At the beginning of "Dream of the Red Chamber", although Jia Fu is "a fiery cooking oil and flowers are full of gold", in the end it is "instantaneous prosperity, temporary joy", and the sword of Damocles that "the feast will be scattered" has been dangling on the head (the thirteenth time).
At this time, when "although the outer shelf has not fallen, the inner bag has also been exhausted" (the second time), in a group of people who are either rich and honorable, or chasing and laughing, or full of sighs, or idle and busy, some people have seen the situation of "the mountain rain is about to come and the wind is full of buildings", and they have begun to plan ahead in the silent place.
Although Qin Keqing has the least time to appear in the Twelve Pieces of Jinling, he is a role often mentioned by commentators. But what interests us is not the so-called "mysterious life" of this woman from the nursery, nor is it the "ash picking" of Rauschzi and her mysterious death, but the solution she proposed for Jia Fu.
"Divine Travel too virtual" is actually an important brushwork of Cao Gong. Those sentences are certainly worth studying playfully, but more importantly, the police illusion fairy was "deeply instructed by the second duke of Erzu Ningrong" and "will be my sister alone, and the name of the milk and the beautiful cousin can be promised" Baoyu, teaching him to "explain from the future, change the previous situation, pay attention to The Relationship between Kong and Meng, and commit to the way of economy" (the fifth time). In fact, this is the use of this extreme method by Ning Rong's second duke - we may call it "do not drown after the love" - to warn this successor that after receiving emotional satisfaction, he must devote himself to running the family business and rejuvenating the family.
Unfortunately, "the idiot has not yet realized" (the fifth time). Originally, the police illusion said two parts of the content, as an additional means of guidance he firmly remembered, after completing some kind of enlightenment immediately "sneak a try" (the sixth time), as for the main content of the police illusion relay, the ancestor's painstaking and lonely instructions - sorry, did not remember (including Qin Zhong's death sentence, in fact, it is also a warning to Baoyu, the result is that Baoyu is full of grief for "friends", as for "friends", or did not remember).
However, this seems to be a dream-like "intermediary" role, why did Cao Gong let it fall on Qin Keqing's body? It shows that in her mind and vision, she already contains vigilance and thinking about the crisis in Jia Fu, intending to prompt Baoyu, but unexpectedly failed. There was no way, Qin Keqing could only use the same means to "dream", to Wang Xifeng, who still had some ability and also held the responsibility of the rongguo government's agency management, to talk about the relevant ideas and arrangements for retreating and withdrawing, but unfortunately, due to the narrow interests and vision of the object of the object, it was not the same.
We can imagine that if Qin Keqing had not been so hurried to receive the box lunch, he could have supported Jia Zhen (this may be possible?). With You Shi co-managing the Ningguo Mansion and practicing her two ideas in the local field (Jia Zhen is the patriarch, at least the sacrifice part of the Ningguo Mansion is the leader), what will happen to the situation?
Although Qin Keqing did not have the opportunity to practice, her thinking was enough for us to put her in the first place in this series and talk about the above words.
Lin Hongyu can be said to be the one who can see the farthest and the most open-minded in the yakuza class. In her short career at Yihong Courtyard, she has already seen the future prospects of Jia Fu. Of course, Xiaohong was not Qin Keqing, and she could not think about the overall situation of Jia Province, so it was impossible to take Qin Keqing's approach. She was thinking about how to get out of this dangerous place.
What is rare and valuable is that Xiaohong can not only see the ending of "but in three years and five years, everyone has done their own thing" (the twenty-sixth time), but also looks at problems and does things with a high degree of hierarchy - people do things at different levels, just like they all go to Jia Dairu to study, Jin Rong is to covet a few pieces of paper and pencil silver, Xue Pan, Baoyu, Qin Zhong... I don't know for what unspeakable purpose, but the Jalans really went to school - this is a high level.
The same goes for Xiaohong. In the short career of YiHongYuan, after climbing Baoyu and seeing all kinds of upside-down scenes around Jia Fu's successor, she changed. She is not as narrow in space as Raiders and Qingwen, running to the black to guard Baoyu, nor is she as time-numb as mandarin ducks, not thinking about what happens behind Jia Mu--what she has is the consideration of seeking change through the whole.
Even when she came to Feng Jie's side, she was not for the sake of being as a fox like some people - for example, Jia Qin (the twenty-fourth time) who triumphantly "rode a donkey" when she had an errand (by the way, she also got an errand from Feng Jie, and Jia Qin Jia Yun's behavior was so contrasting, no wonder Xiaohong and Jia Yun were a pair) - but to "learn some eyebrow heights, go up and down" (the twenty-seventh time), to put it bluntly, it is to change the level of survival, expand the scope of vision, and look for greater opportunities for "big job hopping".
This is Lin Hongyu. The status determines that she cannot make some normative and operational plans like Qin Keqing, but just from her own point of view, she has come up with a lot of good and practical methods, and put them into operation - constantly looking for opportunities, constantly seizing opportunities, continuous optimization levels, continuous full jumps, from the "small jump" in Jia Fu to the "big jump" of getting rid of Jia Fu (which is what Qingwen can't understand in any way), and finally completed the transformation and adjustment of personal life, away from the crisis , won the happiness of marriage, the realization of self-reliance.
Jia Xichun is a relatively low sense of existence in the "Four Springs" of Jia Province, but he is also a person with a unique and distinctive personality. She was not trapped in the struggle of court life like Yuan Chun and could not extricate herself, nor was she as cowardly and insensitive as Yingchun, nor could she have ideals and abilities like Tanchun and tried to solve problems. She figured out herself in a small environment to achieve her own integrity and security.
Of course, identity and personality determine that she can neither have the foresight of Qin Keqing, nor can she burst with vitality like Lin Hongyu - she is a clean ash cold stove without fireworks under her body, except for the "rubbing of intestines" (the fortieth time) when Liu Grandma is out of the ocean, we have hardly seen her officially smile (except for every "sneer"). There is also very little language, even in the atmosphere of the grand view garden, the enthusiastic celebration of the founding of the Begonia Society, even Yingchun actively speaks (that passage is the most concentrated passage of the "Ermutou" speech in the whole book), she has no decent expression, and the only poem in the whole book is the scene of Yuan Chun Province's pro-family time.
Since the seventh time "sending palace flowers", she has vaguely expressed the idea of "renunciation" between jokes. Until the only long speech in the whole book after the inspection of the Grand View Garden, it focused on her state of mind. The extreme expressions of "cold heart, cold heart, cold heart, and fierceness", "incorruptible and lonely nature", "not being a cruel person, it is rare to be a han", "saving the tongue is right and wrong, everyone is still clean", are often criticized by commentators - in fact, if we think about it, behind it is nothing more than a weak woman who cannot do anything when the building will fall, and "only hide from right and wrong" The helplessness of the inner world. (74th)
With the idea of "breaking through the three spring scenes is not long", it is difficult to put into the practice of "changing the makeup of the past years". A "embroidered houmen woman" who has been dressed in fine clothes and food since childhood, and who is well-bred, wants to "lie alone next to the ancient Buddha" (the fifth time) at once, and we can ask ourselves about this difficulty.
Thinking about this, I can't help but think of a few words written by Mr. Yu Qiuyu in "Temple" about Master Hongyi, as if they could do the same thing as the four girls- "Suddenly the sun was shining, and a generation of Toshihiko turned into ascetic Buddhas in the blink of an eye." His wife and young son were abandoned, the strings were broken, the colors were all poured out, and only the shoes were broken, and the yellow curly green lamps were exchanged."
But Xi Chun did. She does not linger, nor does she obsess over the wealth and glory of Jia Fu, nor does she think that "iron wealth and wealth are cast for life" (Peking Opera "Suolin Sac") - like Bao Yu's imagination, "Depending on how he does not pick up his hands, it will not be short for the two of us" (the sixty-second time). In her eyes, Jia Fu's life is illusory, that is, the picture of the Grand View Garden that she has never finished. For the small benefits, some people will be nostalgic, and some are yearning, but Xi Chun, who is good at Go, deeply understands the principle of "giving up the boy and taking care of the big son" - or hurry up to leave this place of right and wrong.
The same Go friend, she and Miao Yu are different. It was only because of "many illnesses since childhood" that Miao Yu (the seventeenth time), who had to "bring hair cultivation" for many years, was "clean, after all, the dust was not broken" (the eighty-seventh time) - not only did he dislike the cleanliness of the "poor woman" (the forty-first time), but also the ambiguous feelings with the noble prince Jia Baoyu, which could not be put down and ripped off continuously.
And Xi Chun is not pulled and dragged by the worldly red dust like Miao Yu, truly "no thoughts are born, all fates are silent" (the eighty-seventh time), completely throwing off these things, and using her own unique way of being good at (this aspect and XiaoHong are the same purpose and different methods, the same way to return) and choose, to achieve the vision and pursuit of "just know that it is enough to keep me, no matter you" (the seventy-fourth time).
At a time when most people in Jia Province were drunk and dreaming of death and flying dogs, some of the more sober people began to prevent problems before they happened. These three women, despite their different personalities and different endings, are typical of this part. "Before the water comes, the dam is stacked" - this sentence commonly used by Mr. Shan Tianfang, a master of storytelling, may be a footnote to their behavior and a portrayal of their images.
Author: Wind and Rain Autumn Window, this article is to read less of the original works of the Red Chamber.