Today, I occasionally saw that the "Qi Gong Book Friends Association" released a batch of very special calligraphy, which are some works that were "written wrong" by Mr. Qi Gong, which is very interesting, and these cases give us some references for making up mistakes.
We all have cases of writing typos, and the same is true of great calligraphers, all of whom have cases of writing errors, omissions, and failures, from Wang Xizhi's "Preface to the Orchid Pavilion", Yan Zhenqing's "Manuscript of sacrifice to nephews", and later Ouyang Qian, Mi Fu, Wang Duo, Qi Gong and other cases of wrong writing. Today, let's take a look at the works that Mr. Qi Gong wrote about "bad".
This is Mr. Qi Gong's gift of friends' works, lost a "river", supplemented under the word "mountain", no big problem, from the perspective of today's collection, this is a famous orphan ah.
This work is also very interesting, this is the first poem by Mr. Qi Gong on Li Bai's "On the Absolute Sentence of Poetry", similar to a manuscript, the manuscript naturally has traces of deliberation and revision, one of which is smeared due to consideration of "between" and "edge"; the other is missing a "mud", which is supplemented under the "pinch". Although there are many applications, they have been carefully preserved.
The poem loses a "should" and fills it under "only". This kind of leak filling is still relatively common in the massive ink of Qigong.
This song loses a "inside" and fills it at the end of the poem.
This poem is mr. Qi Gong's improvisation on the spot in the elderly calligraphy and painting class, reflecting Mr. Qi Gong's solid poetry skills. The whole article is completed in one go, and the discarded "Howe" is made up in the text.
This poem to the graduating class, fortunately, Mr. Qi Gong made up this "limit" word in time, otherwise he would really lose his dignity.
The above work is Mr. Qi Gong's essay on "On the Absolute Sentence of Poetry", and when writing the third sentence "Song Ren poetry is the one who came up with it", he omitted a "poem" word, and Mr. Qi Gong naturally made it up at the end, and did not lose coordination.
Mistakes are not useless, and brave acknowledgment and timely correction are also a kind of "spiritual aesthetics". Sometimes, when we fall into monotonous visual fatigue, the sudden error-correcting vision will also trigger our viewing interest. For example, Wang Xizhi's "Orchid Pavilion Preface" is misplaced with a series of chapters, with a unique style, which does not hide his talent at all, while the smearing of the "Sacrifice Nephew Manuscript" shows more resentment and is more in line with a battle text full of excitement.