Zhou Nan's death method in "In the Human World" is really too cheesy, which reminds me of the ten routines of the TV series.
It is a real pity that such an excellent child as Zhou Nan died on the way back to China. However, in addition to the pity, I also think that this method of death is a bit cheesy.
Before Zhou Nan went to the United States, Luo Shibin specifically instructed him to bring some cash with him when he went out, and if he encountered someone robbing, he would immediately give money and do not hesitate. Zhou Nan called out to his father, saying that he remembered it in his heart, and this father, Luo Shibin, who was moved, left tears.
At that time, I had a bad premonition that Maybe Zhou Nan wouldn't be able to come back!
Sure enough, Zhou Nan died in the United States, died when he was robbed, the only surprise was that he was very happy to encounter robbery, but the local Americans wanted to resist, and he was shot in order to save his classmates.
However, the overall routine has not changed, that is, as long as the front tells the bad guys not to do anything, the back will definitely die because of this.
This is really a bit cheesy, the common TV series ten routines are:
1, women dressed as men, certainly can not recognize, even if the female characteristics are very obvious
2, people who know the truth will definitely die, and they will certainly not finish the secret before they die
3, the male and female protagonists break up must rain
4, as long as it is said that I wait for you to come back, the iron will definitely die outside
5, the male and female protagonists accidentally fell, must kiss together
6, the protagonist has a car accident must lose his memory
7, eavesdropping will never be finished, and will also make movements and be discovered
8, there are misunderstandings, never explain, a sentence of things, grinding more than a dozen episodes.
9, the heroine stealing a bath must be found
10, silly white sweet female protagonist, will definitely meet a scumbag first, bullied, and then with the male protagonist.
These routines, although classic, although sadistic, can make the story line more tortuous, but after so many years, it is really a bit cheesy, the audience can directly guess the end when they see the beginning, there is no novelty at all.
Take Zhou Nan's death, the point is that he wants to die, how he died is actually not important, the director can arrange a more innovative way to die, if in order to highlight the goodness or see the righteous bravery, it can be to save children who have fallen into the water, can bravely fight and bully gangsters, and can even save a stray cat.
These ways of dying will make the audience feel fresh. In the front, Luo Shibin said that robbery would kill people, and later Zhou Nan died because of robbery. What is the point of this arrangement? Highlight the crow's mouth? Highlighting that everything is fate? Or is it a confirmation that the United States is indeed not in good order?
When making a TV series, you can retain some classic patterns, and you can also imitate some classic clips. But the director should also follow the progress of the times, be flexible, and always take the old routine of the past twenty or thirty years to perfunctory the audience, which will only get the audience's shame.
When the audience predicts the direction of the plot according to experience, take out a little flexibility, jump out of the inherent routine, and play a little different, which can enhance the freshness of the plot, enhance the attraction to the audience, and also show the director's intentions. #人世间征文 #
