Wei Sanjun's artistic resume
2022.1.
Painter/Wei Sanjun
KaiYan Jai Lord
National first-class artist
Vice President of the Capital Academy of Calligraphy and Painting
Member of the American Association of the Hong Kong Special Administrative Region
He is a member of the Pinggu District Beauty Association
He is a member of the China Television Documentary Society
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HAPPY NEW YEAR
Appreciation of Wei Sanjun's works
Wei Sanjun collected sketches
Thriller/Ni Jiafu
Amazing
Text/Ni Jiafu
In the past two years, the three words of "breaking the circle", "cross-border" and "empowering" have become particularly popular and have become the "standard" of various industries. If I use these three words as labels to describe a person's inner qualities, I think of the "third brother" Wei Sanjun. He loves to recite poetry, good at words, enlisted in the army, carried a video camera, and was also an adviser to the China Television Professional Committee, a member of the China Television Documentary Association, and surprisingly, he was also a national first-class artist, and Han Mo Danqing could be called, which seemed to be in line with his exquisite stubble - "literary and artistic fan". In fact, painting is the art category he first studied, and then the various experiences are "the stone of his mountain", which promotes the diversification of his artistic thinking and the liberation of forms, not one-dimensional, not one-dimensional, and its interaction between multiple sister arts, the transformation and integration of the first signs.
- Caption
I call Teacher Wei "Third Brother" with the suspicion of being a big boss, but his open and frank temperament, his brotherly kindness, the more loyal the friendship, the more he feels his truth.
Painting is the voice of the heart, and "true" is the painting language of the third brother. He took the form of God with his true disposition, reached the meaning of the form, and sought the shock of the soul from the authenticity of nature and the humanistic environment, and then felt the Yongzhi and walked the dragon and snake. During the epidemic period, he artistically reflected the touching stories of the frontline anti-epidemic with the documentary technique of TV documentaries, and works such as "The Epidemic is an Order", "Race against the Clock", "Sending the Plague God with a Smile in the Snow" and other works permeated the artist's strong love and compassion, and at the same time, as a former soldier, the belief and determination to win the victory conveyed by the picture is his mission and original intention of "art for the people". With the power of art, warming people's hearts and boosting morale, is this not exactly cultural empowerment?
Authenticity is the state of art, the driving force for inspiration to collide and create. During the Five Dynasties period, Jing Hao put forward the "Search for Magic and Create Truth" and Shi Tao of the Qing Dynasty put forward "Search for Qifeng To Hit Drafts" and other painting theories revealed the spiritual essence of artistic creation. "True" is not easy to obtain, but to have the "eye-catching, pleasing" method of "removing its complexity and adopting its major points" and "sketching for one's own family", which is simply the method of personality shaping of "I am for me, I am in my own" when the teacher is created, which is the only way to form a personal style. The "truth" revealed in the works of the third brother is "straight but not wild, gentle attachment", its picture is exquisitely conceived, no wilderness atmosphere, full of aesthetic implications in traditional culture, including many high ancient sentiments, which are related to his deep observation of ancient law, guidance from famous artists, diligent study and hard work, and benefit from the grass-roots experience of the military career, the unique aesthetic vision of television media people and the strong survival experience of front-line reporting.
Therefore, he dared to paint real mountains and real water, wandering in the world of ink landscapes in different time and space, sometimes it was the traditional image of the rules, sometimes it was abstract modernism, calmly and unhurriedly coped with the changes of thousands of meteorological conditions, and it itself has long been integrated into the aesthetic conception of "hopeful, swimworthy, and livable". Therefore, back to the starting point of painting creation, the third brother is "freehand", he is not limited to the shape, not in the heart, with the frontier of the walker to paint the vastness of life, so that the pine pen is pleasant to the world, not the sage, not the waves, its leisurely and happy, "self-sufficiency", throwing away the shackles of the surface art form, completing the materialization of the inner world, the aesthetic unity of subjectivity and artistic objects, it is precisely "meaning born from the heart, the image is outside the form", has long been "self-generated", "self-satisfied stomach", "breaking the circle" for a long time!
Many people talk about "cross-border" is to test the waters, play the concept, the third brother's "cross-border" is "true", he has always harbored artistic passion and ideals, starting from the teenager who did not eat enough to buy plaster statues, sketching, sketching, training non-stop, to young people in the television media to show their prominence, to win awards, still like walking on thin ice, pen cultivation, now middle-aged, but also ask ink, immerse themselves in exploration, cast many art categories, coupled with the improvement of experience, his works are more and more hanmo illusionary realm, magnificent.
The third brother calls himself "drunken ink hall master", which can be seen as intoxicating, only "ink" makes the heart more pottery, always not confined by the environment, with the artist's vision, complete the transformation and cross-border from art to practical art, and finally return to the art journey, realize the gorgeous imagination of different stages of life, leave the great beauty in the heart in the world, a glimpse can be enough to be amazing.