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Femininity and feminine beauty are embedded in the genes of the Great Song Dynasty: the literati do not look at the words, but ultimately take pride in them

In the history of literature, Liu Yong, Yan Shu, Zhang Xian, Ouyang Xiu, Su Xun, Wang Anshi, Zeng Gong and other brilliant morning stars. It can be said that the Song Renzong dynasty was the "peak" of cultural education in the Northern Song Dynasty. However, are people happy? Instead of being happy, he became more and more insane in a "sick" atmosphere.

The feminization tendency of Song Ci works is becoming more and more obvious, and it is not a good thing for men to become increasingly "feminine", although it helps to solve some problems, but the world from ancient times to the present is "jungle". When you choose to bend your knees in the face of the enemy, in fact, fate is destined to accept whether the enemy is "brave" or "remain brave"

Traditional culture pays attention to "yin and yang harmony", but the "harmony" of different genders should be different, if the external yang of yin is excessive, and the external yin of yang is excessive, then it cannot be called "harmony". Song Ci this theme of men and women away from sorrow, male and female love of the "erotic" as the main characteristics of the literary form, if not the "extravagant faction" to join, you can say "yin and yang disharmony".

Of course, this is only from the main point of view, the euphemistic lyricists also have "bold" works, and the flamboyant lyricists also have "graceful" works, which cannot be absolute. If the cultural axis of a society becomes "gentle", then there are many problems. Because, the fat powder is too thick and the lack of martial arts is not a good thing for society.

Femininity and feminine beauty are embedded in the genes of the Great Song Dynasty: the literati do not look at the words, but ultimately take pride in them

The master who lingers in fireworks: strive for this amorous, occupy the world, and be charming

The literati of the Song Dynasty had a relatively high degree of freedom and power. But in the "huge number of literati", any literati feels very tired. Everyone is a literati, Wen Wu is the first, Wu Wu is the second, and it is very energy-consuming to fight for power and profit among the super group of intelligent people. Moreover, the Song Dynasty did not kill ministers much, and those who were defeated would not be like other dynasties, and failure would be equivalent to disappearing. Most of the ministers of the Song Dynasty experienced several ups and downs.

As a result, there were many unsatisfactory literati, and Liu Yong was one of them. Liu Yong made five scientific expeditions from 1009 to 1034, and finally became a jinshi. From his birth in 984 to the success of the imperial examination, Liu Yong spent 50 years. In 1049, Yanagi yong retired as a seven-pin official, and died four years later at the age of 69.

Its typical representative is Liu Yong, one of the Song Poets, and Liu Yong's characteristics of often relieving worries in the Qinglou were very popular among the literati in the Song Dynasty. Because he is frustrated and bored, he uses lingering music for music, so his works are mostly slang languages, which is also conducive to ordinary people, especially tricksters.

However, as a literati, the Confucian literati paid attention to the "order of respect and inferiority" and paid attention to "rank", so his reputation was not good. Yan Shu has a lot of opinions about Liu Yong's "rudeness": once Liu Yong was demoted, he was very dissatisfied, and went to Yan Shu to ask why he was targeting me. Yan Shu asked him, "Does Xianjun compose a piece of music?" Liu Yong replied, "Just like Xiang Gong also composes music." Just like you also make songs (song lyrics). Yan Shu smiled coldly: "Although Shu composed the music, he never said: 'The colored thread is lazily sitting with Yi.'" , Willow retreated.

Femininity and feminine beauty are embedded in the genes of the Great Song Dynasty: the literati do not look at the words, but ultimately take pride in them

It can be seen that the conversation between these two people is not pleasant. Yan Shu thinks that Liu Yong is too feminine and feminine, and he is more manly than him.

Then, Liu Yong's words can be represented by this one:

Fei Qiong's companion, even the Pearl Palace, did not return to the Immortal Line. Take a dresser, ordinary speech, there are a lot of shuli. Proposed to put the famous flower ratio. I'm afraid that people will laugh at me, and it's not easy to talk about it. Careful thinking, strange and colorful, but only dark red and light white. Strive for this amorous, occupy the world, a thousand delicate.

Su Xin Painting Hall Embroidery Pavilion, Haoyue Breeze, endure the time and shade to abandon. From ancient times to the present, good people are few puns. And snuggle up to each other. I have not lost, pity me for my versatility. May you, Lan Xin hui, pillow preamble, express your remaining wishes. Oath of allegiance. In this life, I will not be alone.

Later generations also did not have a friendly evaluation of him, and Li Qingzhao (1084 -c. 1155) said that he was "dusty with words". Wang Zhuo (c. 1081 – c. 1160) said that although he was out of the village, his voice was abominable." There is also Yu Wenbao's "Blowing Sword Continuation" that tells the world's views on Liu Yong:

Dongpo was in The Jade Hall, and there was a shogun who sang a song, because he asked, 'How can my words be like Liu Qi?' "Liu Lang in the middle of the word, only seventeen or eighteen girls, holding the red tooth board, singing Yang Liu An Xiao Feng remnant moon." Bachelor's words, Su Kansai Han, holding a copper pipa, iron plate, singing the great river to the east. 'The public is desperate.

Femininity and feminine beauty are embedded in the genes of the Great Song Dynasty: the literati do not look at the words, but ultimately take pride in them

So, is this view in line with the characteristics of the two? Exactly.

A lifelong magnate said Yan Shu: Bitterness is abnormal for oneself

Because Liu Yong's words are often in the land of fireworks, the "vulgarity" of his poems must have been despised by the people at that time. Liu Yong's life was unusually bumpy on the official road. On the contrary, Yan Shu has been smooth sailing all his life. He entered politics as a child prodigy, and when he died of illness, he also died a good death and a glorious life.

Logically, Yan Shu should be more comfortable, but he followed Lü Yijian and Feng Yingsong Renzong all his life, and he was mediocre in politics, only to learn to gain the recognition of later generations, and his contribution to that time was actually very limited. He cultivated and cultivated many people:

Fan Zhongyan, Ouyang Xiu, Kong Daofu, Wang Anshi, and Han Qi were promoted by him; Fu Bi and Yang Cha were his sons-in-law; and his sons were all officials. His eighth son, Yan Jidao, even said that half of the high-ranking officials and magnates in the court were protégés of his family, which showed Yan Shu's status.

However, his poems have been rated as "leisurely and mournful", why mourn? It is busy busy for their "status", and tired of soft intestines, and hardship is abnormal. Looking at everything in front of him, he lamented, "Zhu Xian is quiet, and there are few acquaintances." Heaven should grow old if there is affection. Advise the king to look at the field of fame, this ancient dream is vast. In the end, before dying, I found that "helpless flowers fell, and déjà vu returned." On the way to the small garden incense path wandering alone, he was still alone and walked into the grave.

Femininity and feminine beauty are embedded in the genes of the Great Song Dynasty: the literati do not look at the words, but ultimately take pride in them

In the end, Fan Zhongyun, who appeared on the scene, was a Confucian courtier whom I admired very much. Liu Yong and Yan Shu's whole lives are living for themselves, and Fan Zhongyan is living for the world.

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