Reading Notes: The Second and Third Sons of Those Who Know Me
Jiang Baobing
Xin Abandoned Disease, Southern Song Dynasty poet, character You'an, number Jiaxuan resident. It is equally famous as Su Shi and is called Su Xin. A native of Licheng (present-day Jinan, Shandong). In the thirty-first year of Shaoxing (1161), he led 2,000 people to participate in the northern anti-Jin rebel army, and the following year he was enshrined in the Southern Song Dynasty. He has successively pacified hubei, jiangxi, hunan, fujian, and eastern Zhejiang. Throughout his life, he firmly advocated resisting the Jin soldiers and recovering the lost land. He played the "Ten Treatises on Meiqin", analyzed the situation between the enemy and ourselves, and put forward a specific plan for the restoration of the country by strengthening the army; and also went to the prime minister's "Nine Discussions" to further expound the ideas of the "Ten Theses"; none of them were adopted and implemented. During his tenure in various localities, he conscientiously eliminated accumulated shortcomings, actively reorganized his armaments, and was repeatedly constrained by the capitulators, and even punished by dismissal, and once lived idly in the Shangrao area of Jiangxi For a long time. The great talents who restored the homeland could not be displayed, and they were loyal and indignant, which created a generation of people in the Southern Song Dynasty. There are 629 words in existence, and the number is the crown of song words.
"Congratulations to the Groom"
I am in decline. There are only a few left. The white hair hangs three thousand feet in the air, and he laughs at everything in the world. Ask what can make the public happy. I see how feminine qingshan is, and I should be like this when I see qingshan. Feelings and appearances, slightly similar.
Holding a bottle and scratching his head in the east window. Think of the abyss, stop the cloud poetry, the flavor at this time. Jiang Zuo Shen was a person who sought fame, and he did not know the mysterious principle of turbid mash. Looking back, the clouds flew up. I don't hate the ancients, I don't see, I hate the ancients, I don't see my crazy ears. He who knows me, the second and third sons.
The first part of the song begins with "I am very decayed." There are only a few left! That is, it quotes allusions from the Analects. Confucius is recorded in the Analects of the Analects: "Even if I am in decline, I will no longer dream of seeing the Duke of Zhou." If Confucius lamented that his way was not good; then Xin Qijie's quotation of it has the meaning of lamenting that political ideals cannot be realized.
Xin was fifty-nine years old when he wrote this, and he had lived for many years, so it was very natural to issue such a sigh. Here, "only a few are left" and the concluding sentence "Those who know me, two or three sons" are connected end to end, which is used to emphasize the word "zero and fall". Then "The white hair hangs three thousand feet in the air, and laughs at everything in the world." What can make the public happy? In a few words, he also used allusions such as Li Bai's "Qiupu Song" "White Hair Three Thousand Zhang" and "World Speaking New Language and Favor Ceremony" to record Xi Chao and Wang Ke's "can make the Duke (referring to Sima Huanwen of jin) happy" and other allusions, telling that he injured the boss in vain and achieved nothing, and could not find a friend to satisfy, and wrote about the relationship between the world and his own loneliness at this time.
"I see how feminine Qingshan is, and I think Qingshan should be like this" two sentences, which are the whole police policy. Because the lyricist has nothing (actually referring to no one), he has to pour his affection into nature, not only feeling that Aoyama is "feminine", but also feeling as if Aoyama also uses the lyricist as "feminine". This is the same artistic technique as Li Bai's "Sitting Alone in the Pavilion" "Looking at Each Other and Not Getting Tired". This technique first wedges the feelings of the aesthetic subject into the object, and then uses the object image stained with the subject's emotional color to reveal the inner feelings of the aesthetic subject. In this way, the sense of subjectivity in the work is greatly strengthened, and it is easy to infect the reader.
The following "feelings and appearances, slightly similar." "Two sentences, love, refer to the love of the word man; appearance, refers to the appearance of green mountains. There are many similarities between the two, such as the sublime, the tranquil and youthful vitality. Here, the author compares his love with Qingshan, euphemistically expressing his lofty ambition to be lonely and never to be in cahoots with adulterers. The author of the next piece of the word uses allusions. "In the east window of a scratching head, I want to yuanming's poem "Stopping the Clouds", and the flavor at this time." Tao Yuanming's "Stopping the Clouds" has poems such as "Good Friends Are Leisurely, Scratching the Head and Extending the Ling" and "There is wine and wine, idle drinking in the East Window", and Xin Shuyi condensed it in one sentence to imagine the flavor of Tao Yuanming's poetry in that year.
Here the author also mentions Tao Yuanming, which means to take Tao Yuanming as a condition. "Jiang Zuo shen shen shen and seek fame, do you know the mysterious principle of turbid mash?" Two sentences, on the surface, seem to rebuke those celebrity figures in the Southern Dynasty who "seek fame while drunk" (Su Shi's "Twenty Songs of Drinking with Tao", Part III); in fact, it is a satire on the Southern Song Dynasty that there were no Tao Yuanming-style drinking masters, but only some rulers who were drunk and dreamed of death. The following two sentences, "I don't hate the ancients, I don't see, I hate the ancients don't see my crazy ears", the syntax is similar to the previous film "I see the green mountains", showing the author's heroic spirit of proud of ancient and modern times. The "ancients" mentioned here are not ordinary ancients, but refer to people like Tao Yuanming.
According to Yue Ke's "History of Qi, Volume III", xin abandoned his illness and every time he feasted, "he will order the servant To sing what he has written." The word "He Bridegroom" is a very good song, and he recites his aphorism: I see how feminine Qingshan is, and I should be like this when Qingshan sees me. Also known: I don't hate the ancients, I don't see, I hate the ancients who don't see my crazy ears. Every time at this point, the beard laughs to himself, and the consultant sits like a guest." It shows that Xin Abandoning Disease is very conceited about his own two-fold. Concluding sentence "He who knows me, the second and third sons." This "second and third sons" for whom no one has made a special study, some people think that it was Chen Liang, a person at that time. However, in my personal opinion, it is advisable to broaden the horizon and include the ancients Tao Yuanming, Qu Yuan, and even Confucius. Xin Qicheng lamented that there were not many like-minded friends at that time, which was similar to Qu Yuan's lament that "everyone is drunk and I am awake alone", and it is also out of anxiety about the danger of the country and the nation. And his idle residence in Lead Mountain is also somewhat similar to the situation of Tao Yuanming's "Nanshan".
About the author: Jiang Baobing, Zi Jian Mei, Number Sword Mei Lou Lord, Qingfeng Hall Master. He is a member of the Chinese Essay Literature Association, a member of the Whole Committee of the Dezhou Writers Association, a member of the Dezhou Calligraphers Association, a director of the Yucheng Writers Association, and an editorial board member of Yucheng Literature.
The work "Night Reading Lu Xun" won the second prize of the national "Walking with the Republic, Good Books Grow with Me" Reading essay competition, and "Looking at Social Changes from Dietary Changes" won the first prize of the National Day Essay contest for the 60th anniversary of the founding of the People's Republic of China. "The Green Plane Tree" won the third prize for outstanding literary and artistic works in practicing the core values of socialism. "Growing Up with the Great Motherland" won the first prize of the "Lucky Color Cup, I and New China" with an award for essays. "The Ancient Road of the Yellow River" won the Excellence Award in the Prose Group in the 4th China Xiajin Yuguo Poetry (Prose) Competition.
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