Liu Jinshang, also signed, Jin Shang. Jai No.: Yin Qiu Tang. Painter and poet. He currently lives in Beijing. Born in 1964, with a postgraduate degree, his ancestral home is Cheng'an County, Hebei Province, and he now lives in Beijing. He is currently the president of the National Calligraphy and Painting Institute of the Hainan Museum of Nationalities, the president of the Hainan Wuzhishan Tropical Rainforest Calligraphy and Painting Institute, the creative researcher of the China Elderly Calligraphy and Painting Research Association, the director of the Hainan Provincial Elderly Calligraphy and Painting Research Association, the deputy director of the Beijing Tonghan Art Museum, the member of the China Ethnic Minority Art Promotion Association, the member of the Chinese Book Association, the member of the Chinese Poetry Society, the painter of the Ink Danqing Calligraphy and Painting Institute of China Education Television, and the publisher of "Jin Shangshu Qianjia Poetry Collection" Tianjin Fine Arts Publishing House (2011). He was the artistic director of Beijing Dada Gallery, the vice chairman of the North China Oilfield Book Association (the governing unit of the Hebei Provincial Book Association), graduated from the Correspondence School of Calligraphy and Painting of the China Academy of Art (Zhejiang Academy of Fine Arts) in 1986, and graduated from the North China Petroleum Branch of the China Calligraphy Correspondence University in 1998. In 2009, Qi Xinmin of Tsinghua Academy of Fine Arts was in the freehand high-study class, in 2010, Shi Yunxiang Qingcheng Mountain Landscape Painting Institute entered the industry, landscape painting was taught by the famous painters Han Shaoxian, Xing Ziyi, Cheng Zhenguo, calligraphy was taught by the famous calligraphers Ouyang Zhongshi and Ma Junxiang...
Main artistic activities
In September 2021, the calligraphy work of his self-composed lyrics "Qinyuan Spring - Northern Shaanxi Journey" won the Excellence Award of the Third 'Shen Peng Poetry Calligraphy and Painting Award' National Competition. Sponsored by the Chinese Poetry Society.
In July 2021, the landscape work "Yanshan Renjia" was rated as an excellent work and included in the 2020 Excellent Works Yearbook of the Chinese Elderly Calligraphy and Painting Research Association.
In June 2021, his self-poem "The Red Chamber Leads the Dawn" won the second prize in the collection and selection of poems and paintings for the centenary of the founding of the Chinese Academy of Management Sciences.
On June 19, 2021, he was invited to participate in the "First Invitation Exhibition of Chinese Painting Masters" held by Genuine Art Network (Shanghai) at Noble Art Center. Two landscape works were exhibited, and many works were auctioned and collected.
On June 18, 2021, the work "Ink Autumn Mountain" was selected as an exhibition of outstanding works of fine art calligraphy and photography by veteran cadres in Hainan Province to celebrate the centenary of the founding of the Party.
On May 22, 2021, he was invited to participate in the invitation exhibition of Chinese painting masters held by Shandong Yellow River Art Museum, and three landscape works were exhibited.
In April 2021, his work "Rain Forest Ink Painting" won the third prize in the fine art category of the March 3 Fine Art Photography and Calligraphy Exhibition held by the Wuzhishan Municipal Federation of Literature and Literature.
In March 2021, he was invited to participate in the exhibition of calligraphy and painting for the centenary of the founding of the Party held by Hainan Longda Hengxin Calligraphy and Painting Institute, and the huge work "New Look of Jinggangshan" was 150cm/400cm.
In December 2020, the ink painting "Autumn of Lizhai" was included in the special exhibition of "Drunken Beauty Folk Customs, Painting Meaning Five Finger Mountain", sponsored by wuzhishan City Literary Association.
In November 2020, he participated in the Invitation Exhibition of Ink and Danqing of the Hainan Museum of Nationalities, and three landscape paintings and two cursive works were included in the exhibition.
In October 2020, he was invited to hold a special exhibition of Han Shaoxian, Liu Jinshang and Shi Jinku "Painting of Nanyan Yun Mountain" in Pingyang Art Center in Wenzhou, Zhejiang, and some of his works were collected.
In September 2020, he participated in the nomination exhibition of "Hanmo Danqing" of Beijing Tonghan Art Museum.
In July 2020, the cursive five finger mountain was assigned to the exhibition of calligraphy and painting for the 70th anniversary of the liberation of Hainan.
In September 2019, Shanshui "Lixiang Spring Morning" was included in the exhibition of calligraphy and painting in Hainan Province to celebrate the 70th anniversary of the founding of the People's Republic of China.
In December 2019, the "Ink Danqing" Seven-Person Exhibition was held at the Hainan Museum of Nationalities, with participating painters Xing Ziyi, Wang Kunhe, Han Shaoxian, Liu Jinshang, Song Jicheng, Zhang Zhizhong.
In October 2019 and October 2018, he participated in the nomination exhibition of calligraphy and painting of resident painters in The Dachao Art District of the China Songzhuang Art Festival.
In September 2018, he participated in the Xishuangbanna Sketching Exhibition of Qi Xinmin's Freehand High-Writing High School Of Fine Arts academy of Tsinghua University (Songzhuang, Beijing, Zibo, Shandong).
In 2017, he participated in the calligraphy and painting collection exhibition in the Dachao Art District of the Beijing Songzhuang Art Festival.
In 2016, his cursive works participated in the Calligraphy and Painting Exhibition of Artists In Beijing in Cheng'an, Hebei Province (Hebei Provincial Museum).
In 2013, he participated in the Spring Festival Calligraphy and Painting Exhibition of the PetroChina Book Association and won the first prize.
In 2011, he held a solo exhibition of Liu Jinshangshu's paintings at the 798 Grand Gallery in Beijing.
In 2009, Ma Junxiang and Liu Jinshang held the 'Dragon Chapter Fengzi' Calligraphy and Painting Exhibition in Perth, Australia, and some of his works were collected by international friends and overseas Chinese in Southeast Asia.
In 2009, he held the Liu Jin ShangshuFa Art Exhibition at the Beijing Great Gallery on Guozijian Street in Beijing. Several works are collected.
In 2010, he participated in the National Industry Association Book Fair, and Yan Tikai Book Association entered the exhibition.
In 1998, Ma Junxiang, Liu Jinshang, Chen Zhaolin, Yu Yihe, Zhang Jingjiu, Liu Zhengdong and Wang Changqing held a calligraphy exhibition in North China Petroleum, with Ouyang Zhongshi's handwritten inscription. Sponsored by North China Petroleum Book Association.
In 1998, he participated in the Hebei Public Servants Voice Calligraphy Exhibition and won the first prize, sponsored by the Hebei Book Association.
In 1997, he participated in the North China Petroleum Book Fair, and won the first prize for Du Fu's "Kezhi" in cursive.
Search for Qifeng to draw a new map
A brief description of Mr. Liu Jinshang's landscape painting creation
Liu Zhenzhong
At the beginning of the summer, the invitation exhibition of Chinese painters held to celebrate the centenary of the Communist Party of China was unveiled at the Yellow River Art Museum located on the shore of the Bohai Sea. The exhibition hall of the art museum is magnificent and crowded; the golden scroll god scroll, the fragrance of baomo, artists and art lovers from all over the country, enjoying the brilliant pictures full of walls with great interest.
A beautiful landscape depicting the unique natural scenery of the southern country has attracted the attention of many tourists. This huge landscape painting full of Nanming style is full of composition, brush and ink, harmonious colors, and profound artistic conception. The brush strokes are sloppy and seemingly inadvertent, and the unique national characteristics and regional charm of Lishui Miao Mountain on the screen emerge vividly, showing the painter's extraordinary artistic skills.
The author of this painting is Mr. Liu Jinshang, president of the Hainan Provincial Academy of Ethnic Painting.
Mr. Jin Shang is a hipster in the field of art, but he has not been engaged in landscape painting for a long time. So, why is his landscape painting so admirable to everyone?
First of all, Mr. Jin Shang loves China's excellent traditional culture and has a profound traditional cultural literacy. His old style poems are extremely well written, skillful in grammar, elegant in language, and poetic in meaning, like the Tang and Song dynasties. Mr. Jin Shang learned the three teachings of Confucianism and Taoism, and Kong Mengzhiren, Leshan Shanshui; Lao Zhuang Dao, the Mind Wandering Outside; and the Disciples of Shakya, Sexual Joy Rock Valley. Mr. Jin Shang advocates the three religions, so his sex is still indifferent, he likes mountains and forests, interesting cliffs and ravines, birds and insects, and is close to nature. Mr. Jin Shang is especially related to the Shi family, he studied Buddhism intensively, studied the Heavenly Dao, sought humanity, enjoyed the creation of too much emptiness, penetrated the world of red dust, such as Wang Mojie's creation of the Villa of The Dragon River, Buju Five Finger Mountain, Building Lunan Yandang, leaning outside, forgetting the forest spring, cultivating his fraternity and authenticity, so his pen has a lot of magnificent qi. Painting and Taoism, an artist's artistic quest process, is the process of "seeking the Tao". It is precisely with the persistence of this belief that we can seek "although we have died nine times and still have no regrets" that we can "speak for the mountains and rivers" and create a world of great beauty. On the basis of his profound understanding of the spirit of Chinese philosophy and aesthetics, Mr. Jin Shang strives to express the natural beauty of mountains and rivers with his own creations, and the beauty of the realm of self-embrace, so his paintings are more ethereal and contained, which makes people think, resonate, shock, feel the endless charm of creation, and feel the ever-changing humanistic spirit.
Secondly, Mr. Jin Shang has been obsessed with calligraphy and painting since childhood, laying a good artistic foundation. In the 190s, he began to learn calligraphy, paint flowers and birds, open galleries, hold painting exhibitions, collect Chinese paintings and oil paintings, cultivate artistic sentiments, broaden his artistic horizons, and since then he has formed an indissoluble relationship with traditional Chinese painting and calligraphy art.
He started in calligraphy, immersed himself in Han Mo for many years, and Yu Yan Lugong used his strength to write, his big characters, full of energy, just big and grand, tasted the admiration of the viewer, and joined the China Book Association with this. And its cursive strictly abide by the rules, the grass method is accurate, the lines are flexible, the flow is graceful, the layout is correct, and it has participated in many exhibitions and won awards. And calligraphy and painting are of the same origin, Chinese painting is inseparable from calligraphy, without a foundation in calligraphy and want to achieve something in Chinese painting, it is impossible. Mastering the use of brushes and ink paintings, that is, having the basic conditions for trying landscape painting. Before Mr. Jin Shang dabbled in landscape painting, he followed the famous flower and bird painter Mr. Qi Xinmin to study freehand flowers and birds. Three strokes of feathers and five strokes of orchid, the relics convey the spirit, vivid and lively. Entering the landscape from flowers and birds is considered by many painters to be a shortcut. In short, there is a certain degree of immersion in China's excellent traditional culture (poetry and song, piano, chess, calligraphy and painting, etc.), which is the premise for the creation of landscape painting. If you don't understand calligraphy, don't understand classical Chinese literature, especially if you don't know anything about classical poetry and excellent ancient classics, it is difficult to truly understand the spirit of brush and ink and the artistic conception of Chinese painting. Whether it is the creation of landscape painting or the appreciation of landscape painting, a certain degree of calligraphy and the cultivation of classical aesthetics are indispensable, and this is Mr. Jin Shang's strength.
His multi-faceted artistic achievements laid a solid foundation for him to enter the study and creation of landscape painting, and his diligence in "searching through Qifeng to make drafts" was the key to his entry into the temple of art. He has visited Yandang, Gurudwara, Pantaixing, Youyan, visited the famous mountains and rivers of Shenzhou, listened to the waves of thousands of miles, watched the clouds cirrus clouds, took the creation as a teacher, drew nutrition from the mountains and seas and rivers and lakes, sketched the scenery, poured ink with affection, and in the artistic practice of Chinese landscape painting, he persisted in moving forward and never stopped working.
The temple of landscape painting art is full of infinite charm, and he is full of strong desire to read traditional Chinese landscape painting, and he has set up the snow gate several times, visited famous landscape artists, and got a glimpse of the true meaning of art. In his unremitting pursuit, he had the privilege of getting to know many painting predecessors and art celebrities, such as 、、、、、、, and Han Shaoxian, a landscape painting instructor who taught the great whip, was a key figure who laid the foundation of his art building. Following the sketching, promoting the knee to talk about art, hearing and seeing, deeply inspired, his painting style has made a qualitative leap.
In recent years, he has lived in Nanming for a long time, going deep into the Miao Village of Li Village in Wuzhi Mountain, climbing the dangerous rock peaks of AtuoLing, and stepping through the mountains and rivers of the South China Sea. Thousands of mountains and rivers, ravines and rivers and lakes, village houses and ridge trees, flowers, grasses, insects and fish, into the eyes, hidden in the chest, now in the pen. Or scorched ink thirst pen, dry crack autumn wind; or water halo ink chapter, moist as spring rain. His paintings are novel in composition, lofty in intention, clouds and mist between the mountains, and waterfalls soaring above rock valleys, which are extremely dynamic. His mind is flying, into bamboo in the chest, or dry ink, thick and heavy; or ink color fusion, dripping and moist. The mountain wind is in the heart, the moon is shining, the breeze in the chest is white, and the pen is a silver spring. Accompanied by his wife, he drove into the mountains to get a day's meditation; painted his friends with wine, and waved a cloud of smoke full of paper. Lofty and far-reaching, clear and contemplative, the heart travels beyond the world; the year knows the mandate of heaven, the ambition is high, and the daily pen is not embellished. Learn from tradition, be knowledgeable and take it; innovative intentions, thick accumulation and thin hair.
In his pen, he could not see the small love and small fun, the qifeng clouds, the green and the sky, full of the breath of swallowing the great desolation. Dahua is full of colors, the picture is full; the objects are summarized, and the vitality is vivid. The pen and ink are vivid, creating an infinite and vast space; the dots and lines are sophisticated, presenting a handsome and superb charm. As a result, his paintings have won wide acclaim, and he has been continuously exhibited in various exhibitions, won various awards and been purchased by visionary collectors. Various honorary titles are also pouring in.
Flowers and applause are good for people, and those who have lofty aspirations will not be intoxicated.
As a contemporary landscape painter, Mr. Jin Shang has a strong sense of cultural mission, I believe that he will handle the relationship between innovation and development, uphold the traditional spirit of pen and ink, go further on the artistic road of landscape painting creation, achieve greater achievements, and create more good works that can be "hidden in the famous mountains and passed on to all generations".
Xin Ugly Summer Moon, Yin Qi Shu Yu and Ri Fast
Liu Zhenzhong is a famous writer and landscape painter