Text/Feng Haitao Painting/Lu Jianmin
Building their own collection of calligraphy and painting is what many collectors are doing, and it is also the collection method that most of the friends who have newly entered the painting and calligraphy collection circle learn in the process of collecting. However, the construction of the painting and calligraphy collection is not suitable for all collectors. There are two types of collectors who are suitable for establishing a collection of paintings and calligraphy: one is a very professional collector, and the other is a collection of paintings and calligraphy as their own property. As for the establishment of a collection of paintings and calligraphy by a collector with a small amount of money, not only will it not increase the probability of success for your collection, but it will also make your collection a burden. The collection of calligraphy and paintings, developed to this day, basically has a mature collection rules. As long as your collection method conforms to the rules that suit you, then the collection of calligraphy and painting is basically successful, otherwise, it is a failure.
Works by Lu Jianmin
In this era of mature rules, the collection of calligraphy and painting has derived a collection positioning and criteria suitable for each group. Professional collectors, as asset allocations, have their positioning and guidelines. Which collection of calligraphy and painting is for the interests of the moment, and those who like and want to make a fortune also have positioning and guidelines suitable for them. As long as you participate in the collection of calligraphy and painting within the scope that suits you, you will get corresponding benefits. And those who don't understand the rules and take the road of rules across identities are basically the source of profit for these people who collect calligraphy and paintings (those who collect calligraphy and paintings are for the interests of the moment, and those who like and want to make a fortune, etc.). Those who operate calligraphy and painting are the first to participate in the collection of calligraphy and painting, although they are not defined as collectors, but they are precisely the most standard collectors (those who understand this truth are the groups that really enter the collection of calligraphy and painting).
Works by Lu Jianmin
Those who collect paintings and calligraphy through operators should belong to the second group of participants, which is also considered by most people to be real collectors. However, in fact, this group of people is not really collectors, but consumers in the painting and calligraphy trade (of course, there will be collectors in it, which is why this group is mistaken for a group of collectors). In the market transactions, because of the proper management, the continuous appreciation of calligraphy and painting works, the collectors who come in at a point in appreciation belong to the third group of collectors, and this group of collectors is roughly divided into three categories, one is the layman who blindly follows the trend, the other is the real professional collector, and the other is the group of people who find that the works of these calligraphers and painters can be used as their own asset allocation. Only when the market for calligraphy and painting works reaches this point can it be regarded as truly a collection. That is, the value of calligraphy and painting art and collection.
Works by Lu Jianmin
Works by Lu Jianmin
Works by Lu Jianmin
Works by Lu Jianmin
Works by Lu Jianmin
Works by Lu Jianmin