Text/Feng Haitao Artwork/Li Peijin
The relationship between art and life is gradually changing, and the value of art is also changing. Just like calligraphy and painting works, in the long river of history, it has always been with its role in life, and its value is changing, and the closest change is that the capital operation and speculation that occur due to the collection attributes of calligraphy and painting artworks make calligraphy and painting works have the function of financial management. In this case, calligraphy and painting works are not only ornamental, collectible, and elegant, but also financial. However, with the emergence of the concept of digital collection, the attributes of artworks have undergone qualitative changes, and they are no longer simple artwork forms and social values. Calligraphy and painting works will also be the leaders of this change.
Li Peijin's "Dream Qingdao" series of works
Calligraphy and painting, the identity of the artwork and the status of the creator and the attainment of his art will become the enabler of all goods. This is not the beginning of the conceptual understanding, in our traditional industry has been applied, for example, wine, tea, clothes, etc. have begun to use the art attributes of calligraphy and painting to empower their own brands, but the value of calligraphy and painting empowerment is not enough. It is also because the value brought by empowerment to traditional industries is not large enough, and the awareness that calligraphy and painting can empower any commodity has not been instilled into the minds of calligraphers and painters. Therefore, in the society and in the circle of painting and calligraphy, it has not set off much of a storm.
Li Peijin's "Dream Qingdao" series of works
The emergence of digital collections has opened a window for calligraphy and painting works to empower any commodity or business behavior. And it will become an attribute of the greatest value of calligraphy and painting works. However, it will also change the way of thinking and form of calligraphy and painting creation. Therefore, the emergence of digital collections, resulting in changes in the value of calligraphy and painting works, has led to the development of calligraphy and painting creation. Therefore, this period can also be called the new era of Chinese painting and calligraphy. The reform of calligraphy and painting promoted by the times may have some calligraphers and painters resist and not conform to the times. This part of the calligraphers and painters will also be abandoned by society and will gradually be marginalized. And those far-sighted calligraphers and painters will leap up and become the darlings of this era, become the leaders of the era of historical records, and become a generation of artistic masters praised by future generations.
Li Peijin's "Dream Qingdao" series of works
The emergence of digital collections has become a spring breeze in this decadent era of calligraphy and painting, and has ignited hope for Chinese painting and calligraphy. This is also destined that from now on, the calligraphy and painting circle will break the curse of no master in this era. Since then, many thoughtful calligraphy and painting artists have emerged.