Words", and it is not accurate to reach the source. In 1923, when Zhu Lesan first taught at the Shanghai Meizhuan, he compiled the "Seal Engraving Sayings", which was divided into eight chapters: "Examination of Names", "Changes in The Seals of Past Dynasties", "System of Seals", "Laws of Seals", "Laws of Seals", "Laws of Seals", "Methods of Writing and Writing", "Methods of Knives", and "Recognition of Funds". Judging from the mimeographs in the collection of Zhule San Art Museum, it was originally a textbook for the Summer Seminar of Shanghai Art College. In 1948, zhu Lesan was going to re-compile and expand it into a book, and ask Huang Binhong to write an inscription? Judging from the meaning of The Inscription by Binwon, this may not be the case.

Figure 2 Zhu Le San Shan Shui 1949

Figure 3 Huang Binhong Shanshui, 1949

In 1949, Huang Binhong inscribed on an ink landscape (Figure 2) by Zhu Lesan: "The pen is as strong as the ancient seal, and the power of the extreme is the power of the hammer." Mr. Lesan is the most cooperative in this frame. Self ugly eighty-six shu bin rainbow question. In the same year, in a frame of landscapes inscribed with zhu Lesan (figure 3), Huang Binhong wrote: "Li Ti Shi Shi Xi, formerly known as Qian Yutan; Wei Qian ru can do, Luan Ying wrote Jiangnan." Mr. Le Sanfangjia belongs to the genus, eighty-six Sorcerer Binhong, he is ugly. ”

Figure 4 Zhu Lesan to Huang Binhongza, 1949

It should also be July 26, 1949, when Zhu Le Sansen (Figure 4) asked Binwong:

Mr. BinHong, my teacher: Do not listen to the teachings, instantaneous and decadence, want to walk on the staff and suihe, every morning will move the pen, unfortunately can not watch on the right side of the seat, when the regret. Wen School only re-employed one or two professors in the next period of Chinese painting, and after that, there were few opportunities to meet with Mr. Yanhong, but the beggar Yanhong continued, often gave proverbs, and gave food to the poor, endlessly, fortunately, very fortunately! However, I have repeatedly disturbed Qingxing, and I don't know if I think it is cumbersome? Come and forgive many masterpieces, mail a few frames, and return them after copying. The grass is covered with inexhaustible wisps. That is, please Chong'an

Brother Zhu Le San Jing Qi On the twenty-sixth day of July

Figure 5 Huang Binhong Seal Book "Painting Fun Wensi" Seven Words Lian, 1949

In the winter of this year, Huang Binweng gave Zhu Le the Three Seals book Seven Words (Figure 5), "Painting fun day in the quiet place of the long mountain, when the Wensi flower is released from the water." Mr. Lesan's literary and painting theories are all upstream, because the collection of ancient characters is written as a Yue language to Zhi Shu Pei, that is, Xi Yuezheng, and the clumsy pen is not enough to look at it. Ugly winter, Binhong was eighty and six years old. ”

Figure 6 Huang Binhong wrote his own poem for Zhu Le, 1949

In addition, Bin Weng also wrote an inscription for zhu Lesan's "Wu Linglao's Self-Written Poems" and wrote a poem (Figure 6):

Uncle Zhao and Wei Jiasun on the study of the Golden Stone are the most compatible, and the books are asked to return, and there is an endless stream. Yan Xiaofang observed his ruler, loved and put it into stone prints, which were widely circulated and called by people. Wu Miao's old seal engraving calligraphy and paintings are very famous, no less than Zhao Shu's uncle, which is related to the old Sang Zi Qi and discusses rhymes. The recorded self-composed poems, Mr. Le San obtained it, many of them have been engraved, the remains have not been seen, what attacked the pool, why is bao ai ruye, because of the title and recognized later. He is ugly eighty-six.

Figure 7 Zhu Lesan to Huang Binhongza

The Zhejiang Provincial Museum now has a number of codexes and notes from Zhu Le Sanzhi Binweng, which are not easy to determine, but it can be seen that the calligraphy and paintings of the two people have returned here. The first (Figure 7) says:

Mr. Binwong, my teacher: I would like to offer a chicken, talk about my wishes, and beg and bow down without blame. i.e. please

Engraving (and three drawings)

Evening music three prayers five days

Second:

Mr. Bin Weng My Master Motto: Fu Feng cut twelve pieces of small rice paper, and begged to write Ji You landscapes, and showed different painting methods, then the famous mountain famous pen and two beautiful, fortunately prayed even. Sincerely,

Chong'an

Late birth of Zhule Three Respects the Twenty-fourth Day of the Waxing Moon

Third:

After careful reading, the manuscript has been checked out as it is for reference.

Late life music three tributes

Figure 8 Zhu Lesan to Huang Binhongza

Fourth (Figure 8):

Mr. Binwong's Great Book: The twelve frames of the album have been completed, the original manuscript has been returned, and the prayer is received. Stacking the Ya teachings, doubting the gradual analysis, Mr. Qiu is tireless, then he will ride ten, or have gains. In recent days, if there are albums and banners, please give them again, pray even more, and do not blaspheme, please live in peace.

Brother ZhuLe three times

Several passages of the "Three Diaries of Zhu Le" recorded

Figure 9 Huang Binhong Shanshui 1952

In 1952, Huang Binhong also gave Zhu Le Sanyi a fine picture of landscape (Figure 9), saying: "Xixi water comes from the heavenly eye, and it is the most secluded." Written as Mr. Le San a smile, Bin Hongnian eighty and nine. There is also an old work "Silent Poetry" hand scroll, the inscription: "This remaining ten years of the old work, Mr. Le San's six methods are exquisite, good at identification, see and love, ashamed can not be good, the book this sense of ambition." Renchen Binhong, year eighty and nine. ”

Figure 10 One of the papers of the Three Diaries of Zhu Le

From the "ZhuLe Three Diaries" collected by the family, it is possible to understand the outline of the interaction between the two after 1953 in more detail, which is a first-hand document that cannot be ignored. Where (Figure 10) reads:

On January 15, 1953, in the afternoon, I went to Mr. Huang Binhong's place in Qixialing and sat down to talk for two hours. Yu carries Xi Tiesheng fan surface (landscape) please identify, it is said that Xi Tiesheng uses a pen such as a swab, not superior also. As a reference ear. In the past year, at Huang Bin's old place, he borrowed two pieces of colored landscapes and one banner that he usually made, but they were not framed, and they were pleasant to the eye in the hanging room. However, none of them have been signed, and there is a risk of loss of light due to the fainting of the canal. On this day, the three frames of the canal will be inscribed. The handwriting is confused and unrecognizable. Bin Weng was eighty-nine years old, his spirit was still healthy, and Yu was worried that his eyes were blind, and he was depressed in the day, and he was very sorry. Often wanting to go to his apartment and absorb his learning experience, Nain school staff work, no time, can not get their wishes. When he came to Beijing, Qi Baishi was greatly encouraged by the government and wished for his ninety-second birthday. Praise is extraordinary. Cover attaches importance to ethnic painting also.

That night, he composed the poem "Mr. Huang Binhong Painted a Picture of the Qingliang Mountain Residence in Baimen, and Showed Liu Junliang's Poems According to Rhymes and Bonghe":

Don't talk about pictures and words, painting is the meaning of words.

It is difficult to say that there is no reason to say, for Uchiha can live for a long time.

The ink ball is full of paper tablets of the three elders, and the knower laughs in confusion.

Laughing tumbler suddenly strange, the pen is funny and the rhythm of the cockroach.

Yamakawa Lingxiu collects the bottom of the wrist, and there are paintings and poems in the poems.

On February 28th, the East China Branch of the Central Academy of Fine Arts and the Zhejiang Branch of the China Artists Association held a celebration of Mr. Huang Binhong's 90th birthday, and also composed the poem "Mr. Shou Huang Binhong":

Ninety years of life, Huang Gong thick heaven.

Embrace the wind and moon, quietly bet on the mountains and rivers.

Painting so natural reason, the heart of the original zen.

Lingxia reflects the sandals, and the evening color is more vivid.

The Three Diaries of Zhule also have a very valuable record of the celebration:

On the 28th of February (that is, the 15th day of the first lunar month of the lunar calendar), the East China Academy of Fine Arts congratulated Mr. Huang Binhong on his 90th birthday, and Yu also organized one of the arrangements. His own paintings include thirty frames, three pieces of calligraphy, as well as his poems, paintings (including the manuscripts of the travel hook and the lingu paintings) and his collection of Qin and Han seals, text interpretations and other works. At the same time, part of his collection of paintings and calligraphy is displayed. Favorite masterpieces such as:

Ming Zhang Gong Hu Shan set up a light landscape and inscription: "Calligraphy ends with king Zhong, but painting is not the case." After Gu and Lu, each person was called holy, and it was beyond the limits of the times. ”

The Qing King Shigu Bamboo Stone Diagram, Yun Nantian inscription: "The pen and ink are concise with the slightest intention, and the luck of its spirit is particularly bleak in places where people can't see it, and this can only be solved." Shi Gu Lin Ke Jing Zhong Bamboo Stone, really has the beauty of blue, Ding Wei September Shou Ping title. He also asked: "Wonderful cares about the water, and the strange changes cannot pass." The magic lies in a tree and a stone, and a thousand cliffs cannot be crossed. Nanda plays again at the Fujiwakaku exhibition. ”

Ming Wutao imitated the rice method, the inscription: "Spring mountain green smoke, rice old good place, not necessarily after the rain to see also." Saion Mountain Waves. ”

Mingchay Huang landscape, inscription: "Hanging waterfall pressure layer mountain." "This frame is uniformly fully penciled, with the pen in the center, without rendering.

The Ming Wang family Zhenbi people moved to the map, and the people painted only had a little ochre on their faces, hands and feet. The clothes and hats are purely white, and the background is flat and lonely, and it is not colored.

Ming Zhang dafeng landscape, (unified painting full, complete line pencil, slightly baked. This is a sketchbook. ）

Yuan monk virtual white rain bamboo perch bird figure, (high monk name bright, number virtual white).

Ming Guyuan Jinji ink-colored landscape, (Gu Yuan is one of the two families of Jinling. ）

Qing Fang Yi Mo Mei, nicknamed Bai Lian Daoren, was luo Liangfeng's concubine (wife), and inscribed yun: "Thousands of branches are horizontally inclined, and the cold color is in the water." Dawn on the creek beam, ice wire (澌) open the bottom of the staff. The old man is far away, like a plum blossom. Ning Fu was afraid of the cold of spring, and the grass hall could not lie down.

Figure 11 One of the papers of the Three Diaries of Zhu Le

On the afternoon of March 8, he visited Huang Binhong in Qixialing and sat and talked for two hours, and there were also detailed records (Figure 11):

On March 8, 1953, when the weather was clear, in the afternoon, I went to Mr. Huang Binhong in Qixialing and sat down for two hours to talk about what I got, and the record was as follows:

Western Sinology (Ram's Study), Gong Ding'an is a Western Sinology, Gong Ding'an often criticizes other people's learning is not good, and Ding'an's son criticizes Ding'an for not being good.

Fish, the symbol of the ancient nation. Shu is a snake, Fujian is a snake, and so on.

Zou Zhi Scale, Zi Chen Hu, Trumpet White, Gradual River Master. Yun Xiang Shan, name Xiang, trumpet Daosheng.

Embroidery water, also known as Xiushui, zhejiang Jiaxing ancient place name. The Xiushui School of Painting, headed by Xiang Molin. Xiang Molin (i.e. Xiang Yuanbi) has a rich collection.

Huangshan, Huangshan School of Painting, headed by Li Yongchang, at the same time as Dong Qichang.

He was rich in collection, and at the same time, he was a friend of Zhao Shibiao (a large salt merchant). In his later years, Wang Shigu was in the Zheng family and was friendly with Chongguang. Ishitani has a penmanship of heavy light accumulation points into lines, and the pen is powerful.

Courtiers, walking in the south four directions, Zou Yigui and so on are courtiers. Courtyard body, northern painters are courtier courtyard body.

Ichijing School, painter of Shanghai. Jianghu sects, such as Shi Tao, Bada and so on. Literati school, do not distinguish the painting method, do not sectarian, random painting, etc. is also.

Lou Dongpai, Wang Jian, Wang Shimin, Wang Lutai (Yuan Qi).

Haiyu Sect, Wang Shigu.

The four beetles are also the erosions of the four kinds of poetry and painting. Shiqu Baodi, forty-four volumes, written by Emperor Gaozong of the Qing Dynasty, is a famous author of the Inner House Collection.

Yan Lizhixue, Yan Yuan, Li Yuan, specialize in Chinese philosophy, Yongzheng Shiren. First of all, during the Kangxi Dynasty, Huang Zongxi (Lizhou), Gu Yanwu (Tinglin), Wang Chuanshan, etc. were all special lectures and did not practice. The study of Yan Li, and to Dai Wangzhi (Gao Qi), Daoguang Shiren, continued to talk about the study of Yan Li, and began to invent.

Hu Yizan, Qing Ren, Zi Shi Cha, for Haining Prefecture, Wu Guxiang was promoted by him.

Jingyang, Zhang Ke was a native of Jingyang, Ming Dynasty.

Laidong, Jiang Shijie, Ming Dynasty, Laidong people. Better than Ni Yunlin.

The old man BinHong was said to be the victor of the Qing Dynasty to Daoguang and Xianfeng, and was the humble generation of Lin Zexu, Bao Shichen, Wu Rangzhi, and Zhao Zhi. That is to say, there is a Qing Dynasty, and the painting of the Taoist and Xianshi dynasties has reached a high level.

Liu Shi'an wrote a book with his wrist hanging indoors (the so-called wrist-hanging person actually hangs his arm with a rope), which does not allow people to peek. Yi Moqing is the grandson of Shi An, who has written many books, and Shi An is not good, and one day Mo Qing peeps into Shi An in the cracks of the wall. With the Hanging Wrist Method and then writing a book, Shi An knew that his tricks were already known to Mo Qing.

On September 9, he went to Huang Binhong to collect paintings and forwarded them to participate in the "National Chinese Painting Exhibition" held in Beijing this year:

On September 9, 1953, he went to Mr. Huang Binhong to take a painting to participate in the national Chinese painting exhibition in Beijing, and his thirst for a frame was inscribed: "Ancient painting heavy brush and ink." Thirsty pen stained ink, Yuan Ji Mei Shami is the most adept at the field (long), Ming Ni Hongbao claims to be a scholar, fickle and out of it, here is a plan. Eighty-nine Sorcerer Binhong. ”

Figure 12 Huang Binhong to Zhule Sanza, 1953

Judging from the "Catalogue of Works of the National Chinese Painting Exhibition", Huang Binhong entered the exhibition in two paintings, and the other frame is probably printed in the "Commemorative Painting Collection of the National Chinese Painting Exhibition in 1953", with the inscription: "The rain first rests, and the cool bread wants to flow." It is written in the meaning of a thick Huazi. Xin 卯八八八叟 Binhong. The existing precious Binon Zhile Three Codex (Figure 12) also mentions the relevant contents, and it can be roughly determined that this code was written in September 1953. Text:

The school hereby submits the drawings by the nineteenth day of the deadline, prays for the payment of them, and hopes to correct them. The former inherited the painting landscape and water strip, which has been completed. The album counts twelve pieces of paper, after outlining the wheel hub, then add the thickness of the wrinkle method several times, first be appraised, then spare ink, blended into one breath, slightly supplement the small scene, you can complete the volume. On this. Mr. Zhu Lesan. BinHong worships

On December 20th, he passed by Huang Binhong's office and talked about the interconnection between drama and calligraphy and painting:

On the 20th day of December 1953, when Mr. Huang Binhong passed by, it was said that yesterday's famous Ling (Ling) Gai asked Tian to talk about art with his son Gu, and Elder Bin prostrated that "when performing Sun Wukong's dancing through the heavenly stick, where should we pay attention to a little bit of vivid interest?" Gai Shi was silent for a long time, and Elder Bin said: "I think that when dancing on the bar, the actor's eyes should look at the bar head of the bar, and the viewpoint of the eye must rotate with the bar head to get full of spirit." Write books and draw, and the same is true with a pen. Insufficiency is inevitable. ”

On December 29, Huang Binhong suffered from cold diarrhea, and Lesan prescribed medicine for him, and Bin weng used the pen method with Tan:

On December 29, Mr. Bin Hong suffered from cold diarrhea, which was prescribed. And talk about the method of using the pen. Pen on paper, should be ten thousand millimeters of force, hold the pen the wrist, the pen should be rotated, otherwise it is easy to fall and powerless.

Huang Dayi has ink and no pen, Ni Yunlin has pen and no ink, Mei Dao people are good at using ink staining, and Huang Heshan Qiao has both pen and ink. Mei Dao people are good at staining ink, heavy inner beauty, their counterpart is Sheng Mao (Zi Zhao), Shang Wai Mei, ask Zi Zhao for paintings are very many, Mei Dao people's wives are called Dao people: Ru painting is black and dirty, people do not like it, when it is like Zi Zhao's painting. Taoist: In twenty years, everyone knows that there is me but not that there is another.

On June 2, 1954, he visited Huang Binhong again. In:

On June 2, I visited Huang Binlao and saw more than ten frames of the landscape ruler book written in Beijing more than ten years ago, all of which were random hook points, which were said to have been made when I was working hard. There are hooks that imitate the original works of the ancients, and there are those who shrink the hooks according to the huge width of the original works, and they do not have to be all the same, and they have their carelessness. There are mountain stone silhouettes with ink hooks, in which the dots are green with juice or painted green, although casual games, but also unique style.

Figure 13 Huang Binhong and Zhu Lesan sketching at Feilaifeng in 1954

In October of that year, Zhu Lesan, Hong Shiqing and Huang Binhong were sketching at Lingyin Feilai Peak, and the relevant photos seen today (Figure 13) were taken at that time. And probably in this year, Binwong also signed the "Xizhai Seal" for Zhu Le's three inscriptions.

On March 25, 1955, Huang Binhong died of illness. Zhu Le Sanji:

On the 25th day of March 1955 (the second day of the first month of March in the first year of the ancient calendar), Huang Bin died of illness in Hangzhou Hospital and was buried in Nanshan Cemetery on the 27th. Before his death, he said that he would dedicate the cultural relics of his life collection to the country. He died on December 31, 2012 at the age of 92. I went to see him when he was in the hospital and asked me if I had any ideas? Theories such as "Painting Basket" should be looked at.

Two manuscripts

In the spring of 1953, Huang Binhong wrote "Painting Studies", and "Huang Binhong's Long Compilation of Genealogy" has ink and a long examination, which is very valuable; but there is no mention of the role played by Zhu Lesan and others in it, which is contrary to the facts.

Figure 14 Huang Binhong, first edition of Painting Studies

Zhu Lesan's family now has a total of four versions of the Mimeograph and Lead Printed Manuscripts of the Painting Chapter, which are two more than the texts recorded in Wang Zhongxiu's "Complete Compilation of Huang Binhong's Collected Writings", of course, the same. The first edition is called "Painting Song" (Figure 14), which is different from the naming of other versions of "Painting Science", and there are a large number of text corrections and sentence additions in Zhule San's handwriting throughout. Although it is not easy to determine whether Zhu Lesan's annotations are due to Bin Weng's instructions or his own personal behavior, the situation shown is consistent with the description of "one after another letters and errors" and "many sentences are also missing" in Bin Weng's letter to Zheng Yifu, this edition has many amendments, and many annotations, supplements, and corrections may be the version of "Painting Studies" that has aroused criticism from all sides. Wang Zhongxiu's question about "which of the various existing prints is the most suitable for the old man's original intention" in the examination of wang Zhongxiu's examination is that it should be the fourth edition of Zhu Le San's collection (Figure 15). There are no traces of any revision in the whole manuscript, and there are bin weng's own printing four squares, "Huang Binhong", "Eternal Life Andre", "Ice Rainbow Flying Hall", "Meeting Heart", and one side seems to be an ancient seal with a gluttonous pattern. The same text content can also be seen in the version of Huang Binhong's "Painting Chapter" given to Cheng Xiaotian, and only the content of the plutonium printing is slightly different. In contrast, Wang Zhongxiu's "first" corresponds to the third draft, and "second" is roughly the same as the fourth draft, of which, as it is discussed, is "uneven triangular arc" rather than "Yao"; but there are still discrepancies between the others. In particular, there are also individual words and sentences different from several manuscripts of Huang Binhong's handwritten "Painting Studies" that have been seen today.

Figure 15 Huang Binhong, Fourth Edition of Painting Studies

The article "Interpretation of painting science" is an explanation of the content of "painting science", and it can be seen that there are three manuscripts from Zhu Le's three handwriting. This can also be confirmed by Wang Bomin's article "Interpretation of the Painting Chapter", "Huang Binshi composed the "Painting Chapter" in the spring of 1953, and after fu Zi, he explained its meaning, which was recorded by Mr. Zhu Lesan and became a volume of "Interpretation of the Painting Chapter". (Huang Binhong,Wang Bomin and Qian Xuewen, eds., "Huang Binhong's Quotations and Illustrations of Paintings", Appendix to the "Explanation of painting studies", Hangzhou: Xiling Printing Press, 1997, p. 129.) The words are slightly different from "Mohai Smoke Clouds: Huang Binhong's Research Papers" (Hefei: Anhui Fine Arts Publishing House, October 1989, p. 4). The first draft of the original title, "Explanation of the Painting Chapter" (Fig. 16), has the words "Binwong's modification" on it. The collection in the Complete Collection of Huang Binhong's Writings is slightly different from that of xu, which is the difference between the revised draft and the copied manuscript.

Figure 16 Zhu Lesan Two of the first draft of the Explanation of painting (interpretation) has two papers

In addition, it is worth mentioning that in May 1985, the "Huang Binhong Painting Collection" jointly edited and published by the Zhejiang People's Fine Arts Publishing House and the Shanghai People's Fine Arts Publishing House, followed by the "Huang Binhong Chronology" co-edited by Wang Jiwen and Wang Bomin, in addition to the preface of Mr. Chen Shutong and Xia Chengtao, Zhu Lesan also made a preface on March 26, 1965:

Mr. Huang Binhong is an outstanding painter in the mainland, who began to study painting at the age of ten, and also studied the Six Laws, especially in landscapes. He is both a teacher of the ancients and a teacher of creation, and his paintings are thick and unique.

Mr. Pingsu often collected the ancient cultural relics of the Shang Zhou, Qin, and Han Dynasties, as well as the calligraphy and paintings of the Song, Yuan, Ming, and Qing dynasties, and had research and essay records, so his works were rich and his manuscripts were numerous.

Since the death of his husband, it has been ten years of cold and summer, and there are Wang Jiwen of Shexian County, and Wang Bomin of Taizhou has compiled an annual genealogy for it, which took more than six years. Mr. Bo Min is a disciple of Mr. Bo Min, who is more familiar with mr. words and deeds, and pays more attention to mr. achievements. So it can do it. The chronology is roughly divided into four parts, the first one is detailed, the second one is concise and well organized. And now the final draft, carefully count the words as the order.

Figure 17 Zhu Lesan "Commemorating the 100th Birthday of Mr. Huang Binhong" poem 1963

In 1963, on the centenary of Binwong's birthday, Zhu Lesan also wrote a poem to commemorate it (Figure 17), and his emotions were:

Who can ride together, the integrity of the old age is more reserved; even if the painting is more expensive than Qiong Yao, it is not easy for the green ant to run the pen.

I am the same as the good Chizen Moss, even if the dragon is ashamed of his talents; thirty years on the morality of Jiaodun, when the staff will return to the chase.

The painting theory is subtle and Zen can be referenced, and it does not lead to carving from the shape; the cage cannot get rid of ning, and it is impossible to get rid of the cage, and it is not necessary to ask for it.

Jinglu Yilu Rock Stream, Lin Lang left foot to observe; where is the light wind and moon people, Ting Shu Chun from Fa Ke.

The famous field has never competed for galloping, diluting the nostalgia of seeing it; Fan Shuimo ShanNing stops painting, and even passes on the poetry of Jia Yong Shu.

Seven years have passed since the return of the tu rate to the truth, and the period of yiyi shou is across the mountains and rivers; the chest of the ordinary life is spared, and the Danqing is never polished.