Since ancient times, Jiangsu's landscape paintings can be said to be the peaks of Qi, and the peaks of the group are competing. In order to commemorate Mr. Qian Songyao and to promote the development of Chinese landscape painting, Yangtze Evening News and Qian Songyao Art Museum plan to jointly hold the "Tribute to the Classics" landscape painting invitation exhibition on January 17-23, 2022. This exhibition will also be promoted simultaneously on the WeChat public account of Yangzi Jianzang.
The artist introduced to you in this issue is Cui Dayou, formerly known as Cui Qizhong, and the number is Shi Miao. Born in 1991, a native of Pei County, Jiangsu Province. Acting painter at the Museum of Collecting Arts.
Reading notes "Huhua Nonsense" selected ten
Wen | Cui Dayou
The old realm of human books is extremely difficult to go everywhere, you can open up a grid on the four products, the old age is not visible, and the painting is not yet impossible to achieve. Those who are close to this realm are Huang Binweng, Qi Baishi, Zhu Qizhan, Xiao Longshi, and Liu Haisu. Extremely thick and old, do not prepare the law, spread out the embrace. Qi disperses, figures scatter, shapes scatter, pen and ink scatter, and the wind god is everywhere. The sages of the past, the Song, Yuan, Ming, and Qing dynasties, the four families and eight ancestors, although the green vines and the eight great masters, were absolutely in the gods, and they transcended into a generation of masters, but they also failed to reach.
Qin only II, Wei Han Li Ben, Han Chengqin system, is the national cultural convergence and integration period, the weather has been determined, four hundred years converged and completed. Exhale and inhale, just close and soften. Then yin and yang are mutually born, WeiYang hui Jin yin, Tang Yang hui Song yin, Yuan Yang hui Ming yin, Qing and Hui, min re-hui, and now in the huihua time. The times have their own spirit, and they have become China today. Today's scholars should know that they do not enter the Qin and the ancient, do not enter the Han and do not xiong, do not enter the Tang and are not righteous, do not enter the Song and are not elegant, do not enter the Ming and are not deep, do not enter the Qing and are not thick, and do not enter the time and do not me. Personal trade-offs are all in between.
Li Rihua on painting: "Mei ShaMi is near Jing, and Jing imitates the Tang Dynasty, but he knows the difficulty of painting but creativity, such as his achievements, and the present and ancient masters are not secretive." "Seeing such as the twelve volumes of Xi Gang, there are many "see Shiguzi Linwen and Can Authentic Handwriting", someone learns someone to imitate someone's pen meaning and failed, the rings are together, or into nine consecutive, before there is an ancient saying to inherit, and then there is a saying to open. In the meantime, they are mutually causal, through the ancient to the present, or can be named through the ages, this so-called traditional evolutionary chain. Nowadays, it is difficult for calligraphy and painting to leave the two families of Lao Miao and Bin Weng, such as they do not leave Qingteng and Si Weng. At this point, the ancient and modern times have changed, and when they enter and exit from here. Out of the knowledge of their past, into the knowledge of their comings, the momentum is like a relay, in the former people stationed on their feet. With the ancient music, Gan is a stepping stone, and it is forbidden to become the sand of the eyes. Don't go against the grain, be a descendant of Xiao Zu. Don't ask for a foreign minister, wear a self-fur.
Chinese painting does not have an absolute sense of creation, especially freehand. Writing poetry with the ancients, life is normalized, using what you know and want to rhyme, casual and natural, not intended to be Jia Naijia. Put down the butcher's knife, and everything will come and go. Abandoning obsession, believing in temperament, being generous, being excited, having nothing in the chest, no one in the eyes, not moving in the same way, not begging elsewhere. Forget about Huang Wu, don't think about Li Du, throw Han Ou behind your head, become your own way, and have nothing to rely on. All are based on excitement, bizarre detachment, love and Dharma in fun, natural aura, trance, without thinking, strange and strange, inexplicable. However, all the reasons are there, the actions stop from the heart, and the divine appearance is full of pen and not knowing it, which is the first class of perfection between heaven and earth, and it is divine and holy. Otherwise, if you cling to it all your life, how can you stand?
Bin Weng asked yu Ni to draw a roundabout battle, knelt down to pray and insisted, and the words and strokes were clear to the point that the Fa was not passed on. Chinese learning is not passed on at any time, there is no successor, learning is a public instrument, and it will die for private purposes. After being able to dye and scatter the old people to learn under the door of Bin Weng, they will not stop nagging, afraid that they will not know, the true master realm.
Zhao Zhi's humble quality is high in spirit, if it is a day off, it is definitely not such a face, but a lifetime of simulation, only enough and ineffective, can not be fulfilled. In his early years, he studied under Zhang Lunying and Wu Xizai, and set a familiar and charming style. In his later years, his knot body was majestic, occasionally and old, and after all, it was not ancient, male but not heavy, and the taste was too late to penetrate. However, it is very accessible. His words say that He Zizhen is not very interesting, he really does not know the state, He Zizhen is calm and at ease, only as he is not as stable as the sad nunnery, the taste is full and interesting, and his poetry is full of taste, so he is familiar with the "Ritual Rites", the "Book of Han", and the "Shuowen", so Zeng Wenzheng thinks that the book can be ancient, and the poetry is a family.
Life is like a cup of karma, and there are four realms. Absorb little by little, be modest and cautious, but do not overflow. He cups into me, this tolerant, the knower knows me, this way is all directions, each has its own kind. I enter his cup, tolerate people, return to history, know what I can do, and accomplish my work. The cup breaks the invisible, goes to the obstacle, and becomes the realm of infinity and ineffectuality.
Song Ming theory has its own place, Cheng Zhu Lu Wang's heart and matter are two squares, which exist because of the world. The seven sons of the poem, the four ancestors of the Wen, and the four kings of Wu Yun are all cheng Zhu. Wen Zhi Three Yuan, QiShu Four, Four Monks and Eight Monsters, based on king Lu.
The five willow slackers, presumably, do not cultivate the field, the so-called field is only its heart, and the hoe is also its heart grass. Everyone should keep their own acre and three points of land, the morning star is absurd, with the moon and hoe. Of course, it may only be the result of a thin grass full of beans.
In the past, Li Gonglin painted, said to himself that he was a troublemaker, and he chanted his temperament, but the world did not notice it, and he wanted to play well. The pedantic prince calls himself a sloppy pen, does not seek similarity, and chats to entertain himself. The ancients had this high mark, why did they have the idea of fame and fortune? Xuanhe painting notation: Sun Keyuan, who does not know who he is, has no intention of things, and the game pen and ink are cynical. True Gao Shi is a ghost, the world comes and goes, why should the common name be tired.