The essence of calligraphy - Wu Hufan plaque calligraphy special
Wu Hufan (1894-1968), a native of Suzhou, Jiangsu, was the grandson of Wu Dacheng. The original name was Yiyan, the word Xiaojun, and later changed its name to Wan, the word Dongzhuang, also known as Qian, alias Chou, No. Qianan, and the calligraphy and painting signed Hufan. In the thirties and forties, he was called "three Wu and one Feng" with Wu Zhiqiu, Wu Zishen, and Feng Chaoran. After the founding of the People's Republic of China, he served as a member of the preparatory committee and painter of the Shanghai Chinese Painting Academy, an associate professor of the Academy of Fine Arts of Shanghai University, the vice chairman of the Shanghai Branch of the Chinese Artists Association, a librarian of the Shanghai Museum of Culture and History, and a member of the Shanghai Cultural Relics Preservation Committee. Collect Hongfu, good at identification, fill in words. The landscape traces back to the Song and Yuan dynasties from the "Four Kings" and Dong Qichang, breaking through the barriers of the north and south sects, and is unique in its elegant and beautiful, beautiful and elegant composite painting style, especially the most representative of the molten ink and green dyeing and green color in one furnace and many smoke clouds. And write bamboo, orchid, lotus. An important painter in the twentieth century, his significance in the history of Chinese painting has gone far beyond his significance as a landscape painter. He is the author of "Lianzhu Collection", "Meijing Paintings", "Meijing Bookstore", "Wu's Calligraphy and Painting Collection", "Wuhu Fan Landscape Collection" and a variety of "Wu Hufan Painting Collection".
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