Teacher LeLe warmly guides the reading
In the poem, the color appears from time to time, and the multicolored colors add meaning to the scene in the poem and add meaning to the mood. Today, I recommend you a few poems containing "color" to read together!
"Gift to Liu Jingwen"
[Song] Su Shi
There is no rain cover at all, and the chrysanthemum residue is still proud of frost branches.
A good year is the time when the orange, yellow, orange and green.
This poem is an exhortation poem for his friend Liu Jingwen. The first half of this poem says that "Lotus Chrysanthemum Residue" still has to maintain the integrity of proud snow and frost, and the second half of the poem encourages friends through "orange, yellow, orange and green" To encourage friends that difficulties are only temporary, optimistic and upward, do not be depressed. The lyricist's broad mind and exhortation and support for friends in the same dilemma, relying on things and words, and having a lofty artistic conception.
"Like a Dream, Last Night's Rain and Wind"
[Song] Li Qingzhao
Last night the rain was sparse and the wind was strong, and the heavy sleep did not consume the wine.
Try to ask the curtain people, but the begonias are still the same.
Know it or not, know it or not, it should be green fat red thin.
Although the rain last night was sparse, the wind blew sharply, and the heavy sleep could not wipe out all the remaining wine. Ask the maid who is rolling the curtains: How are the begonia flowers in the garden? She said the begonia flowers were still the same as yesterday. Do you know, do you know, this season should be green leaves, red flowers withered.
This little poem, only six short sentences and thirty-three words, but it is written in a tortuous and euphemistic way, which is extremely layered. The writer drank bitterly because he cherished the flowers, "tried to ask" because he knew that the flowers were grateful but held a hint of luck, and asked again because he did not believe in the answer of the "curtain roller", so that the layers of twists and turns, step by step, expressed the feelings of cherishing flowers in a swaying and colorful way.
"Absolute Sentence"
[Tang] Du Fu
Two yellow orioles singing green willows, a row of egrets on the blue sky.
The window contains the West Ridge Thousand Autumn Snow, and the door is docked east Wu Wanli Ship.
Almost anyone will recite this poem. The poem is very graphic, and every sentence seems to be a wonderful picture. First sentence: Two yellow orioles chirp in a willow tree. The second sentence: A line of egrets flew to the blue sky. Third sentence: Sitting in front of the window, you can see the snow piled up on the West Ridge all year round. Fourth sentence: In front of the gate, there are ships from Eastern Wu thousands of miles away.
This poem is very brisk, and when Du Fu wrote this poem, it was also a time of joy. In 762, at the height of the Tang Dynasty, Yin Yanwu of Chengdu entered the dynasty, and due to the "Anshi Rebellion", Du Fu once avoided Zizhou. The following year, the rebellion was put down and Yan Wu returned to Chengdu. Du Fu also returned to Chengdu Caotang. At that time, he was in a very good mood, and in the face of this derivative vitality, he couldn't help but write this short poem of instant scenery.
"Jiangnan Spring Sentence"
[Tang] Du Mu
Thousands of warblers cry green and red, and shuicun mountain guo wine flag wind.
Four hundred and eighty temples in the south, how many buildings in the smoke and rain.
Du Mu lived in the late Tang Dynasty, the Tang Dynasty already had the trend of the building will fall, Du Mu came to Jiangnan this year, can't help but think of the Southern Dynasty, especially the Liang Dynasty Buddha's piety, in the end is a void, not only did not seek eternal life, but misled the country and harmed the people. This poem interweaves natural landscapes and cultural landscapes for description, combining the picturesque natural landscapes of Jiangnan with the cultural landscapes of the Central and Southern Dynasties. In the misty spring color of smoke and rain, the poet's feelings about the rise and fall of history and the hidden worries about the fortunes of the late Tang Dynasty are permeated.
"Memories of Jiangnan"
[Tang] Bai Juyi
Gangnam is good, the scenery used to be familiar.
The sunrise river flowers are red and the fire is better, and the spring river is as green as blue.
Can you not remember Gangnam?
In his youth, Bai Juyi roamed Jiangnan and lived in Suzhou and Hangzhou, and he had a considerable understanding of Jiangnan, so Jiangnan left a deep impression on his mind. When he left suzhou due to illness and returned to Luoyang more than ten years later, he wrote these three poems "Remembering Jiangnan".
As soon as he opened his mouth, he praised "Gangnam is good!" It is precisely because of "good" that we cannot but "remember." The phrase "the scenery used to be familiar" shows that the "good" scenery of Jiangnan is not what people say, but what he personally felt and experienced in the past, thus leaving an unforgettable memory in his aesthetic consciousness. The river flowers are red and the rivers are green, and the two are each other's background. So the red one is redder, "red is better than fire"; the green one is greener, "green as blue".
"Wing Goose"
[Tang] Luo Bin Wang
Goose, goose, goose, song to the sky.
White hair floats green water, red palms pluck clear waves.
"Wing Goose" is a five-character ancient poem written by the early Tang Dynasty poet Luo Binwang at the age of seven. The poem begins with the provocative, "Goose! goose! goose! Write out the sound beauty of the goose, and through the contrast between "song" and "to the sky", "white hair" and "green water", "red palm" and "clear wave" to write out the beauty of the goose's line and color beauty, at the same time, "song", "float", "dial" and other words also write the dynamic beauty of the goose, hearing and vision, static and dynamic, sound and color perfect combination, the shape of the goose comes alive.
"Xiao out of the Jingci Temple to send Lin Zifang"
[Song] Yang Wanli
After all, in the middle of June in West Lake, the scenery is not the same as the four o'clock.
The lotus leaves are infinitely blue, and the lotus flowers are different red.
This is a poem describing the beautiful scenery of Hangzhou's West Lake in June. Through the praise of the beauty of the West Lake, the whole poem means to express the deep affection for friends. The poet uses sentences full of strong color contrasts to paint a wonderful picture of big red and green: "The lotus leaves are infinitely blue, and the lotus flowers are different red." "The seemingly bland pen and ink show the reader an evocative artistic situation.
"Four Hours of Pastoral Miscellaneous Fun · Part II"
[Song] Fan Chengda
Plum golden apricot fat, wheat blossom snow white cauliflower thin.
The sun-long hedge fell without anyone, but the dragonflies and butterflies flew.
This poem writes about the idyllic scenery of Jiangnan in early summer. The poem uses plum yellow, apricot fat, wheat flower white, and cauliflower to write the characteristics of the southern rural scenery in summer, with flowers and fruits, color and shape. The first two sentences write plum yellow apricot fat, wheat cabbage thin, bright colors. The third sentence of the poem writes about the labor of the peasants from the side: the early summer farming is busy, and the peasants leave early and return late, so they rarely see pedestrians during the day. The last sentence also uses "only dragonflies and butterflies fly" to set off the silence in the village, and there is movement in the stillness, which is more quiet. The last two sentences write that the day is long and sparsely populated, and the butterflies dance to the stillness of the movement.
"Send a Friend"
[Tang] Li Bai
Green mountains across the north of the country, white water around the east city.
This place is different, lonely and lonely.
Floating clouds wandering, sunset old people.)
Waving his hand away, Xiao Xiao Ban Ma Ming.
This is a long and affectionate farewell poem, and the author expresses the meaning of relying on the farewell through the portrayal of the farewell environment and the rendering of the atmosphere. Shoulian's "Qingshan Hengbei Guo, White Water Around the East City" explained the place of farewell. The poet had sent his friend outside the city, but the two were still slow to walk side by side, unwilling to separate. In the distance, verdant mountains stretch out to the north of the outer city, and sparkling water flows around the east of the city.
In these two sentences, "Qingshan" vs. "Baishui" and "Beiguo" vs. "Dongcheng", the first couplet is written as a dual sentence of Gongli, which is unique; and "Qing" and "White" are between each other, and the colors are bright. The word "horizontal" outlines the quiet posture of qingshan, and the word "winding" depicts the dynamics of white water, using accurate and conveying the spirit. The poem is free to paint a beautiful picture. The word "farewell" is not seen, but the end of the pen is clearly full of feelings of attachment and farewell.
《Kasuga》
[Song] Zhu Xi
Katsuri looking for the Surabaya waterfront, the boundless scenery is new for a while.
Waiting for idleness to recognize the east wind, thousands of purples and thousands of reds are always spring.
Wind and sunshine in the spring on the shores of Surabaya, the endless scenery is renewed. Everyone can see the face of spring, the spring wind blows a hundred flowers, thousands of purples and reds, and everywhere is the scenery of spring.
The first sentence points out the season and place of the trip, and the next three sentences write what "looking for Fang" sees and knows. Spring returns to the earth, and the poet is refreshed. It is this fresh feeling that makes the poet know the East Wind. It is as if the east wind of the night has blown away thousands of purple and red flowers; and the scene of a hundred flowers competing for glory is not exactly the vibrant spring light?
Source: Chinese Poetry Study
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Editor-in-charge: Wu Shisong