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What I paint, what I paint, has nothing to do with others

Painting is a cultivating hobby. So what I paint, what I paint, has nothing to do with others, as long as I am comfortable with myself. However, there are some people who like to point fingers, think that they are very good at cows, think that if they draw well, they know the true meaning of painting. I don't know if these people really know the reason and purpose of painting.

What I paint, what I paint, has nothing to do with others

Works by Li Peijin

Painting is divided into several types, one is like, the other is a hobby, in order to cultivate the mind. One is a profession, that is, to rely on him to eat and live. There is also a way to think that you are engaged in art. The first, as already mentioned above, is also the true meaning of the existence of "painting" and the meaning of the existence of "painting". The second is the profession, which is the worker who provides fine art works for the society, they take painting as their profession, so they paint every day, and most of them will have their own creative direction, for example, some people like to paint flowers and birds, some people like to paint landscape paintings, and some people like to paint figures. Because they rely on painting for a living, they are very dedicated, or create a lot of paintings, the only difference between them is that some are excellence, and some are flickering, pandering, and blind painting. The third is to engage in art, they think of themselves as artists, they are standing at the top of painting, they are academic creators, in fact, they do not have two nights with professional painters, but they are more than professional painters can dress, will tout themselves, will engage in social relations. As for their artistic height, artistic ideas, basically have their own name.

What I paint, what I paint, has nothing to do with others

Painting, originally a very simple thing, is a hobby, is to cultivate self-cultivation, but after the emergence of professional painters and academics, painting has become no longer simple, but extremely complex. At the beginning, there was a distinction between high and low, a division of fame, and a college and a folk. At the beginning, the technology was greater than the volatile self, and thus there were people who thought they were very professional, and they were called academics. A variety of brokers and curators have also begun to appear. They performed on the stage of painting and painting, and they planned an academic exhibition at every turn, and both professional painters and academics squeezed their heads to participate. As the saying goes, someone builds a bridge, someone sings, and since you are flickering, I will take your flickering boat. Tacitly, they all came together, and more importantly, they all believed they were academic. It is those who like to paint and paint in order to rest and recuperate. Because of the original orthodoxy, it was excluded from the compilation and was even titled as not being able to paint.

What I paint, what I paint, has nothing to do with others

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