There was Qi Baishi in the world, and the remaining ink still exists in the world.
If you ask Yu Mo where to ask, Baishi Mountain Hall is less white!
Baishi Shantang is a wholly-owned subsidiary of Qi Baishi Painting and Calligraphy Institute in China: it is currently the painting and calligraphy institute with the largest collection of Qi Baishi's works, and is fully responsible for the establishment and development of Qi Baishi cultural and creative brands, Qi Baishi fashion and other brands, and is committed to the content mining, system combing, industry promotion, business innovation, value reproduction and other assets such as Qi Baishi calligraphy and painting, art, seal carving, appraisal and auction, etc., which is an important part of building a product innovation platform based on Qi Baishi culture and art.
Hello Tibetan friends, today we have invited Mr. Tang Fazhou, then the successor of Qi Baishi, the disciple of Qi Liangzhi, the president of the Chinese Qi Baishi Academy of Painting and Calligraphy, the visiting professor of the Tsinghua Academy of Fine Arts, the official image spokesperson of NetEase Group, the specially invited teaching and research director, the contracted painter of Beijing Fine Art Academy and Rong Bao Zhai, the expert of Qi Baishi's calligraphy and painting big data identification, the president of the Shanghai Qi Baishi Art Research Association, and the chief operating officer of Baishi Shantang Culture Media, Mr. Tang Fazhou, once heard his master Qi Baishi's little daughter Qi Liangzhi say: Qi Baishi's painting art melts folk painting and literati painting in one furnace, It expands the expressive themes of Chinese flower and bird painting, updates the artistic conception of Chinese flower and bird painting, and creates a unique style that exudes the fragrance of earth. Looking at Qi Baishi's works, his superb brushwork and extraordinary artistic conception are amazing.
Qi Baishi 1864~1957 "Great Wealth" • Exhibition of China Qi Baishi Painting and Calligraphy Institute (Qi Baishi copyright owner) • Courtesy of Tang Fa Zhou, the son of Shaobai
Vertical scroll, ink and color on paper
137×39.5 cm. Approximately 4.9 square feet
RMB: 1,380,000-1,880,000
Title: Great wealth. Three hundred stone seal rich man Qi Huang made in the old Beijing borrowed mountain pavilion.
Seals: Baishi Weng, Qi Da
Publication: Qi Baishi's Collected Works, pp. 70-71, Rong Bao Zhai Publishing House, 2014 edition.
The height of the peony branch stem is elongated in the painting, so as to reflect the noble posture of the peony flower in the simple space, the branches of the ochre wave, chic and hearty, dripping and vivid, set off the noble and elegant peony, the boneless flowers into the large brush rouge point dye, the shade is appropriate, the petal layers are repeated, and the thick ink grass grass points out the stamens with a few strokes, which is extremely vivid. Flower a pair of wren brother opposites, the round body comes out with no bones, the mouth and claws are outlined with a thin brush, garcinia cambogia is dyed, the brushwork is sparse and simple, but the shape is lovely and lifelike; The whole picture is graceful and elegant.
Qi Baishi 1864~1957 "Great Wealth" Part, China Qi Baishi Painting and Calligraphy Institute Exhibition (Qi Baishi copyright owner) • Courtesy of Tang Fazhou, the son of Shaobai
The foliage of the flowers in this painting is similar to each other, rather than rigid in subtle features. The old man Baishi said, "Although my paintings are chasing the Bada Mountain People, and I claim to be quite godlike, but in Beijing, they are indeed not very valuable." The teacher once advised me to come up with new ideas and change my painting methods, and I listened to his words and created my own school of safflower ink leaves." The whole picture is thick and bright, as if it is full of anger, and has a strong visual appeal.
Qi Baishi 1864~1957 "Great Wealth" Part, China Qi Baishi Painting and Calligraphy Institute Exhibition (Qi Baishi copyright owner) • Courtesy of Tang Fazhou, the son of Shaobai
After the old man Baishi settled in Beijing at the age of 55, he would often go to the park to visit the various postures of the peony flowers every time the peony blossoms bloomed. His painting of peonies can depict the magnificent scene most prominently. After the old man reaches the age of 90, he often paints peony flowers with extremely heavy magenta, which makes him even more glamorous. This is painted with a strong color dot, and there is also a painting method with a more intense color after the dark dot, which is even more chic. When a painter arrives at the "transformation realm", the so-called raising his hands and feet, being at ease, how to paint and how to succeed, and how to paint with a casual wave, the old man's attainments have reached this realm. (To be continued) collection of calligraphy and painting, just look for the "Baishi heirs" of Qi Baishi Painting and Calligraphy Institute, all rights reserved, on-site creation, Qi Baishi painting school, a hundred years of inheritance, one line, only do real calligraphy and painting, gather the heads of the family, on-site creation, can be customized according to the requirements of the collector, can take a group photo! Perennial sales of high-end paintings and calligraphy, looking for cooperation with high-end painting and calligraphy brokers, partners, regional leaders, mainly operating Qi Baishi's painting brush before his death, Qi Baishi's special rice paper for painting shrimp, Qi Baishi's graphite block, Qi Baishi's self-made pigment formula, Qi Baishi's painting brush grass insect secret method, Qi Baishi's little daughter Qi Liangzhi's father Qi Baishi's calligraphy and painting relics exhibition and Qi Baishi's little daughter Qi Liangzhi's self-collection of calligraphy and painting special auction, Qi Baishi's heirs, Tang Fazhou, President of the China Qi Baishi Painting and Calligraphy Institute, paid tribute to the 160th anniversary of Qi Baishi's birth and reproduced the microcosm of Qi Baishi's calligraphy and painting exhibition, as well as the operation of Qi Baishi, Qi Liangzhi, Qi Liangchi, Qi Liangmo, Qi Bingyi, Qi Jingshan, Qi Bingzheng, Qi Zhanyi, Qi Huijuan, Qi Shouyu, Qi Yuwen, Qi Lixia, Qi Yuanlai, Qi Folai, Qi Shuilian, Qi Yanjun, Li Keran, Li Kuchan, Lou Shibai, Guo Xiuyi, Wang Senran, Wang Xuetao, Lu Guangguang, Wang Shushi, Wang Tianchi, Wang Wennong, Yang Xiuzhen, Tang Fazhou and other Qi Baishi heirs worth more than 100,000 million of calligraphy, paintings, seals and authentic works can also accept NFT, digital collections, metaverse, cross-border brand alliance, cultural empowerment resource integration and other operations, welcome powerful network companies to bid. (Pictures and texts are selected from: Qi Baishi's Descendants Calligraphy and Painting Network) (The pictures in this article are selected from: Qi Baishi in the eyes of Qi Liangzhi, Qi Baishi Painting and Calligraphy Academy, Qi Baishi's Descendants Calligraphy and Painting Network)
Note: The above pictures and texts are excerpted from the lecture "Shaobai Gongzi Fun Talks about Qi Baishi" Speaker: Tang Fazhou
Jia Chennian [Year of the Dragon] compiled in East China Shanghai Qi Baishi Painting and Calligraphy Institute (Shanghai Pudong General Institute)