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Divine | Single standard qi bone: The divine pen Wang Duo, transporting the Mi Jia Fa Du to the bottom of his wrist, the wind god is good
Wang Duo's imitation of Mi Fu's handwritten "Three Odes to Chen Si Wang", ink paper, size 27.5× 198.5cm. The volume was written in 1649, when Wang Juesi was 58 years old.
The work is strong in body, unique in spirit and bone, and deep in the rhyme of Mi Yuanzhang. The Qing Dynasty Liang Wei's "Commentary" pointed out that "Jue Si had to write the method, learn the Minang Palace, be old and strong, and win with all his strength." This confirms that Wang Duo took the length of the Fami and won with "lush and majestic".
【Interpretation】
Ode to confucius temple
Restore the old temple and enrich its temple.
Apprentice, live in the house.
Wang Jiao is ready, and the group is depressed.
Lu Dao is prosperous and eternally constitutional.
The sound of the flood is revered, and the gods are coming.
Hugh Zheng miscellaneous, Rui I Bang family.
The inner light area is desolate on the outside.
Ode to the Palace of Learning
Since the Five Emperors were abolished, the Three Emperors were abolished, and the Emperor should be destined to die, Qi Xian and other saints were no higher than Confucius. Therefore, there is a rue: out of its class, out of its own place. The so-called sex and the way of heaven cannot be obtained and heard.
Yuya Shu learned, named in the former Zhi, Zaiyu day sleep, dung soil as an admonition. Sons of the Court, Poetry Mingji. The song is sung in chants, and the text is sung in the spirit. I will not mention it now, but I will know it later. Father Yu Shuoni, the master of the people. Sex and nature, the holy art. Dren is three or five, with the emperor as a martyr. The mirror is unique, and the gods are clear. Rensai Universe, Zhiling Yunni. Three thousand scholars, no one is handsome. Only benevolence is by virtue, and only the way is enough. Praise Migao, please benefit.
Signature "Shunzhi Self Ugly Book Chen Si Wang Song Three Imitation Mi YuanZhang Pen Meaning, Wang Duo", the end of the white text "Seal of Wang Duo".
The whole work contains a calm and energetic atmosphere in the smooth condensation, and transports the Mi Jia Fa Du to the bottom of his wrist. Throughout this volume of calligraphy, the pen is strong, lush and vigorous, and the works of people are old, and the bone strength and wind gods are excellent.
Wang Duo, a famous calligrapher in the late Ming and early Qing dynasties. Word sense, word sense. Song Qiao (嵩樵), Shiqiao (十樵), Shiqiao (石樵), Dementian (Idiotian), Donggao Chang (東皋長), Dementian Daoist (痴庵道人), Yantan Yushu (洞潭Yushuo), Yutang Yuyin (白雪仙道人), Lantai Waishi (蘭台外史), Xueshan Daoist (雪山道人), Ermushan (二室山人), Baixue Daoist (白道人), Yunyan Manshi (云岩漫士), etc. Henan Mengjin people, known as "Wang Mengjin", has the reputation of "Shenbi Wang Duo".
In the second year of the Ming Dynasty (1622), the thirty-year-old Wang Duoju jinshi and the first, successively served as the Shu Jishi of the Hanlin Academy, the editor, and the shao zhan shi. In the first year of Hongguang (1644), the Hongguang Emperor of the Southern Ming Dynasty appointed Wang Duo as a scholar and second assistant (deputy chancellor) of Dongge University. The following year, he entered the Qing Dynasty and was conferred the Ministry of Shangshu. In the ninth year of Shunzhi (1652), he died of illness in Mengjin at the age of sixty-one.
Wang Duo is erudite and good at ancient times, and works poetry. Wang Duo's calligraphy is strong and strong, long in cloth and white, kai, xing, li, grass, all exquisite, mainly thanks to Zhong Xuan, Wang Xizhi, Wang Xianzhi, Yan Zhenqing, Mi Fu and other families, learning Mi Fu has the reputation of chaos, showing his solid "learning the ancient" foundation, learning the ancient and being able to make his own chest.
Liang Wei commented that he "had to write the book, learn the old and energetic health of the Minang Palace, and win with all his strength.". Wang Duo's calligraphy belongs to the Xionghun Road. Wang Duo made up sentences for the text, strived to be ancient, and used words that were quite strange and strange, seeking danger, curiosity, and strangeness. After the Jin and Tang Dynasties, Wang Duo only studied Mi Fu alone, also because Mi Shu had a strong and powerful wind of wanton danger, sharp penmanship, and sharp edges.
Jiang Shaoshu's "History of Silent Poetry" states that he "wrote cursive zongshanyin father and son (Wang Xizhi, Wang Xianzhi), the main book out of Zhong Yuanchang, although exemplary Zhong Wang, can also come out of his chest." His heirloom works mainly include "Quasi-Mountain Garden Thesis" and "Langhuaguan Thesis", etc., all of which are well-prepared, and the name is contemporary, and the scholar Zongzhi.
In the history of mainland calligraphy, the rigorous and elegant style of Dong Qichang's school was prevalent in the late Ming and early Qing dynasties, while Wang Duo took the Fa Gaogu and competed with the rigid and boring, slippery and weak style of writing, boldly innovating, and creating a generation of calligraphy.
He was an outstanding innovator in the history of calligraphy. Influenced by the ideological trend of the times in his youth, Wang Duo had a strange stubborn mind of the reflective trend very early on, and in the "Wen Dan" in his "Anthology of Quasi-Mountain Garden", he concentrated on his shocking aesthetics. His greatest achievement was his superb cursive writing.
His cursive writing, wild and wild, free wielding, with the pen calm and painful, vertical and horizontal ups and downs, natural surprise, showing a shocking majestic momentum, very infectious.
Ma Zonghuo said, "Ming rencao, all of them are vertical pens to take the momentum, and Juesi is intended and able to be captured, so it is not extremely powerful and the momentum is not endless, and those who are not more than powerful have not been easy to say this." ”
Lin Sanzhi called his cursive "the first person since Tang Huaisu." "Not too much.
Some people compare his lines with Xu Wei and Zhu Zhishan, two other cursive calligraphers of the Ming Dynasty: then his vigor is different from Xu Wei's roughness, and it is also different from Zhu Zhishan's rawness, and Wen Zhengming and Dong Qichang are even more important.
In addition, his sense of composition in the structural treatment is also unprecedented. The cutting of space is entirely orderly, with a powerful rational disposition effect—the calm, methodical effect of tempering such a wild and changeable cursive is really unexpected and at the same time makes people admire his ability. If it is said that from Zhang Zhi, Zhang Xu, Huai Su, Huang Gu to Xu Wei, the development of cursive writing is based on the richness and frustration of the pen, and in the structural treatment, it is put back and forth, and the lyrics are exhaustive, then Wang Duo has successfully blocked this uncontrollable torrent, and he has used calm rationality to cage this wild horse that has lost its reins, taking the momentum vertically and horizontally, changing in many ways, not falling into the clichés, coming up with new ideas in the law, and achieving miraculous results beyond the imagination.
His innovation in pen and ink is also pioneering, his lines are vigorous and old, subtle and changeable, showing a special personality in the inadvertent soaring and jumping, and sometimes boldly creating a strong contrast between lines and blocks with thick, light and even su ink, forming a strong rhythm, can not but say that his intentional or unintentional innovation is a major achievement in the exaggerated contrast of calligraphy forms. Before him, no one could actively pursue the "ink increase" effect as he did.
Wang Duo was extensively involved in the wei, Jin, Tang, and Song dynasties, and his research on the Chunhua Ge Ti was the most in-depth, and Shi Gu Lin Ti was his secret. He is known as the "Divine Pen King Duo". His calligraphy is on a par with Dong Qichang, and at the end of the Ming Dynasty, he was known as the "King of the South Dong and the North", and his calligraphy used a pen, out of the rules, and was relaxed, but full of the power of flowing freely and with thousands of strengths. Wang Duo is good at walking grass, with atmospheric brushwork, vigorous and free, and dripping with pain.
Wang Duo's calligraphy had a great influence on the later development of Chinese calligraphy, and even spread to the overseas book circles, especially to Dongying calligraphy.
Wang Duo imitated Mi Fu's handwritten hand-scroll "Three Odes to Chen Si Wang" super Qing appreciation
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Thinking of thousands of years, seeing through thousands of miles, the heart travels to ten thousand miles, and the eight poles are exquisite