He has presided over and participated in a number of provincial and ministerial teaching and scientific research projects, and the painter Chen Linguo's paintings have been appreciated

Chen Lin, male, born in 1971 in Xiao County, Anhui Province, the hometown of Chinese traditional painting, is currently an associate professor at the School of Art and Media of Anhui Industry and Trade Vocational and Technical College. The word Changzhi, the number three Chang Zhai Lord. Member of Jiusan Society; Master's degree; Member of Anhui Provincial Artists Association; Director of Anhui Young Artists Association; Painter of Central Academy of Calligraphy and Painting of Jiusan Society; Deputy Secretary-General of Anhui Contemporary Landscape Painting Research Institute; Painter of Anhui Provincial Academy of Calligraphy and Painting of Jiusan Society; Member of Anhui Aesthetic Education Association; Deputy Secretary-General and Standing Director of Huainan Guoxue Research Association; Works have been selected for national and provincial art exhibitions and won awards many times, and are loved by collectors throughout the country.

His works have been selected: the Fourth Anhui Provincial Fine Arts Exhibition of Chinese Painting Works Exhibition, the Anhui Provincial Department of Civil Affairs held a double-support calligraphy and painting exhibition, the first Anhui Provincial Sports Fine Arts Calligraphy and Photography Exhibition, the "Han Mo Zai Dao" Chinese Flower and Bird Painting Invitation Exhibition, the "Danqing Huiyun" Anhui Provincial Flower and Bird Painting Works Exhibition, Anhui Province Commemoration "The 126th Anniversary of Xiao Longshi's Birth" and Jianghuai Freehand Painting Exhibition. Anhui Province", "One Belt And One Road, Great Beauty, Anhui, National Famous Artists Exhibition"; "Binhong Spirit" National Academic Invitation Exhibition of Chinese Painting Masterpieces and Huang Binhong Memorial Hall 30th Anniversary Collection of Works Exhibition and other dozens of domestic and foreign exhibitions; the works were selected by the Sino-AMERICAN Association, the China Book Association, and the China Behavior Law Society to jointly hold the Third National Calligraphy and Painting Exhibition of China's Honest Government Culture and won the "Excellent Works" award. His works participated in the silver medal (second prize) of the National Calligraphy and Painting Competition "Chinese Dream, Secrecy" sponsored by the Secrets Commission of the CPC Central Committee and the State Secrets Bureau;

He has published many academic papers, presided over and participated in a number of provincial and ministerial teaching and scientific research projects, and successfully applied for a number of national utility model patents. Watching his flower and bird works, with calligraphic lines to outline the branches, vigorous and old spicy without losing elegance, full of dynamic rhythm, blending Wu Changshuo's pen and ink unbridled and strong and simple Mao, stone green, stone green heavy color with branches and leaves, through perspective and changes in color and ink to enhance the thickness of the picture and visual tension, through the big red halo dyeing petals and flowers, embellishment of the painting eye, delicate and dripping, beautiful, both Qi Baishi's safflower ink leaves, and higher than Qi Baishi's shape, color, and even more distant, more full and rich in color.

In the work, the pen and ink language of Chinese painting is used to outline the modeling characteristics and combination rules of flowers, branches and flowers, and the unique pen and ink techniques of Chinese painting are brought to the extreme, the chapter layout is composed in an upright manner, giving full play to the heaven and earth pattern of vertical composition of the vertical axis, emphasizing the interlacing of vertical lines and horizontal diagonal lines, the long lines of the branches are mostly with the pen of the center, the thick and heavy, force through the back of the paper, especially the thick line of the plum blossom trunk, first written with light ink wet pen, and then written with heavy ink and scorched ink repetition, thick and solid without losing agility, concise and condensed without losing freedom.

The formation of his unique formal language style and the characteristics of freehand pen and ink language not only has a deep understanding of traditional pen and ink, but also has his personal artistic concept and artistic aesthetic cultivation. Because of this, both freehand landscape painting and freehand flower and bird painting present extremely strong Qin Zhao-style artistic characteristics and aesthetic style, and the freehand language style and the formal expression of imagery symbols have become important characteristics and aesthetic signs of his works.