With the launch of the colorful Guizhou Spring Flower Viewing Tour series of activities in 2022, the "Jinhai Snow Mountain" scenic spot in Guiding County has joined the "intangible cultural heritage" culture.
The intangible cultural heritage display area is in the "Jinhai Snow Mountain" scenic nostalgia garden.
Bamboo pole dance
"I painted the small flower seedlings of our Guiding County, mainly to express the nostalgia for the ancestors." In the batik exhibition area of Guizhou, Yan Huaniang was painting small flower seedlings in Guiding County, and she introduced the painting content to reporters while painting.
Miao women's wax paintings, patterns are from life thoughts and sees, generally small proofs, only by conceiving paintings, do not use rulers and compasses, the symmetrical lines, straight lines and square figures drawn, folded up can match the same. The flowers, birds, insects and fish depicted are exquisite and vivid.
Batik has a long history in the Miao, it is rumored that the Miao in the Tang Dynasty mastered the "point wax mantle" batik dyeing technology in the Han area, and by the Song Dynasty has become a well-known national craft.
Reporters experience and feel the national handicrafts
It is understood that the pattern structure of Guiding batik is fine and unique, the color is harmonious and delicious, and the pattern pattern changes and is also worthy of the name.
Batik teacher Peng Junfeng said: "The whole costume or wax piece will appear this blue background flowers, blue and white pattern, this is a traditional culture of our Miao people, the whole presentation of the vulgar elegance, both traditional and fashionable." ”
Ethnic minority handicrafts such as batik contain exquisite skills and traditional culture, and combining traditional national crafts with modern consumer demand is the direction for the entire ethnic minority supplies industry.
At the same time, when everyone was enjoying the scenery wholeheartedly, there was a burst of singing not far away, and a group of grandmothers sat around and hummed while spinning lace, so unhappy.
Spinning flowers
"A tree, eighteen trees, and it comes and goes, and it comes and goes, and it bears noodles and melons." This riddle that circulated in the 1960s and 1970s is believed to be unfamiliar to many people, and spinning flowers is probably even stranger to many young people today.
With the improvement of people's living standards and the acceleration of various industrialization processes, the labor of spinning flowers has gradually faded out of people's vision.
Seeing this folk craft that is gradually disappearing in the scenic spot will still make many people recall that era, remembering the cotton jacket and cotton pants made by their mothers, especially the softness, warmth and comfort when worn on the body.
On the other side of the intangible cultural heritage corridor, there are more than 50 paper-cut exhibitions in Xinba Town, Guiding County. In the exhibition, the paper-cut works are cleverly conceived and skilled, not only can find some classic symbols and expression techniques in the traditional paper-cutting, but also see many innovative means and presentation methods, these paper-cut contents count the history of the Struggle of the Chinese nation over the past hundred years, attracting the audience to take photos and photos, but also let everyone have a deeper understanding of the intangible cultural heritage of paper-cutting.
Walking along, the reporter came to the calligraphy and painting exhibition hall, in the exhibition hall can be seen, the exhibition of calligraphy and painting content covers grass, li, seal calligraphy and flowers and birds landscapes, oil paintings, watercolor paintings, etc., rich in themes, diverse forms, positive content.
The exhibited works are taken from Guiding's local themes, and the painters use their own brushes to outline the landscapes, rivers, customs and customs of Guiding County, full of the simple feelings of the calligraphers and painters to love the country and their hometown, and each work reflects the spiritual outlook of the people of Guiding County from different angles, the gratifying scene of a better life, the colorful customs and customs and beautiful natural scenery. Before the exhibition of works, many lovers who love calligraphy and painting stopped to admire.
Visitors enjoy the exhibition of paintings and calligraphy
Tourist Wang Yao said: "I came from Fuquan, saw the exhibition of calligraphy and painting, and I was very envious, and the master's works were very well written and very artistic. ”
Every wonderful appearance and every eye-catching appearance of intangible cultural heritage is not only people's re-understanding of the beauty of craftsmanship and ingenuity, the re-perception of the beauty of tradition and the beauty of life, but also the process of understanding the Chinese cultural context and enhancing cultural self-confidence.
In the Guiding Intangible Cultural Heritage Exhibition Hall of the "Jinhai Snow Mountain" scenic spot, a strong cultural atmosphere swept in, cloud and mist tribute tea, Miao costumes... Pictures of intangible cultural heritage activities and exquisite intangible cultural exhibits attracted everyone to stop and watch and feel the unique charm of intangible cultural heritage.
Yuan Jingna, director of the Intangible Cultural Heritage Protection Center of Guiding County, introduced: "With the help of colorful Guizhou flower viewing activities, we have set up the Guiding Intangible Cultural Heritage Exhibition Hall here, and the long shirt dragon and buyi medicine liver herb making techniques in the exhibition hall are two national intangible cultural heritages. On the first floor, there are independent exhibition halls, and there are four Miao Patriarch Encouragement, Yunwu Tribute Tea Handicraft Techniques, Buyi Hall, Miao Pavilion, these 6 small exhibition halls composed of intangible cultural heritage exhibition halls, layout of intangible cultural heritage exhibition hall, so that more visitors can intuitively see the text, physical objects, understand guiding the national culture of Guiding. ”
In recent years, in order to further increase the publicity of intangible cultural heritage, Deepen the understanding and cognition of intangible cultural heritage by authors, inheritors and the public of protection crafts, actively promote intangible cultural heritage into scenic spots, counters and classrooms, focus on boosting cultural self-confidence, cultivate civilized rural style, and achieve win-win and win-win results in poverty alleviation and employment, industrial development and cultural revitalization.
Decoupage
Intangible cultural heritage into scenic spots, make good use of national cultural business cards such as "China Buyi First Village" and "China's Rice Carving Art Town", implant miao, Buyi and other characteristic ethnic cultural elements in various scenic spots, and carry out resident performances on a regular basis through the display of intangible cultural heritage products, so as to achieve resource sharing, complementary advantages and synergy, and provide new engines and new impetus for tourism development. By visiting intangible cultural heritage projects and participating in intangible cultural heritage experience, intangible cultural heritage and tourist attractions are integrated, which effectively enhances the cultural connotation of scenic spots.
With the development of tourism in Guiding County, the scattered intangible cultural heritage will also greatly enrich the tourism market of Guiding County, enrich the tourism and cultural life of tourists, and inject new vitality into tourism.
In the next step, Guiding County will carefully organize and do a good job in the protection and inheritance of intangible cultural heritage, continue to promote the continuous integration and development of intangible cultural heritage and tourism, so that "intangible cultural heritage" can get better display opportunities in tourism, and also let intangible cultural heritage projects further enhance the cultural content of tourism in Guiding County.
Reporters: Cao Tingting, Meng Liqin, Li Xin
Editor: Luo Qingqing