When xin is mentioned, people will involuntarily combine two seemingly unrelated labels and stick them to him, that is, "lyricist" and "hero".
Since ancient times, heroes are generous, and people from ancient times are affectionate. However, Xin Renyi, who can wander in these two states of mind, uses his legendary life and flying talent to perfectly fit these two labels together, so that he has a high degree of recognition in the world of words.
Liu Kezhuang, a famous lyricist of the Southern Song Dynasty, commented on Xin's lyrics in the "Word Order of Xin Jiaxuan": "Loud boring, small and sonorous, horizontal and six-in-one, sweeping away the eternal, and there is nothing in the cangsheng." Those who are slender and dense are not under Xiao Yan and Qin Lang. ”
Liu Kezhuang highly condensed to summarize the characteristics of Xin Abandoned Disease's lyrics, that is, Xin Abandoned Disease's words are both the clarity of euphemisms and the majesty of bold words, his bold words are self-contained, irreplaceable, and his euphemisms are leisurely and relaxed, and they are extraordinary.
There are also some works with both bold and graceful beauty in Xin's words, which have both the beauty of extravagant excitement and the beauty of Juan Xiu' elegance, and such a unique artistic style has also been later known as "Jiaxuan Body" (Xin Abandoned Disease, the word Jiaxuan).
Xin Zhiyi's "Touching the Fish" is a highly recognizable word in his lyrics, and it is also his classic masterpiece with both boldness and elegance, and it is also a classic in Song Ci. The original words are as follows:
More able to dissipate, a few times the wind and rain, hurried spring and return. I am afraid that the flowers will bloom early in the spring, not to mention the countless reds. Spring and live! See said, the end of the world Yerba Buena has no way back. Grumble. Count only attentive, painted cobwebs, and all Yogyakarta flying feathers.
Nagato affair, quasi-proposed good time and wrong. Moth eyebrows were once jealous. Thousands of gold longitudinal purchases are like endowments, and who sues for this feeling? Jun Mo dance, Jun mo, yuhuan flying swallow are all dust. Idleness is the most bitter. Hugh went to lean on the fence, the oblique sun was on, and the smoke willow was broken.
There is a small preface before the word: "Chun Xi Ji Hai, from Hubei Cao to Hunan, with the official Wang Zhengzhi placed wine in a small mountain pavilion, for the endowment." "Chun Xi Ji Hai, that is, in 1179 AD, when Xin abandoned his illness for forty years, he was changed from the deputy envoy of Hubei to the deputy envoy of Hunan, from Ezhou to Tanzhou. Wang Zhengzhi, a colleague and friend of Xin's colleague and friend, who served as the judge of Hubei's transport, bid him farewell.
In the late spring season when this spring is about to return in a hurry, Xin Zhiyi is also about to embark on a journey to leave Ezhou, and his parting this time is like the footsteps of this spring, even if there is a lot of reluctance and nostalgia in his heart, he also has to embark on the journey, and the lyrics have opened in such a season and atmosphere.
Spring is a beautiful season, everything is revived, grass is long and warblers fly, willows are like smoke; spring is also a season that provides poets with unlimited materials and brings unlimited inspiration. Poets are willing to use their talents to depict, dye, praise, and praise spring, and their talents and flying talents compose a melody of spring.
In classical poetry, the famous verses of the poems that write spring are lined up one after another. For example, He Zhizhang's "Jasper is made into a tree high, and ten thousand green silks are hanging down", which is writing about the swaying and colorful willow branches of Fanghua Tucui in the spring wind; for example, Li Bai's "The clouds want to dress and flowers, and the spring breeze blows Revlon", which is writing a beautiful and splendid love like a spring flower; and then like Qin Guan's "Spring road rain adds flowers, flowers move a mountain and spring color." Walking to the depths of the creek, there are thousands of yellow orioles", which wrote a magnificent spring dream.
There are also Ouyang Xiu's boudoir women's sorrows in the spring, "tearful eyes ask the flowers and flowers are silent, and the red flying over the swing"; there are also Yan Shu's "HuanXi Sha" for the spring gradually drifting away, "helpless flowers fall, déjà vu swallow returns"; and He Zhu's "Qingyu Case" in the smoke and rain in the twilight of the twilight spring lamentation "How much idleness do you have to ask?" A river of tobacco, full of wind in the city, plums yellow when the rain." Therefore, in the eyes of sentimental poets or lyricists, "wounded spring" seems more intriguing.
In any case, such a spring must be inseparable from a pleasant and comfortable mood, but the same spring, the same beauty, for a poet who is full of sorrow and has a heavy heart, the spring in his eyes may be different.
As the saying goes, "A thousand people have a thousand Hamlets in their hearts." Xin Renjie's "Touching the Fish" also happens to be the word for writing spring, and the word "complaint" in the previous film has pointed out the mood of the lyricist. So what does he complain about?
The opening sentence "More can be eliminated, how many storms?" Hurry to spring and return again", saying that it is now the twilight of spring, and it is impossible to bear the attack of several winds and rains, and spring will really go. This is obviously not simply talking about the passage of spring, but something else.
"Cherish the spring and be afraid of the flowers blooming early, not to mention the countless reds", to the effect that: Cherish the spring, I am often afraid that the flowers will bloom too early, not to mention that there are countless reds at this time. These two sentences reveal the psychological activities of the lyricist Xi Chun: because he is afraid of the spring flowers falling, he is even afraid that the spring flowers will bloom too early, because if they bloom early, they will be thankful for the early, which is an in-depth description of the psychology of Xi Chun.
In the face of the sad scene of the rain falling red, Xin abandoned the disease and tried his best to save the spring, he did not want to watch the spring light disappear in the wind and rain. So he wanted to keep, he longed for the distant and endless herbs to continue their dreams, but no matter how he kept, spring gave him only silence.
However, the flowers did not bloom late because of the writer's worries and retention, nor did they fall late because of his pity. In the face of the flowers falling on the ground, the writer was extremely sad, and could not help but catch up with the spring and said to her affectionately, you temporarily stopped the pace of hurried departure, even the heavenly herbs have covered your way back, where do you go?
Because the lyricist is worried that the footsteps of spring are too hurried, so he beckons to the spring, how he hopes that the footsteps of the spring can stay ah, no matter how the lyricist calls sincerely, the spring has never had an attitude, always silent, still quietly slipped away.
Tasting the meaning of the words, it is not difficult to see that the spring in the word is given a personality by the lyricist, and the spring written by the lyricist is like a woman who is loving and pitiful, and the lyricist is really endless about the spring: it is the spring, and it is the spring that stays, and the spring that complains.
The writer has been thinking about and worrying about the safety of the spring girl, and the whipping of the wind and rain seems to hit his body. The lyricist's attachment to spring, nostalgia, and pity are endless. But spring still leaves in a hurry, without regard to the cherishing of others. It's not just this spring.
The writer has been worried, afraid of the spring flowers blooming early, is afraid of the spring also go early. But now it is full of chaos, what a miserable scene! Spring is so merciless, say go and go. In a hurry, the lyricist advised Spring to stay in a gentle and touching tone.
"Grumble. Counting only courtesy, painting cobwebs, and doing all the Yogyakarta flying feathers", these three sentences inherit from the above, and spring did not give any answer to the questions and confessions of the lyricists. The cobwebs on the eaves of the house are constantly stained with willows flying all day long, and spring is even farther away.
The writer could not think of a good way to preserve the spring, but the spider under the eaves, diligently and earnestly, kept drawing a web all day long to keep the willow flying flowers that symbolized the scene of late spring. In the eyes of the writer, the spider holds on to the spring in its own way, and its affection is pitiful.
For the lyricists who love spring and cherish spring, spring is too short, and as soon as the wind and rain stop, spring is afraid that it will end. Because of the spring, he was worried that the flowers would bloom early, because they would fall early, and the writers were meticulous and loved spring deeply. These three sentences vividly express the helpless entanglement and regret of the lyricist who cannot save the spring.
Few people write about the lament and sadness that spring sorrow can dispel a grudge to the end, but Xin Zhiyi has brewed a new kind of musical polyphony, where there is resentment at the low brow, there is also the cry of looking up at the sky, and there is the persistence behind despair. I often hear people say the word "entanglement", in fact, entanglement is also a kind of situation in life, it is not a simple sadness, nor is it a simple joy, it should be a realm after a long period of experience in life.
But spring is still walking, no matter how affectionate the writer is, spring does not pay attention, not even a word of response. In the midst of loneliness, the writer saw spiders on the eaves of the roof playing attentively with the fall of spring. The shadow of spring seems to have been retained, and seeing the spring makes the writer even more worried.
The lyricist cherishes the spring, saves the spring, and complains about the spring, so cherishes and loves the spring, but the spring still returns as expected, but he does not resent the departure of the spring. How precious spring is to the writer! Spring is the favorite of the lyricist. For the spring, the lyricist can be described as lingering and pitiful, and all kinds of suffering.
Why do writers cherish spring so much? What she is so distressed about is actually her beautiful youth that has passed in vain. Cherishing and nostalgia for spring is also cherishing and loving one's own Chinese year.
In the previous film, the lyricist wrote the three aspects of Xi Chun, Liu Chun, and Complaining About Chun in turn, which were orderly and orderly, expressing the lyricist's helpless regret for chun. If we connect the next film of the word and the background of the times, we will find that the lyricist's spring is a sentimentality to life.
Looking back on Xin's life, he returned to the Southern Song Dynasty at the age of twenty-one, and at the age of twenty-six, he devoted himself to writing the "Ten Treatises on Meiqin", discussing state affairs, but at the age of forty, he had to choose to stay away from his career and live a decades-long idle life. Such a life is a life that is misunderstood, and it is also a life that is delayed, so Xin Zhiyi had to sigh.
Why didn't Xin Abandoning Disease, who was so resolute and persistent, make a generous statement and spit out the dissatisfaction in his heart in the face of his old friends? In the words, we can't see the sharp tit-for-tat, nor can we read the strong and fierce direct lyrics, but the lyricist has used a lot of women's stories to make a soft and broken confession.
The film carries up and down, and the whole word is connected. "Nagato matter, quasi-proposed good period and wrong", the lyricist cleverly borrowed the allusion of the protagonist of "Kanaya Zangjiao": Ajiao hoped to regain trust, and agreed on a good date but repeatedly delayed, only because it was too beautiful and some people were jealous. Even if he bought Sima Xiangru's famous gift with thousands of gold, to whom did he confide this deep affection?
"Moth's eyebrows were once jealous. Thousands of gold longitudinal purchases are like endowments, and who sues for this feeling? These three sentences further use the above allusions to write that their talents cannot be displayed, and their own situations and encounters cannot be told and have nowhere to tell. The lyricist borrows allusions in order to show that his full hopes are constantly vanished in constant anticipation. The setting of the question sentence makes the lyrics invisibly add artistic appeal.
"Jun Mo Dance, Jun Mo Dance, Jun Mo, Jade Ring Flying Swallow are all dust", in extreme sadness, the lyricist said insincerely: Don't be too proud, how long can you be proud? Yang Yuhuan and Zhao Feiyan, who were once infinitely pampered, have long since turned into dust, so what do you have to be proud of? This phrase has become a famous sentence throughout the ages because of its profound philosophy.
The use of allusions can richly and implicitly express relevant content and ideas, which is a commonly used method of expression in ancient poetry, which enhances the meaning of the work and also has a certain impact on reading. If you can't correctly control the meaning of the allusion, it will also bring a sense of confusion to the appreciation of the whole work.
Take Xin Shuyi, for example, he is not only a famous lyricist, a writer, but also a scholar who has served as an official, and his works often contain the superposition of dual identities, which dooms his works to be often inclusive and compatible, specifically to know how to grasp the scale between ambiguity and clarity, caution and sincerity.
That is to say, the reason why Xin Abandoning Disease uses allusions to express his emotions and express his feelings that he does not meet with talent. He wants to find a balance between direct lyricism and subtle euphemism, or to show a higher level of artistry. The blunt, impassioned criticism, although the courage is commendable, but the euphemistic and subtle twists and turns of the irony are more thought-provoking and penetrating.
"Idleness is the most bitter. Hugh went to lean on the fence, the oblique sun was on, and the smoke willow was broken." These three sentences are to the effect that idleness torments people the most. Don't go upstairs and look out over the railing, the sunset that is about to sink is there, and the smoke willows that make people break their intestines are misty.
The lyricist places his sad mood in the desolate evening scene, ending with the scene, and the words are exhausted. "Smoke willow", this misty image can be understood here as the confused mood of the lyricist, "oblique sun", this gloomy image can be understood as the gradually depressed mood of the lyricist.
In the last few sentences of the next film, the lyricist brushed aside the description of historical figures and returned to the scene. The two sentences of "Hugh goes to lean on the dangerous fence, the oblique sun is on the side, and the smoke willow is broken", which ends with a jingyu and contains endless charm.
In classical literature, especially in poetry, people attach great importance to the ending, because a good ending can often create the effect of "endless words and infinite meaning", giving people an extraordinary aesthetic enjoyment.
The ending method of "words are endless and meaning is infinite" is an art form with lasting vitality in poetry creation, which not only provides a broad artistic field for poets to express their feelings, but also creates an artistic space for readers who appreciate poetry to explore poetry.
In this poem, Xin abandons the end of the song "ending with scenery" and "blending feelings into scenery", and integrating feelings into scenery is to integrate feelings into specific natural scenes or life scenes, and to express feelings through the depiction of these natural scenes or scenes, which is an indirect and implicit lyrical way.
The ending form of the scenery generally focuses on the aftertaste of the emotion, and here is not the tortuous heart trace conveyed through the writing of the scene and the description, but more on the deepening of the dot dyeing of the emotion, which is the interweaving of a variety of complex emotions, which is really a feeling, nowhere to tell, a mixture of feelings, and want to say goodbye.
This way of writing, the whole text is literally writing scenes, but in fact it is writing love, just as Wang Guowei said, "All scenery language is love language". The advantage of this is that the image is subtle and intriguing: the scene is more vivid because of the rendering of the scene, the scene is more open-minded because of the background of the scene, the perfect blend of love and scenery makes the work extremely infectious, and the helpless pain of the lyricist thus has the power to shock people's hearts.
In the next film, the lyricist uses historical allusions such as Empress Chen, Yuhuan, and Feiyan to narrate the life experiences of the lyricist and express the helpless pain of the lyricist. Throughout the whole word, the words are the helpless regret of the spring in the upper film, and the helpless pain in the next film.
The deeper reason why this song "Touching the Fish" has become a classic in the Song Ci is that the lyrics show the proud personality of Xin Qiyi, a great patriotic lyricist. His career is not smooth, and it can even be said that he has struggled in the bumps of wind and rain, and he has been repeatedly suspected and ostracized, but he has never lost his pure heart. A talent but nowhere to show, full of enthusiasm but snubbed, so can only pin the feelings of the hero in a deep elegance.
From Jinge Iron Horse to "Ten Treatises on Beauty and Celery", from tossing and turning to idle living with lakes, Xin's life is a variety of personalities that overlap: there is extravagance and generosity and deep tact, and there are also beautiful and depressed. The lyrics of Xin Abandoned Disease are colorful, and the combination of diverse life and colorful words and compositions has formed a life of heroic lyricist Xin Abandoned Disease with a distinct personality and can be sung and wept.
As far as this song "Touching the Fish" is concerned, the gestures in the words are flying, the depression is depressed, the allure is placed within the grace, and the sending is greater than the subtle. Read this masterpiece carefully, feel the lyricist's pure heart and homeland feelings, appreciate the unique aesthetic style of the work, and explore its mysteries of being unique to the ancient and modern.
We are easily moved by the affection contained in the lyrics, because there is no style that can express the subtle emotions of human beings so delicately and gracefully, and can describe those inexplicable emotions so closely and movingly, and Xin Renjie's "Touching the Fish" can be said to be an outstanding representative of this kind of style.
Xin's "Touching the Fish" can be said to be a work that has reached the classic realm by writing "helplessly", and it is a typical example of an artistic style that can represent depression and desolation. This poem is also the condensation of one contradiction after another that plagues Xin Renjie, so it highly reflects the personality charm of the lyricist, the whole word is pearls, the essence of the word, so it is very artistic.