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"Directly attacking calligraphy and painting" is the technique of pen and ink, and the thinking is the law

Text/Feng Haitao Works/Du Yan Li Peijin Shen Qing

"Pen and ink for technology, thought for law" There are pens and ink, and pictures of thought are born of techniques. Therefore, the painter needs to have thoughts, pen and ink to have meaning, so the manifestation of skills is the law born of thought. Therefore, the people who can be called painters are all people who have thoughts and "old brush and ink". However, the present generation has narrowed the meaning of the technique, and the meaning of the technique has only left the level of the technique, and cannot have the meaning. Therefore, it has led to the fact that the Chinese painting "Gong" is now more and more exquisite, the shape is becoming more and more accurate, and the pen is also very old and spicy, but the picture has no meaning. At the same time, it also causes the more you look at it, the more impatient you look at it, the more sluggish you look at the picture, and there is no anger at all.

"Directly attacking calligraphy and painting" is the technique of pen and ink, and the thinking is the law

Du Yan's works

Now the circle of calligraphy and painting is talking about pen and ink. Going to any exhibition, at the opening ceremony, you will hear some guests talking about how the brush and ink of the exhibition painters are, and in the so-called academic seminars, they also use pen and ink to praise and praise. However, under close listening, what they broke was pen and ink, which was far from the real pen and ink. Because the "pen and ink" are connected, it is beyond the pen and ink itself, but the pen and ink that have been blessed by thought. It encompasses more than just using pen and ink. It is the meaning of pen and ink. However, after listening to what they have said, look at the paintings in the exhibition. Apparently "donkey lips are not right for horse mouths". Therefore, it is fully proved that these people do not understand pen and ink.

"Directly attacking calligraphy and painting" is the technique of pen and ink, and the thinking is the law

Works by Li Peijin

There are three solutions to pen and ink: one is: pen is pen, ink is ink; second: pen and ink; third: pen and ink. "Pen and ink" people, painters also! "Pen and ink" people, painters also! "Pen is pen, ink is ink", beginners also! And this is also the reason why, "painters" like to talk about pen and ink, because as long as their paintings and pen and ink are linked, their identity as a painter is solid. It is also the reason why in the exhibition, those guests can stare at the nonsense, talk and talk about how good the brush and ink of the painter's work is. The reason why so-called academic seminars have also been hyped up with pen and ink as the core. Such touting not only touts the painter on display, but also puts himself on a high level, as he talks fluently about pen and ink.

"Directly attacking calligraphy and painting" is the technique of pen and ink, and the thinking is the law

Shen Qing's works

In this way, everyone may take it as a joke, but this is the phenomenon of the current calligraphy and painting circle, an era of praise and false calligraphy and painting. An era of playing with pen and ink. "Pen and ink" used to be so brilliant, it was once a term that represented the height of Chinese painting, and now "pen and ink" has become a joke in the jianghu.

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