When tradition meets the new trend, when youth meets intangible cultural heritage, what kind of sparks will be rubbed out
They can give you answers
They are post-90s, post-00s are our peers are "non-genetic inheritors" are "craftsmen" and "keepers"
Post-00s girls
Batik made me go further
Wang Xinying, 21, is from Danzhai County, Guizhou Province
Exposure to batik begins at the age of 6
At the age of 19, she was named the non-hereditary heir of batik in Danzhai County
Is a veritable "second generation craftsman"
Wang Xinying inspects the finished batik works in the batik experience store
Hmong batik is Hmong
Folk craftsmanship passed down from generation to generation
The finished products with simple colors and beautiful patterns with strong national customs and local characteristics were included in the first batch of national intangible cultural heritage list
Wang Xinying (left) talks to tourists at the batik experience store
Wang Xinying (left) guides tourists to learn batik at the batik experience store
In 2017, with the support of the national poverty alleviation policy
Wang Xinying and her family have successively opened a batik experience shop and a batik making workshop in the town, specializing in the promotion, production, research and development and sales of Miao batik products
April 2021
Wang Xinying was invited to participate in Shanghai Fashion Week
"The city outside is beautiful and the building is high
But I feel that my hometown is more suitable for me
Only batik can take me further
Next, I'm going to put the batik elements
Integrate into the national fashion clothing design
Let more people like batik."
Practiced hard for 17 years
"Dancing on the Water" is not a dream
Lingbo microsteps
Dancing on the water
This is not the "Chinese Kung Fu" that only exists in the novel.
It is the solo bamboo drift performance of Yang Liu, a non-hereditary heir after 95
Costume play performance of willows on the Chishui River
Duzhu drift is also known as duzhu boat
It originates from the Chishui River Basin in Guizhou
A unique folk skill
It is also a national intangible cultural heritage of the mainland
It has a history of more than 2,000 years
Yang Liu's grandmother is a member of the Zunyi Duzhu Drift Association
She lives with her grandmother
From an early age, I learned to paddle alone on the surface of the water
Yang Liu hopes that the beauty of the traditional culture of her hometown can be seen by more people, and she has integrated the dance she learned into the solo bamboo drift to create a new form of expression of the solo bamboo drift, which has gradually evolved from a folk sports activity into a set of solo bamboo floating water performances that integrate artistic performance elements
She also uploaded her own video on the Internet so far, which has gained millions of fans, and the video is even more popular overseas
After becoming popular on the Internet, Yang Liu still sticks to her original intention and strives to study her skills because she and her grandmother have a common dream to let Duzhu drift to the world!
Take grandma's mantle
Giving ancient calligraphy and painting a second "youth"
Born in 1996, Cao Hejun is the youngest person in Ningbo to work on the restoration of ancient calligraphy and painting
Cao Hejun's grandmother Yao Aijuan is a representative of Ningbo's calligraphy and painting restoration industry under the influence of her grandmother
Cao Hejun developed a keen interest in Chinese painting and calligraphy at a young age
Cao Hejun and his grandmother Yao Aijuan joined hands to restore the Chinese painting
Cao Hejun began to study Chinese painting from elementary school
After graduating from college, he took over his grandmother's class
Become a young "post-90s" non-hereditary inheritor
"Finished repairing a painting
It often takes one to three months
Only one step can be done per day
Not only patience, but also perseverance
And by the hands of the restorer
Ancient calligraphy and painting can rejuvenate"
Ancient paintings before and after restoration
The restoration of ancient paintings and calligraphy requires both possession
Detailed historical support
It also requires extremely high restoration skills
Care and patience are required
Even for professionals
Nor is it an easy task
"Patience, persistence
Plus interests and family heirlooms
It's a big reason I'm able to stick with it."
"Treasure Boy" from Peking University
Inherit in innovation, tell in works
Lang Jia Ziyu was born in 1995
He is a 2018 graduate student at the School of Arts of Peking University
At the same time, he is also the third generation of the national intangible cultural heritage "Mian Ren Lang" in 2010, which was absorbed by the Beijing Folk Artists Association as a prospective member, and has repeatedly exhibited and won awards in foreign countries to perform face sculptures
When she was young, Lang Jia Ziyu learned to make noodles with her father
Lang Jia Ziyu was born in a "family of noodles"
Grandpa was the founder of "Face Man Lang"
My father has also been working hard to guard the "Face Man Lang"
He grew up watching his father's works
It is natural to want to continue to insist on the inheritance of the face
Since the age of five
He began to formally learn the craft from his father
During his studies at peking university art school
A conversation with the Dean
Let Lang Jia Ziyu realize
"Innovation" is indispensable for inheriting traditions
It's because of innovation
Tradition endures
By Rou yoshiko 2019
He tries to combine personal emotions with his work
Take "being yourself" as the core to convey the inner creation
"A work that will be remembered for a long time."
It doesn't have to be a multi-classic or multi-novel theme
But it must be able to express the author's ideas
And let the viewer have a strong resonance and shock"
Lang Jia Ziyu said
Lang Jia Ziyu opened a face-to-face course at the National Library
Today, Lang Jia Ziyu is still an entrepreneur
He posts video tutorials on social media
Launched cultural and creative and DIY material packages related to face people
Offline teaching classes will also be held
Let more people further contact and understand the face of the person
Facing the heavy responsibility of passing on intangible cultural heritage
Lang Jia Ziyu also had self-doubt
But now he was relieved
"Even in reality there are many difficulties
But as long as you can do your part
Let some people slowly recognize and love this technology
I was very satisfied."
Unexpectedly popular in the exhibition
Intangible cultural heritage deserves the respect of each and every one of us
Wei Yuhang was born in 2003
It is the sixth generation of the "Eighteen Translations"
Traditional culture that was once known only to a few people
He became popular because his display was reported
The production process of "Eighteen Turns" is complicated
Paper needs to be specially crafted and colored
Then go through a different folding method
In order to change the paper flips with different shapes
In an intangible cultural heritage exhibition
Wei Yuhang was with his grandparents
Showcase your own work
During this interview, he was filmed and interviewed
Young and energetic him
Immediately became popular on the Internet
Wei Yuhang thinks
"Intangible cultural heritage deserves the respect of each and every one of us
Especially as post-00s of us"
A generation has a generational challenge
A generation has a generation of perseverance
These young "non-legacy heirs"
From the previous generation
Take over the banner and shoulder the heavy responsibility
Let China excellent traditional culture
Shine again in the new era
Let yourself be young
Shine in perseverance and innovation
Topic: Sun Yusong
Editor: Sun Yusong