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Do you know the relationship between "contemporary art figures" and "broken, abandoned, and separated from Chinese paintings"?

Text/Feng Haitao Landscape Painting/Wang Min

The relationship between breaking, giving up, and leaving and Painting in China. In this way, everyone may not understand very well, and it is ridiculous to think that there is any connection between breaking, giving up, and leaving Chinese painting. Listen to me in detail! "Broken", there is a saying called "when the break is continuous, it will be chaotic" The creation of Chinese painting, the brushwork is very critical, but most of them only know how to use the pen to be healthy and free, but few people understand the "broken" word trick. The breaker can be understood as stopping, understanding as receiving, and understanding as stopping at the right time! It should be known that starting, walking and receiving are the three elements of calligraphy, and they are also the focus in the field of Chinese painting. Calligraphy A stroke has a rise, a line, and a collection. A word is also up, down, and down. What about Chinese painting? No need to ask, do not think, it must be the same, because as long as it is expressed through the line, it is inseparable from "starting, doing, and receiving". However, "beginning is beginning" means that all things are born. Therefore, there is a cause, so the harvest must be the effect, and where this fruit stops and where it ends, it is necessary to resolutely close the pen, otherwise as the ancients said: "When the interruption is continuous, it will be chaotic" Then the picture will be a mess!

Do you know the relationship between "contemporary art figures" and "broken, abandoned, and separated from Chinese paintings"?

Appreciation of Wang Min's landscape paintings

"She" is even more important in Chinese painting, because Chinese painting is called "freehand", what is freehand? It is to borrow the form of the object, borrow the natural attributes and cultural meaning of the object to express their thoughts. So "borrowing" is giving, and how to give, what to give? It is the competition of the artists' artistic achievements. Shedding is also associated with breaking, because where it should be broken, it should be broken; where it should be broken, it should be abandoned! If the painter friend can understand this sentence, his artistic achievement should not be too low!

Do you know the relationship between "contemporary art figures" and "broken, abandoned, and separated from Chinese paintings"?

"Leaving" leaving, leaving, separating, parting, each group sentence is not very comfortable to listen to, and it seems that there is no relationship with Chinese painting. However, "away" and Chinese painting are diametrically opposed to the meaning of the characters. When we talk about "giving up," we say that we must give up what we should give up. "Departure" is more important in freehand writing, because art is not plagiarism, nor is it a reflection of reality, but the discovery of unknown beauty and the guidance of the progress of civilization. Well, when a painter creates a painting, he is more out of touch with reality and more imagination and the unknown. Therefore, it is the responsibility of the painter to leave the essence of all things and discover the unknown hidden in the essence of all things. Therefore, the word "away" is the most unpredictable, and if you can understand it, you will lead the times. Therefore, "break, give, leave" is the three-word secret of the creation and development of Chinese painting, if you can understand it thoroughly, you will be the master of Mobai throughout the ages!

Do you know the relationship between "contemporary art figures" and "broken, abandoned, and separated from Chinese paintings"?
Do you know the relationship between "contemporary art figures" and "broken, abandoned, and separated from Chinese paintings"?
Do you know the relationship between "contemporary art figures" and "broken, abandoned, and separated from Chinese paintings"?
Do you know the relationship between "contemporary art figures" and "broken, abandoned, and separated from Chinese paintings"?

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