Just as the so-called "the plan of the year lies in the spring", the poets of all generations have also loved it in the face of the spring of vitality and flowers, leaving countless wonderful chapters. "The light rain on the street is as moist as crisp, the grass color is close but there is none", "a few early warblers compete to warm the trees, whose new swallows peck at the spring mud", "the spring color is full of gardens can not be closed, a branch of red apricots out of the wall", a few strokes, the beauty of spring fell in the heart.
However, spring, summer, autumn and winter, the change of seasons is an unchanging natural law, and no matter how beautiful spring is, there will always be a time when she is gone. "The flowers are faded and the red and green apricots are small", so in the late spring, the poems about spring always have a withered and sad mood. Of course, there are also the opposite, not to write about the feeling of a hundred flowers falling and twilight, but choosing to show the style of twilight to the fullest.
For example, the Tang Dynasty poet Han Yu's "Late Spring" is a unique way, writing a moving scene of flowers, plants and trees bent on staying in spring, which can be said to be a few strokes, which is refreshing. It is worth mentioning that the poem "Late Spring" also melts scenery and reason in one furnace, and contains a profound philosophy of life in the description of scenery, which has an enlightening effect on thought. Let's take a closer look at Han Yu's "Late Spring":
The grass tree knows that spring will soon return, and all kinds of red and purple dou Fangfei.
Yang Huayu pods have no talent, but they can only solve the snow flying in the sky.
One or two sentences of the poem, "The grass and trees know that spring will soon return, and all kinds of red and purple dou Fangfei" are mainly used in anthropomorphic techniques, integrating people and flowers into one, not saying that they love spring and cherish spring, but from the perspective of flowers and trees to stay in spring. It literally means that the flowers and trees know that spring is about to go away, so in order to be able to keep the footsteps of spring, they are all showing their magic and competing for glory.
Compared with the love of spring and the love of spring in other poems, all of which are passive feelings, Han Yu is subjectively involved in this poem because of his love of spring and cherishing spring to stay in spring. To put it simply, the reason why others love spring and cherish spring is because they see the withering of a hundred flowers, but Han Yu here is the active blooming of brilliant scenes, to love spring and cherish spring. It can be seen that in terms of form of expression, "Late Spring" has its own uniqueness.
The three or four sentences of the poem, "Yang Hua Yu Pods have no talent, but understand the sky as snow flies", even the simple and unpretentious Yang Hua and Elm Pods, in order to retain the footsteps of spring, are also flying like flying snow. It can be seen that in these two poems, Han Yu also used anthropomorphic techniques to let Yang Hua and Yu Pod take the initiative to bloom their own style. It is worth noting that the word "caisi" used by Han Yu here originally meant talent and thinking, and was generally used to describe people.
So why does Han Yu say here that "Yang Huayu pods have no talent"? This is because among the hundred flowers, the presence of poplar flowers and elm pods is very weak, and few people appreciate them. As su Shi's "Water Dragon Yin" said at the beginning of "like a flower is not a flower, no one regrets to fall from the teaching", very much like a flower, but it seems not to be a flower, no one pities it, let it wither and fall to the ground.
But it is such a "Yanghua Elm Pod" that also knows that we must do everything in our power to retain the spring and add color to the style of the late spring. In this way, "Yang Huayu has no talent, but understands the snow flying in the sky", which also has a philosophical meaning. It can give people some enlightenment, a person has no talent, no relationship, but must actively work hard and seize the opportunity, so that time will not fail people with hearts.
Throughout this "Late Spring", the whole passage uses anthropomorphic rhetorical techniques to express Han Yu's thoughts and feelings of loving spring and cherishing spring, and also contains the philosophy of seizing the opportunity and making unremitting efforts to create a better life, which is worth reading.
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