In ancient times, many literati and inkers were not only proficient in poetry and song, but also liked to make friends. For example, Shi Sheng admired Shi Xian very much, although these two great poets only met a few times in their lives, but they left indelible memories for each other. Liu Yuxi and Bai Juyi of the Middle Tang Dynasty also often exchanged poems and books, which also comforted the lonely souls who were in the same place who were degrading their careers.
The same is true of Pi Rixiu and Tortoise Meng of the late Tang Dynasty, they were born in a chaotic world, and their careers were not smooth, and they both liked to drink alcohol, so they drank less than a thousand cups of wine, and they were happy to spit out the truth. The following introduces the two poems of the late Tang Dynasty, Pi Rixiu's poems are simple and easy to understand, and the works of Tortoise Meng are intimate and touching.
Anglers
Tang Dynasty: Pi RiXiu
Yanling Beach is like a cloud collapse, and the fishing tackle returns to release the stone layer.
The smoke wave splashed the canopy cold and did not sleep, and the dead mussels lit up the fishing lamp.
Pi Rixiu, also known as The Beauty of the Word, once lived in Lumen Mountain, with the road name Lumenzi. At the age of 30, he entered the priesthood and the first, and successively served as the deputy envoy of Suzhou and Biling. The poems are mostly works of sympathy for folk suffering, and incorporate their own deep emotions and deep thinking. Pi Rixiu lived in Suzhou for a while, where the water network is staggered, the ponds are clustered, and it is on the shore of Taihu Lake, so the aquatic products are very rich.
Pi Rixiu's seven masterpieces reflect the living habits of fishermen in Suzhou. The gist of the poem is: rolling waves, lapping at Yanling Beach; water splashing around, like jade shattering clouds. When you return from fishing, place your fishing gear on an overlapping stone platform. The waves wet the canopy, and the night was cold and sleepless, so I had to light up the mussel shells and act as fishing lights.
Yanling Beach is on the Fuchun River in Zhejiang, and it is said that in the early years of the Eastern Han Dynasty, Yan Guang, a friend of Emperor Wu of Han Guangwu, once lived in seclusion nearby and often came to the riverside to fish. The author compares himself with strict light, fishing by the river, happy and forgetful, and life is hard but very idyllic.
The water at Yanling Beach is turbulent, like chaotic clouds. At night, the waves splashed on the canopy, and the cold hit people could not sleep peacefully, so they had to find a piece of dried mussel shell as a lamp, light the lamp, and spend a long night.
The poem reflects the extremely poor living conditions of the people in the late Tang Dynasty, and the fishermen in Wudi also had a difficult and very poor life. After a hard day, at night, because it was too cold on the river, I couldn't sleep peacefully. The poet wrote this poem to fully express sympathy for the fishermen.
And attacking the United States fishing partners
Tang Dynasty: Tortoise Meng
After the rain, the sand collapsed, and the fish beams moved into the chaotic clouds.
When the moon fell in the darkness of Tingzhou, he recognized the net lamp of his wife and children.
Tortoise Meng, the character Lu Wang, self-proclaimed Jianghu Sanren, a famous poet and agronomist of the Tang Dynasty. Tortoise Mengju was not a soldier, and served as an aide for a period of time, and later lived in seclusion in Wu County, Jiangsu Province. Tortoise Meng's poetry pursues Boao's sinister, but also has works of indignation and concern for the people.
The gist of the poem is that after the heavy rain, the river sand is soft, the river bank collapses, and the fish beams that intercept the fish have to be moved to the rapids. The fishing boat returns, the moon sets, the river gradually darkens, and the wives and children on the shore light up the lights of the weaving net, guiding the husband to return.
The first two sentences of the poem describe the scene after the torrential rain, the river rises rapidly, the downstream banks are about to collapse, and the fishermen have to take the bamboo fish to the upper reaches, but the water is also turbulent at the heights.
The author uses "ancient shore collapse and chaotic clouds" to vividly depict the hardships and dangers of fishermen's labor. But in order to make a living, they had to venture out day after day.
The last two sentences are more warm, in order to harvest more fish, fishermen often go to distant places to fish. The fishing boat returned and the moon set darkly, but they could recognize the location of their house from the light of their wives and children's nets. The author conveys the scenery with scenery, which is very realistic and unique, reflecting the hard work of the fisherman's labor.
Comparing these two poems, they are simple and easy to understand, and full of affection. Pi Rixiu's work is like a short story, telling the story of a fisherman drifting on the river. He toiled hard during the day and could only rest in the cabin at night. However, it was cold and windy, and he often stayed up all night. Although the poet does not say sympathy, he is full of pity.
Tortoise Meng's works are also like two separate pictures, one depicting fishermen fighting a storm on the river, and the other showing the warmth of fishing after returning. The author carefully selects these two typical moods, making people feel their hard work and simple life, which is easier to arouse the reader's associations and feelings! Friends, you can also challenge it, yi rhyme and a song.