The taste of Huzhou | said that the Huzhou Xisai Fishing Hidden in the Tang and Song Dynasties of Xisai Mountain

According to Huzhou' release:

Broadcasters: Wang Ran, Hui Zhe

In the development process of China's traditional culture, "seclusion" has always been the theme pursued and aspired to by literati doctors, and the historical books of past dynasties have often listed "Hermit Biography". "Seclusion", which means to jump out of the world, is considered to be the ideal state of cultivating the body and mind and transcending the world's troubles; and the "Yaji" is the key to gathering and communicating with like-minded people. Fishing song zi, word brand name, also known as "fisher father", "fisher father music" and "fisher father word". Many literati and doctors often express their longing for living in the mountains and forests under the title of "Fisher Father", and they hope to express the philosophy of life they have realized through the image of the fisher father, but the wisdom realized by the literati in different periods is different, so their fisher father also expresses different artistic conceptions. Zhang Yanyuan's "Records of Famous Paintings of Past Dynasties" records that Zhang Zhihe "painted it for himself as a "Fishing Song", and even had yi thoughts", since then, the theme of Yuyin's poetry and painting has endured for a long time and has become the sustenance of the hidden spirit of later generations of literati and doctors.

After the "Anshi Rebellion", a large number of northern scholars avoided chaos in Jiangnan, and Li Bai's "Table of Jinling for the Song Dynasty" wrote: "The world is dressed in crowns, eastern Wu, And Yongjia moved south, and did not flourish here." After that, there were successive southward migrations, which lasted for a century and a half, until the early years of the Northern Song Dynasty. In addition to Zhang Zhi and this "smoke wave angler", The Tea Saint Lu Yu lived in seclusion in Huzhou Cangxi, calling himself Mulberry Amaranth, and closed the door to the "Tea Classic". ZhuWan lived in seclusion in Dongxi, Huzhou at the beginning of the calendar, and at the same time, Wei Jiushanren and Wei Chushi also lived in seclusion in Dongxi. Du Guangting's "Immortal Biography Collection" records that "Liu Shang panned the clouds, and Bu Ju Wukang went up and down the qiang mountain." "Huzhou under the late Tang Dynasty system, although there were several rebellions during the period, but until the Late Tang Dynasty Huangchao Rebellion spread throughout the country and laid the pattern of the next five dynasties and ten kingdoms, Huzhou was still a peaceful place, and its economy also developed rapidly. Ming Xie Zhaochun's "Western Wu Zhi Cheng" Yun: "In the five generations, Jiangnan had many deaths, Du Wuxing had not been soldiered, and there were many people who avoided chaos. ”

Due to the advantages of economy, transportation and humanities, Huzhou has become a gathering place for scholars, who either take refuge or eunuchs, and find another piece of the soul here in the war-torn Middle And Tang Dynasty. They often interacted with each other in the form of rallies or by means of poetry and singing. Led by Yan Zhenqing, the Zhejiang Western Dalilian Singing Source, Huzhou during the Tang and Song Dynasties formed a tradition of county shou literature and elegant singing and harmony. Both the creative concept and the creative content deepened the conceptual cognition of Jiangnan by the early Tang dynasty, thus further strengthening the leisure and elegant character of the regional characteristics of the Cangxia in literary creation, and in singing and singing with Yan Zhenqing and other literati, Zhang Zhihe was not only impressed by the hermit demeanor of the ethereal, but also his performance art of "willing to float the family and the house, going to and from the cang", making it the source of the cultural image of the tracing of the cangxia and fishing hidden by posterity. The people, events, and places related to the Zhejiang West Joint Singing have become the objects of nostalgic poetry lyrics written by future generations to recall the style of Yaji. The cultural imagery of Yuyin, represented by Xisai Mountain, is as late as the late Tang Dynasty, and already has the connotation of convention, the core of which is the secluded temperament, the picturesque natural landscape and humanistic care, and the pursuit of a simple and unpretentious life of yuyin, just as Kyaukran "stealth on the amaranth wants to, without green robes to love green lotus". Zhang Zhihe's "Fishing Song" has also become a hidden motif for later generations, and has been repeatedly chased. While remembering Zhang Zhi and his cultural image, later generations of literati have continuously enriched the cultural imagery of Cangxia Yuyin.

Fishing Music Chart

Su Dongpo experienced the "Wutai Poetry Case" during his tenure in Huzhou Zhizhou, and after experiencing the ups and downs of the eunuch sea, he wrote with emotion: "But I have to bow my head to worship Dongye and not quit the middle road to serve Yuanming." The people of The Shipyard are safe, and the plan of Bu ZhuJianghuai has been completed. In a series of cultural associations such as Tao Yuanming, Meng Jiao, Zhang Zhihe, etc., the hidden meaning of "苕霅" is strengthened. Mei Yaochen has more poetry: "In the past, Ai Yi and Luo, now I love Yi and Luo, and now I love Yi and Xia." Nanguo Fu Xicheng, Xiao Se Ming Yu Jia. Dusty, white birds who come to fox. The sunset lake returns, and the fish song answers itself. If the cultural imagery of "Yi and Luo" lies in revealing the grand ideal of pursuing meritorious achievements, then the meaning of "苕和霅" reflects the cultural implications that are very different from it. After 300 years, the square spoon of the same Jinhua people searched for it, found Zhang Zhihe and the former floating family pan house in the Village of BoZhai also lived a fishing life, and named his book "Po House Compilation". Ni Si, a native of Gui'an in Huzhou, Southern Song Dynasty, recalled and concluded in the Magazine of Jingliangtang: "The smooth waves of the Xiachuan River are long, there is the benefit of water but there is no harm of water, the mountains are lined up, the beauty is beautiful, Bu lives here, and he is lost." Proverb Cloud 'Let you live, let you live, let you live, and let you huzhou be a commoner.' This five-generation saying at the end of the Tang Dynasty is that when the whole world was soldiered, Duhu Prefecture was spared, and as for the Taiping of this dynasty for another two hundred years. Jing Kang Jianyan was relieved of his military service, and there are still houses in the five dynasties of the late Tang Dynasty, and his husband is the people of the lake, which is as fortunate as a scholar. "Huizhou Jixi people Hu Zai has been idle for 20 years, Buju Huzhou Xiangxi, with books to entertain himself, fishing for self-adaptation, self-titled "Cangxi Fishing Hidden". In the Yuan Dynasty, the Maoshan Daoist poet Zhang Yu , the Daoist name Zhenzhenzi , who wrote in the "Fu Xi Sai Shan Sent Zhao Jiwen Huzhou Xuelu" Yun:

Passing back and forth between the old mountains and rivers, the flowing water and peach blossoms are thoughtful.

After the spring rains, the immortals fished for the sunset.

Fishing songs were not found by the imperial court, and the government was first passed on in seclusion.

I don't believe that the green shirt is dusty, and there are three thousand living in the Crystal Palace.

Qing Yongzheng's "Zhejiang Tongzhi" volume 12 "Xisai Mountain" Tiaoyun "Mountains and rivers are beautiful, it is really a hopeless situation", and then quotes Pi Rixiu's Poem of Xisai Mountain. There is a cloud in the Quan Tang Poetry, Proverbs, Huzhou Proverbs: "In the five dynasties of the late Tang Dynasty, the world was soldiered, and Duhu Prefecture was spared, and the words of the time were clouded: 'Let ersheng, let go of ersheng, and let Goerhu prefecture be the people.'" "The Fisherman of Xisai Mountain" by the late Tang Dynasty is the most vivid footnote of this late Tang proverb. Its poetry cloud:

The white scarf is like silk, and the maple root sits on the fishing rock.

The middle woman Sang Village picked leaves to go, and Xiao'ersha City bought the leaves.

The rain comes and the lettuce flows slippery, and after the spring the perch falls to fish fat.

In front of the Xisai Mountain, all day long, the waves of envy are all dependent.

Statue of Pi ri Hugh

Pi Rixiu's small fishing village is quiet and peaceful, and everyone works hard to enjoy themselves, forming a harmonious picture of fishermen's music. In fact, the poet who visited his hometown all day did not fish, but looked at the fishermen's lively and self-sufficient life through the sparkling waves, and the mood of longing and expecting seclusion jumped on the paper.

Pi Rixiu was not from Jiangnan, and when he recounted his family lineage, he once said: "With the distant ancestor Xiangyang Taishou, the descendants of the family Xiangyang are xiangyang people." But Pi Rixiu, like his Fellow Cha Saint Lu Yu, had a deep relationship with Huzhou. In the Songling Collection, Pi Rixiu details his experience of traveling to and from Jiangnan: "In the seventh year of Xiantong (866), the present-day Bingbu ordered the foxes to be outside Huainan, and the present-day Zhongshu Sheren Hongnong Gong guarded the Biling (Changzhou), and the Rixiu was fortunate to be blessed with words, and the Sum of the Orders made by Si Meng, each of them compiled the axis, and also had the name of its leader. In the tenth year (869), the Grand Si Qinghe Washu was pastored in Wu (Suzhou), and Ri Xiu worked for the county. In January, there are jinshi tortoises who are created with their karmic visions, and all the numbers are compiled, and the changes in their talents are also true to the qi of heaven and earth. In modern times, Wen Feiqing and Li Yishan are the most important, and it is not known which one is the first. Pi Rixiu also recalled in the "Taihu Poems and Preface" that he made a trip to Jiangnan in the ninth year of Xiantong (868), traveling from Jingdong to "Floating Canal, to Yangzhou, and to The Aerospace Graben, from Beigu to Gusu." belch! The country and mountains are secluded, see the more expensive than the earth, the rest of the place, not winged in the half, then the smoke xia fish bird, the forest and the cloud moon, can be a genus of disgust. So there were the famous twenty "Taihu Poems."

Pi Rixiu and Tortoise Meng saw each other as they were, and the two often sang peace with each other. Pi Rixiu accidentally read two "Records of GuZhu Mountain" by fellow Countryman Lu Yu, and he followed the tortoise over GuZhu Mountain. Pi Lu lingered in the endless tea mountains, living with tea farmers, often stopping under the bamboo in the forest, singing poetry and commenting on tea and water, "the grass hall stayed for monks and students every day, and picked tea buds from the qianqian stream". Pi Lu and his two left many observational works in Guzhu Mountain, the representative works are Pi Rixiu's "Miscellaneous Songs in Tea" and "Fenghe Attacking the United States Tea Set Ten Songs", attacking the United States, that is, Pi Rixiu's characters. After Pi Rixiu sent the poem to Tortoise Meng, he got the singing of Tortoise Meng. There are many place names in Huzhou involved in the poem, such as Guzhu Mountain, Yaoshi Mountain, Wushiwu, Shansangwu... These place names were not easy for thousands of years and are still in use today.

Pi ri xiu tortoise drinking tea picture

There is a tea garden in the tortoise Mengguzhu Mountain, and there is a Luhui Villa at the foot of Benshan Mountain, which is coiled between the mounds, and the number of times Pi Lu sings peace with each other should not be less. Pi Rixiu also wrote many poems about the style of Huzhou, "poor to Ziwu, Yixing turned to superfluous", from his "Taihu Poetry Peach Blossom Wood", the southern foothills of the Xisai Mountains in Huzhou still retain the ancient place names such as Ziwu Ridge and Ziwu Village, and of course, "Xisai Mountain Berth Fisherman". The content of Pi Rixiu's early poems is mainly to reflect social reality and observe the people's livelihood and suffering, referring to the shortcomings of the past and full of realism. However, pi rixiu's works when he stayed in Jiangnan generally exude a fresh and natural, leisurely and quiet atmosphere, "Xisai Mountain Berth Fisherman" is a representative of this style, perhaps the beautiful mountains and rivers in Jiangnan, the delicious food everywhere makes him temporarily forget his troubles, feel relaxed and comfortable, and really have a little bit of "Iris flying in the sky, looking at the peak and resting his heart; the economic world's affairs, peeping at the valley and forgetting the reaction".

The poem's "Sangcun Shashi" imagery has a typical amaranth atmosphere, and Qing Qianlong's "Wu Xing Hebi" "Xisai Mountain" strip cloud: "Tang Zhangzhi and the floating family pan house, along the Huan, between the huan and the xia; the green grass, the time of the turmoil." The Maple Leaf Hagi Flower Road, east or west, by stream fishing boat, only three only two. Sangcun ShaShi, frolicking women and children, small makeup, dotted plums and sandbirds. In ancient times, "sha" and "蓑" could be false, and the Qing King Niansun's "Shu Zheng" said: "蓑 and sha are homophonous, and qingsha is qingsha also." Therefore, "Shashi" can be understood as "the market for buying and selling coats.". Huzhou since ancient times has been known as "lake silk all over the world", sericulture industry is the most classic small-scale peasant production method in ancient Huzhou, "Wu Sang into green yin, Wu silkworm Ying cui foil" (Southern Song Dynasty Shen and Qiu poem) The mulberry village is the most classic rural scene in Huzhou, as early as the Six Dynasties Wu Jun had "Mo Shang Sang" poem: "Yuan Yuan Mo Shang Sang, Shade Mo Fu Tang Tang." Long strips reflect the day, and the fine leaves are yellow. Pi Shi "After Spring" clearly explains the season, when the peasants are busy raising silkworms, "the neighbors have no trace", the peasants only meet when they are picking mulberries, "just like the dawn and the wind, the mulberry season temporarily meets."

"Lettuce soup perch" is from the "Book of Jin, Zhang Han Biography", "Zhang Han in Luo, see the autumn wind, because of the thought of Wuzhong cabbage soup, perch, said: 'Life is too expensive to be suitable, how can you be bound for thousands of miles to be famous?'" 'Driving home', "Thinking of the Perch" can be regarded as the most elegant homesickness. Born during the rebellion of the Eight Kings of the Western Jin Dynasty, Zhang Han, who was born in Luoyang, used the excuse of missing his hometown of sea bass and lettuce soup as an excuse to stay away from the land of right and wrong in Luoyang, and later "the thoughts of the sea bass" also became a common allusion for the literati to express the two ambivalences of their own service to the country and passively avoid the world. Lettuce, also known as pò [pò] vegetable, is a perennial aquatic root herb of the genus Water Lilyaceae, which is one of the traditional foods "Water Eight Immortals" in the Taihu Lake area. Lettuce grows in the shallow lakes and wetlands along the taihu Lake, the Tang Dynasty Wuxing poet Qian Qi has: "Orange paper guest house, lettuce around the boat", Jiatai "Wu Xingzhi" recorded: "Lettuce, now add "Tongji" Yun: Changxing County West Lake out of jia, taste the offering. Deqing Shen Yan was desolate and collected celery root for food. This water town is also planted, sold in early summer, soft and slippery soup, rough and inedible in summer, not as good as Wu Zhong. In the early autumn, it is also soft and beautiful, so this Zhang Han is also thinking. The Qing "Shengshe Zhenzhi" also contains: "Purple silk, out of the Panyang Bridge, extremely soft and slippery." Its leaves are green and its roots are purple. Available in late spring and early autumn. Suitable as a soup, the taste is very fresh. It has also been rare in recent times. Ming Min Zhuang Yi poem 'Purple Silk Under the Pan Yang Bridge' is also. "Sea bass cold warm sea freshwater migratory fish, delicious taste, think of the fat of the perch in Jiangnan, Bai Juyi can't help but "even yin" said: "There are still sea bass lettuce, coming to spring or planning to go to Jiangdong." Fan Chengda's "Wu Junzhi" Yun: "Perch, raw Songjiang, especially Yiyi." White and fluffy, not fishy, above the fish. The river is bordered by Taihu Lake, and there are also perch in the lake. It is said that the river fish has four gills, and the lake fish stops three gills, and the taste is not enough. Jiatai "Wu Xingzhi" also yun: "The perch is out of the Taihu Lake of the Songjiang River, the fish is traced, and when the water rises into the amaranth, the meat is delicate and beautiful, and it is suitable for soup, and it can also be used as a soup." ”

"Sangcun Sha City" and "Lettuce Soup Perch", Pi Rixiu's Xisai Mountain is obviously the Xisai Mountain of Jiangnan Wudi, but where can it be if you are not in Huzhou? The late Yuan and early Ming poet Zhang Yu lived in seclusion in Huzhou and created a poem "Late Fishing in Xisai", and in the Ming Wanli "Chronicle of Huzhou Fu", "Late Fishing in Xisai" has been listed as one of the Eight Scenic Spots of Wuxing. Zhang Yuqi Shiyun:

The day before Mount Xisai was twilight, and the river trees were far away from the smoke.

Yuan Zhen Immortals are unattainable, and when listening to fishing songs across the creek.

Bay head wine mandarin fish fat, red dust is not green coat.

Throwing poles to look at the crescent moon, I saw two egrets flying.

On July 31, 2021, the Metropolitan Museum of Art in New York launched the exhibition "Companionship in Solitude: Seclusion and Elegance in Chinese Art", which brings together more than 120 works from the 11th century to the present, focusing on the two themes of "seclusion" and "yaji" in Chinese art. There are many famous works in the exhibition, the most eye-catching of which is Li Jie's "Picture of the Xisai Fishing Society" of the Southern Song Dynasty, which was also borrowed by Dong Qichang of the Shanghai Museum three years ago. "Xisai Fishing Society Map", also known as "Xiaxi Fishing Society Map", depicts the fishing society scene next to the Xiaxi Creek under the Xisai Mountain in Huzhou, which is used to pin the thoughts of living in the mountains and forests. Li Jiebo, the painter of the "Xisai Fishing Society Map", has a painting name, the history books are not recorded, Henan Heyang (present-day Mengxian County, Henan), zi cishan, zengguan Xiuning master book, Kunshan Zai, Biling Shou, Pu Chun Shou, Hou Bu Zhu Xiaxi, also known as "Fishing Society", this picture is the sixth year of Qiandao (1170) when he was in Hangzhou, through painting to create his ideal retreat. In the picture, the landscape is half of it, the hills are undulating, the hills are rugged, the water is green, the grass and trees are lush, the distribution of ravines and bays is tortuous, the house road bridge is scattered in between, the water surface is open nearby, and the lotus algae spreads among them.

Southern Song Dynasty Li Jie", "Xisai Fishing Society Map"

The "Xisai Fishing Society Map" has inscriptions written by seven celebrities at that time, all of whom were famous ministers and writers of the Southern Song Dynasty, most of whom were listed in the "History of the Song Dynasty", and they also interacted with each other. Among them, Fan Chengda and You Yuan were the four major poets of the Southern Song Dynasty (the other two were Yang Wanli and Lu You). Hong Mai was a clean and honest official, sent an envoy to the Jin Dynasty to be mighty and unyielding, and even had the "Rong Zhai Essay" passed down, as a famous literary artist. Zhou Bi was a great official to the official Shangshu, and was one of the "Four Loyalties of Luling". Wang Lin's official Ju Libu and The Official's Shangshu were known for their outspokenness, and there was a "Song Discussion" passed down to the world. Yan Cangshu also served as an envoy to Jin as an official Shangshu, and later served as an editor of the National History Academy. Zhao Xiong (赵雄), the right chancellor of emperor Xiaozong's reign, had been deposed as a Hanlin scholar and was deposed for his outspokenness. After the seven people, there are also the Weng Ye inscription poems of the first year of Deyou (1275), as well as the twelve people of the Ming Dynasty, such as Dong Qichang of the Ming Dynasty, Shen Deqian of the Qing Dynasty, and Ye Gongqiu in the modern era. The "Xisai Fishing Society Map" was once the old collection of Zhang Daqian, and he said in the middle of the trek: "This map is based on the inscriptions of the famous sages to increase the price of the sound. ”

Fan Cheng made a big fuss

Fan Chengdazhi was written in Chunxi Yiwei (1185) Shangyuan. With a length of more than 290 words, it is the most valued wonderful long trek in the "Xisai Fishing Society Map". Li Jie once told Fan Chengda during his tenure in Kunshan that "he will also run the Cangxiajian" and "for another twenty years, he began to use the "Fishing Society Map". The inscription ends with Duan Yun: "Waiting for the peach blossom aquatic, flat boat Xi Sai, annoying the master to buy fish and sell wine, relying on the praise, adjusting the gift along the stream, the words make the fisher boy young, the song and harmony." Clear a table and return with all the excitement. Songling area, water blue floating sky, canopy window rain, drunken sleep is good, get this fate, but also a miracle. "Fishing boy Qiao Qing" and "Hou Peach Blossom Aquatic, Bian Zhou Xi Sai, annoying the owner to buy fish and wine", obviously in response to Zhang Zhihe's "Fishing Song". According to Mr. Fu Xinian's research, Fan Chengda's "Shihu Poetry Collection" has seven unique two poems in volume ten, and the poem title is Cloud: "Li Cishan drew two pictures by himself, one of which was boating under the lake and the mountain... One for each question. In the second song cloud: "Yellow dust car horse dream first, and the donkey rides between the purple and green." Full of the true face of Qianfeng, when he was looking at the mountain. Judging from the first sentence of "Dream Chu Yan" and the last sentence of "The Year of Wat", when Fan Shi composed this poem, Li Jie had already built a "fishing society" and realized his long-cherished wish to be a smoke wave fisherman in the land of Zhang Zhihe and fuzi.

Fan Cheng's big portrait

Hong Mai inscription

Hong Mai Zhi Bao was written on the 23rd day of October in Chun Xi Peng Shen (1188). Hong Mai compares Zhang Zhihe's "Fishing and Fishing in the Qingjiang River" with the "Xisai Fishing Society Map", which reveals more clearly the meaning of Li Jie's "fishing society" for the viewer. Hong Mai said, "The first duke returned from the imperial court, and the axis of "Fishing and Fishing in the Qingjiang River" composed by Yuan Zhenzi, Xuanhe's relics also ... Its location, straight to Xisai, stream and mountain photography, ethereal clouds, people see the world without this realm also. And once Li Cishan of Heyang has achieved it, he must not swim from Yuan Zhenzi, but from the second mountain. It is not allowed to go to Mount Cissé, and it is enough to see this "Fishing Society Map". At the end, Hong Mai also analyzed and pointed out: "Xi Sai is in Wuxing, so Yuan Zhen has the sentence 'Fishing in Xiaxi Bay', and Huangzhou also has it, which is the place where Tang Cao Cheng used the master." "Two Cisse are two different moods.

Zhou Bi made a big fuss

Zhou Bidazhi was written on March 3, 1190, the first year of Shaoxi's reign. Li Jie had asked Zhou Bi to ask for this picture many times, but he did not get his wish. It was not until Zhou Bida resigned his home, and Li Jie sent someone from Shu to visit Zhou's Yuji Prefecture with a map, that he wrote this trek for him. Zhou Bi DaBaoyun: "Tang Yuan knotted the word Cishan, tasted the Fan Society, and was neighboring with the fishermen, and sang with a spoon, but he called himself a sorcerer." Present-day Heyang Li Jun, the name yuan name also, the character character also. Bu Zhu XiaXi, also known as the Fishing Society, its good learning Willow Huizhi Ye. In the middle of the capital of the Yu officials in the First Qian Dao, the king took the contract of the ancestors and carried this map with him. It is difficult to swim in the dust of Donghua and want to speak for the Xisai Creek. The subordinates returned to Luling, lived in the eastern corner of the city, went to the river without fifty steps, the name of the continent was Egret, Heng Chen Qiqian, the day with the flat boat Yin edge reeds, Yu Lai came and went, hundreds of times and more, although did not dare to steal Zhang Zhihe, Yi Shu almost Yuan Ci Shan Yi ... "Li Jie and Tang Dynasty Hermit Gao Shi Yuan Jie are both named "Jie", the word "sub-mountain", Li Jie even if it can not be compared with Zhang Zhihe, his Mu Gao Yi seeks to escape, and he does not lose the Tang Dynasty Yuan Knot.

Zhao Xiong inscription

Zhao Xiongzhi was written on the day of the southern solstice (i.e., the winter solstice) of Shao Xi Gengzhi (1190). Zhao Xiong recalled that Li Jie once told him, "Thousands of miles of lonely officials, how can you not love people, there are words calling for heaven to be gracious, and now move to the right of the lake, there is a day out of the gorge, and you will return to your old age under the Xisai Mountain." The old mountain was built on the toes of the mountain, and the name was called the Fishing Society". Zhao Xiong "Phi Tu Yue Zhi" praised "Xi Sai Xia Xi Gai Wu Xing Sheng Desperate Place, Fishing Society Actually According to Its Meeting, The Landscape and Water MingXiu, the Flowers and Trees Are Beautiful, Stretching for Ten Miles, All for Several Inter-Mat Objects, Yi Yi Sheng Zhao". Zhao Xiong was also retired at that time, "retreating to the camp of Yu, yiwu is ugly and ridiculous", of course, this is a modest statement.

Wang Lin inscription

Wang Linzhi was written in May of the second year of Shao Xi (1191). Wang Lin "Phi Tu surprise, said the second mountain: "After the year of the xia, the second and third sons of the xia invited Yu, traveled to the mountains of the dojo, looked at the west, and referred to the place where the egret flew: This is the former perch of the Yuan Zhenzi. The boat is like a small boat, and the wine belongs to each other. Love its innocence, and want to see its people, and have this mountain to live in, but I don't know if it is now a sub-mountain thing'." However, the first time Wang Lin refused Li Jie's request, "It must return to the Fu family's detour, tie the West Plug, ask to see the second mountain, and be a promise." Now there is no time." After many years, Li Jie "did not travel dozens of miles to visit" and "asked to fulfill the previous covenant", and Wang Lin "although he did not have to revisit xisai tour, he could not quit". Wang Lin knew that the "fishing society" had not yet been built, and joked: "The picture of the fishing society is painted with cakes." Li Jie's poverty led to the existence of the "fishing society" in the ideal, but his admiration for Zhang Zhihe's heart has not diminished slightly, and he paints to Ming Zhi.

Yan Cang Shu Bao

Yan Cangshu Zhiba was written on the twenty-fifth day of the first month of the second year of ShaoXi (1191), Li Jie returned to Wu from Shu, Yan Cangshu returned from Jingzhou to Shu, the two met on a boat on the Yangtze River, "phase and dump, like a happy life", Li Jie showed this picture, Soxisai Fishing Society and Xisai Mountain Seven characters. The boat shook, barely able to read the book." Yan Cangshu sighed, "If fu cishan is the one who traces the anglers, the JingMu Shu, then the former giant duke and the great man have finished it, and they will not repeat it." Gu Guanshan repairs the mountain, the rivers and lakes are vague, and the unknown sees the sun. Time to unfold the roll, like a victory swim above the clouds. ”

Especially the inscription

You Yuanzhi was written in the late spring of Shaoxi Xinhai (1191). You Yuan wrote in the inscription: "The hand of the present Gong Gong's sleeve is returned to Xiu Lin, and the former residence of Yuan Zhenzi is obtained. Lao Tzu was very interested in this and inquired for me. The egret in front of the mountain, the unknown Yuan Zhenzi, He Jinzhi'er. You Yuan finally said: "The line angelica cultivates the old garden, looking at the Xisai Mountain, a reed can be sailed." The boat visits the clouds and waters, and buckles the sentence of the song 'Green Basket', and the old and the laughter are also fast. ”

Li Jie's "Xisai Fishing Society Map" floor plan

"Xisai Fishing Society Map" is a real landscape painting characterized by the realism of Huzhou landscape, showing the typical scenery of CangxiaXi Mountain, the gentle mountain, the wind and rain valley, the forest smoke clouds, the peaks are obscure, the xiqiao yupu, the zhouzhu cover, as Mi Fu said, "plain and innocent" and "a piece of Jiangnan also". Huzhou's beautiful scenery of Xishan and the artistic culture with profound heritage have bred many famous painters in the Song Dynasty and later, and scholars who have visited Huzhou and watched the picturesque scenery of Xishan often leave relevant poetry and painting works. The famous painter Jiang Ginseng, "runs through the Xia river, deep in the scenery of the river and the sky, and the plains are all in the square inches." Growing up in landscapes, He is a teacher of Dong Yuan and Ju Ran. "The Lushun Museum has the "Second Picture of Xisai Mountain Villa" painted by Shen Zongqian, a famous painter from Huzhou during the Qingganjia period. This picture has a long inscription of Shen Zongqian Xiaokai, which describes the reason for the painting, and the inscription is Cloud: "The age of Pengzi actually threatened the eunuch to travel in Guanzhong, and moved to the right of The Yangshan Mountain for more than ten years, and the xiongqi of Taihang, Zhongnan, and Huayue in the history cannot be robbed of the interest of qingyuan in the old mountain." "The composition and style of the "Xisai Fishery Society" and the "Xisai Mountain Villa" are generally consistent with the mountainous features of Huzhou's CangxiaXi Mountainous Landform, and the foreground of the composition is open in the foreground, and there is a small bridge on the back of the cross-creek to connect the two banks of the stream. The ancients liked to use "Qingyuan" to describe the unique beauty of Huzhou's landscape, bounded by the Moxi, Huzhou's mountains and plains are staggered, the hills are winding and undulating, "the water is deep and clear, the mountains are connected and beautiful", Shen Zongqian once proudly said: "I Wuxing landscape qingyuan, A in the world." ”

Shen Zongqian's "Second Picture of Xisai Mountain Villa" (can be clicked to enlarge)

Judging from Li Jie's "Xisai Fishing Society Map" and the inscription, during the Southern Song Dynasty, Xisai was the consensus of Zhang Zhi and the poem Xisai was a literati doctor, and many of them had a strong desire to live in seclusion in Huzhou Xisai Mountain, and Li Jie realized this wish at the last moment of his life. Li Jie's "Xisai Fishing Society Map" and Shen Zongqian's "Xisai Mountain Villa" both have the artistic characteristics of real-life landscape painting, but it does not mean that "Xisai Fishing Society Map" is just a simple imitation of the scenery of Xixi Mountain. It is based on the depiction of real landscapes to reflect and convey cultural implications. The name of Li Jie's painting "Xisai Fishing Society", whether it is Xisai or Xisai, as a cultural symbol, is a clear reference to China's reclusive culture with a long tradition, and it is also in line with the reclusive tradition of Zhang Zhihe, who has the characteristics of Huzhou regional culture. The inscription around the "Xisai Fishing Society Map" very clearly reflects such a cultural quality, corresponding to the same voice, seeking the same breath, proving that I am not alone, and forming spiritual mutual support. One of the new characteristic manifestations of the cultural reclusive spirit of the Song Dynasty lies in the aestheticization of daily life. The scholar is no longer pursuing the ideal Immortal Mountain, or the Pure Land of the Western Heavens, but more emphasizing the transcendence of the present, and the so-called "distant self-deviation of the heart" is also. By building his own residence garden, the scholar realized the secluded ideal of poetic dwelling. Li Jie's painting "Xisai Fishing Society" is also such an ideal visual presentation of the Song Dynasty scholar-doctor group.

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Draft: Zhang Chihong

Editor: Zhu Guojun

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