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What kind of cultivation should a true calligrapher have? I agree with that

I've heard a lot of sayings: I know a lot of calligraphers, and they write well!

So you know what a calligrapher is? What should a calligrapher look like?

What kind of cultivation should a true calligrapher have? I agree with that

Let me tell you in detail what kind of qualities a good calligrapher needs.

An excellent calligrapher can express the beauty and gentleness of the "Orchid Pavilion Preface", the majesty and strength of the "Qinli Monument" in the middle, and the simple innocence of the "Baobaozi Monument". The left can guide the Linti Dafa, and the right can spit out the eighteen tips for creation. Before you can guide your friends and children to write hard pens, you can design a learning guide for calligraphy enthusiasts that everyone does not repeat.

What kind of cultivation should a true calligrapher have? I agree with that

An excellent calligrapher, a collection of thousands of styles in one

That is, there is the innocence and vitality of the "Orchid Pavilion Preface", and there is the sullenness of the "Declaration Table", as well as the fanatical exuberance of the "Four Posts of Ancient Poems", the tortoise hair and rigor of the "Xuan Secret Pagoda Stele", the strange coffee of the "Dragon Yan Stele", the more the sense of balance of the "Jiucheng Palace Liquan Ming", the more more the dreamy idealistic temperament of the "Jiwang Sacred Order", and the depth of the "Stone Drum Text", the stability and pragmatism of the "Ritual Instrument Stele", the lively split of the "True Grass Thousand Character Text", and the delicacy of the "Seventeen Theses" and the delicateness of the "Seventeen Posters" that can take care of subtle brushstrokes.

Although this person always seems to be hiding in the corner every day and reading and writing.

An excellent calligrapher must have a rich and solid amount of reading

Maintain a deep reading precipitation, from the famous thesis book to the chest, to the classic American masterpieces, and then to the vast poetry of the past. Like what:

When it rains lightly, when writing calligraphy, you will think of using Xiao Kai to depict Du Mu's "Qingming": During the Qingming Festival, the rain is pouring, and pedestrians on the road want to break their souls.

When it rains heavily, when writing calligraphy, you will think of using big grass to wave Su Shi's "June 27th WanghuLou Drunken Book Five Perfections": black clouds turn over the ink without covering the mountains, and white rain jumps into the boat. The wind blows away suddenly, and the water under the lake is like the sky.

When writing calligraphy when it rains, I will think of using Zhang Xu's wild grass to first Mei Yaochen's "Xi Chun": The day before yesterday, I saw that the flowers were not enough, and the storm suddenly had no evidence.

"The Secret of the Little Window" uses small lines of grass or small chapter grass to be the most emotional, and "Chairman Mao's Poems" uses large grass to be the most unrestrained...

What kind of cultivation should a true calligrapher have? I agree with that

A good calligrapher must know how to use seals to show forced grids, although he never despises forced grids.

In this way, the seal will be cleverly used to improve the chapter of the work, increase the vitality of the work and the harmony of style.

An excellent calligrapher must have a strong correlation

It can completely integrate two completely unrelated things. Like Xi Zhi buying a goose, DanFu Dangdao, Gongsun Da Niang dancing sword...

A good calligrapher, an eternally naïve and curious baby

For example: Dude, how come your pen is so clever? , is it necessary to use several actions to complete, hey, this trick is really delicate, is it a twist pen tube or a turning pen edge?

With this innate spirit of exploration, you will never be satisfied to write more wonderful calligraphy.

What kind of cultivation should a true calligrapher have? I agree with that

A good calligrapher is emotional, and a non-emotional calligrapher is not a good calligrapher.

Because he has rich and delicate emotions, he does not fall into emotions, how can he conceive calligraphy full of emotions.

"Sacrifice Nephew Manuscript", "Cold Food Post", etc., why do we love so much? Emotional throughout!

For example, the temperament is irritable, and the words written must be thick and heavy, not stuck to the details. When the heart is calm, unconsciously use delicate small letters to make a "Heart Sutra".

The most serious: Lao Tzu TM really does not want to write, go drink tea bragging skin to go!

A good calligrapher must be an avid lover of "old things".

From the broken books of the ceramic teapot to the old door and the old table of the old bronze, there is no drop that he does not know whether he has seen the drop. In this way, when drinking tea and bragging, pointing to a teacup can tell you about the night.

What kind of cultivation should a true calligrapher have? I agree with that

A good calligrapher must have a clear sense of logic

You can think of the layout of the 1,800 words from the newly opened Zhangba rice paper, which word should be large, which word should be small, that line is short, which line is long. In this way, when I wrote it, the momentum of the whole article was already clear in my chest.

An excellent calligrapher must have undergone systematic professional study

Cursive, cursive, lily... Joke, without these few professional brushes, you really should pick up a brush to write a word and you are a calligrapher. It must be from the beginning of the post, to the core pen, line refining, enlargement, to the structural layout, line coordination, to all the style of the book, the style of the master high-level mixed output, to the highest formation of their own unique calligraphy art style, omnipotent, the world.

What kind of cultivation should a true calligrapher have? I agree with that

An excellent calligrapher

That is, with the tone of Wei and Jin's style and Tang Kai's rigor and meticulousness, there must be something to do and something not to do. There is unrestrainedness and restraint...

Guys, if you meet such a calligrapher, you must not hesitate to throw him down, not to leave, all kinds of threats and inducements to teach you calligraphy, he will really save your calligraphy, until you save your artistic life.

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