| Sun Huichang of Slippery Academy: Mr. Wuliu

■ Sun Huichang

"Return to Xi, the countryside will be wu, Hu will not return!" This bright tone is the ideological basis of Mr. Wuliu's "abandonment of Lu and return to farming".

Mr. Wuliu is the great poet of the Eastern Jin Dynasty, Tao Qian, Tao Yuanmingye. His great-grandfather Tao Kan (陶侃), the founding father of the Eastern Jin Dynasty, was an official to sima and a duke of Changsha County. Because they were ethnic minorities, although the mountain martial arts won a high position, "Wangfei Clan" was not the same as the prestige of the Wang and Xie surnames at that time. When Tao Yuanming was born, the family road declined, and Tao Yuanming's birth was not valued by society, and it was decided that he was restricted in his career advancement.

He was educated in the Confucian "Six Classics" since childhood, and when he was young, he had the ambition to save the world. "Fierce ambitions around the world, Qian Fei thinks far away", "when young and strong, sword-wielding solo travel" shows that his ambitions are lofty. From the age of 29, he successively performed wine sacrifices, joined the army, and gave county orders, but each time it lasted a short time. When Ren PengZeling was in charge of the post, a postmaster came to the county, and his subordinates advised him to "tie the belt to see it", and Tao Chang sighed: "I can't bend my waist for five buckets of rice, fist and fist are evil in the township!" He was dismissed on the same day and left for just over 80 days.

"The years have passed, and this heart has gone a little." "The Yu family is poor, and the cultivation is not enough for self-sufficiency." Childish surplus room, no corn reserves. Born of the capital, did not see its skills. He advised Yu to be a senior official, and he had a good idea and asked for a way. "Cultivating instead of Lu" was the only way out for intellectuals at that time, and after several degrees of contradictions, he finally embarked on the road of "cultivating and self-financing".

This natural quality of his is not something to be desired. Resigning and returning to the field reflects his love of freedom, uninhibited, noble personality, integrity and uncompromising soul, and the idyllic pastoral life is the most suitable for him. "When enlightenment is remembered, the bird will waste its bow." Reveal his hidden intention of protecting himself. The twenty of "Drinking" compares the current world to the "crazy Qin" era of Confucianism, and the ideological struggle between renunciation and returning to farming is probably the old precepts of Confucianism and the philosophy of Taoist use of the world.

As a result, pastoral life became its spiritual sustenance. "More than ten acres of square houses, eight or nine grass houses." The eaves of the elm willow shade, in front of the tao li luo hall. Warm and warm far away from the village, clinging to the smoke in the ruins. Dogs bark in the deep alley, chickens chirp mulberry elm peaks. There is no dust in the household, and there is spare time in the virtual room." Living in this way became his ideal kingdom.

Pastoral life is very interesting, and he is a neighbor of The old man of Tianfuye, working in the fields together, and establishing a simple friendship. "In the song of the times, the grass is exchanged together", "Seeing the heavens and miscellaneous words, but the Road mulberry is long", "often afraid of frost and thunder, scattered with grass", the topics are similar to each other, which is a concrete portrayal of his life at that time.

Early out and twilight, accustomed to it, and the relationship with the neighborhood is also quite harmonious. They drank informally between them, chatted without scruples, forgot each other, and deeply felt the deep taste of wine.

"The frost in the mountains is dewy, and the wind is not cold. The Tian family was not bitter, and Fu was relieved of this difficulty. "Life belongs to the way, and food and clothing are fixed." Do not do anything, but seek self-security? It is this pastoral life that he has a better understanding of the peasants and is at ease with his choices, "I hope it will be like this, and it is not a pity to work hard." ”

Mr. Goyanagi has his own exquisite life, and has like-minded friends, who are either hermits or petty officials. Communicate with each other, talk about the past and the present, write articles to appreciate, discuss together, and never get tired of it.

"If the period is too full, may it be full of japonica grain." Winter foot cloth, coarse to respond to the sun". Although he did not ask for much, he still could not solve the problem of food and clothing. Natural and man-made disasters will also fall suddenly, he is 44 years old, his home has been burned, and the family has nowhere to live, only on the boat in front of the temporary perch. Droughts and floods are common every year, and natural disasters such as insect plagues and wind disasters are frequent, resulting in "convergence and lack of surplus". "The wage earners have told me that there is no more death left", and you can imagine how the people have suffered the scourge of war. Man-made disasters, there is nowhere to find in the poem, there is something taboo.

By the time Sang Yu was old, he was living in daily difficulty, sometimes had to beg for food, and often relied on loans from others and friends to help him survive a half-starved life. To the death, this situation does not change slightly.

Mr. Goyanagi can be described as poor and strong, and in the midst of hardships, he has not changed his ambitions in the slightest. He had "enlisted the work of Lang", but he refused to take office. Jiangzhou Thorn Shi Tan Daoji once "gave sorghum meat" to persuade him to "go away", and Yong Qingsong in "Drinking" is a portrait of his lonely character.

"Peach Blossom Origin Poems and Prefaces" is exactly the result of his life, experience, sorrow and emotion in the 20 years after returning to farming, reflecting the wishes of the vast number of farmers at that time, and its practical significance should be fully affirmed.

He lived in seclusion for a long time and did not forget politics, and chapters such as "Wing Jing Ke" and "Reading the Classic of Mountains and Seas" were deeply pinned on his love and hatred.

Mr. Wuliu has flesh and blood, and "Idle Love" has a very lingering taste of pity, and this bold depiction of love relationships has a clear Wei and Jin brand.

It is precisely the many pains and misfortunes in this life that have created his unique life path, achieved a far-reaching "pottery body" in literature, and created an artistic style that dilutes nature throughout the ages.

About the author: Sun Huichang, male, born in 1970, originally from Dong'a County, Liaocheng. He currently lives in Pingyin County, Jinan City. He is a member of the Chinese Poetry Society, a member of the Qilu Calligraphers and Painters Association, and a star of learning for the people of Shandong Province.

[Editor and production: Slippery, real name Liu Jian, senior teacher, founder of Huanpai Literature. On the title page of his book "Slippery", it is impressively written: "Humble is fine, fine is humble." / The one who is humbled is dying, / The spirit is coming to an end because of the essence. / Life is different, / People die together. / Alive, once for a chicken feather red face, / can sacrifice oneself for a girl to forget death; / Dead, not proud of the city full of thousands of beautiful women, / not depressed with dogs for the company of sheep as wives. 】

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