"The All-Day Visitor before Xisai Mountain" is from "The Fisherman of Xisai Mountain", which is the work of the late Tang Dynasty poet Pi Rixiu:
The white scarf is like silk, and the maple root sits on the fishing rock.
The middle woman Sang Village picked leaves to go, and Xiao'ersha City bought the leaves.
The rain comes and the lettuce flows slippery, and after the spring the perch falls to fish fat.
In front of the Xisai Mountain, all day long, the waves of envy are all dependent.
This is a song that rhymes with flat water rhymes with the "five micro" parts, and the first and last words rhyme with the lone goose out of the group of seven laws of the "four branches" part of the rhyme, and the relationship between the flat and the servant is correct and rigorous.
Pi Rixiu and Tortoise Meng are representatives of the late Tang Dynasty, because of the failure of the officialdom, the works have their own hidden atmosphere. Although Pi Rixiu later participated in the Huangchao Rebellion and is said to have been killed for offending Huangchao by writing poetry, most of his poetry works we read now are before entering the Huangchao Army, belonging to the politically disheartened literati, who are keen on the leisure of Yongwu and shanshui.
This kind of work is emotionally similar and weak, and the writing is routine.
Generally speaking, the first couplet writes the reason, the middle and second couplets write the scene, and the tail link praises it, expressing their hope to hide here. This kind of work, which is classified in the history of poetry in the late Tang Dynasty, is represented by Pi and Lu.
This song "The Fisherman of The Hill of Sissai" happens to be a work of Pi Rixiu's style.
The first link, "White Scarf Hair Like Silk, Quiet Leaning on Maple Root Sitting Fishing Rock" begins to explain the reason for writing poetry, leading to the description of the scenery behind.
I quietly leaned against the old maple roots on the fishing rock by the water, and the river breeze blew the green silk under the white turban.
Jaw Union "In the women sang village to pick leaves to go, Xiaoersha City to buy the gui" writing, see the fisherman style.
Middle-aged women went back and forth to mulberry villages to pick mulberry leaves, while children went to the market and bought coats and came back.
Note that the "middle woman" and "child" written here by Pi Rixiu are relatively idle laborers. Women bear mulberry leaves to raise silkworms and weave, and children go to the market and buy some daily necessities, so where are the men who are the main labor force of the fishermen?
Neck link "Rain to lettuce flow boat slip, spring after the perch fell fat" wrote the man returned.
After the light rain, the lettuce rose all over the river, and the boats squeezed through the blue waves and returned. The perch in the spring is both fat and beautiful, making it difficult for men's fishing rods to bear their weight.
At this point, the description of the production and life of the entire fisherman is completed. Men fish, women weave, children hang out, and do chores within their reach. The separate and meticulous depiction of the characters constitutes a harmonious picture of the fisherman's life, and because of this, it arouses the envy of the poet. Instead of being angry in the official arena, instead of fighting and killing, it is better to live and work like these fishermen, and live a normal life.
The tail link "All day long before the Xisai Mountain, the envy of each other in the next wave" directly expresses this emotion.
I sat in front of Mount Cissé, and I kept seeing the sun set in the west, across the river, and I really envied them, and I was reluctant to leave.
Be careful not to see that the first link has "fishing rocks", and think that Pi Ri Xiu is moored at the fisherman's house and fishing here. The poet just sat on the fishing rock, just sitting stupidly for a day, watching the fishermen live a lively and self-sufficient life, very envious. The mood of expecting to be hidden jumped on the paper, but as an intellectual, a cultural class, can you really put aside state affairs and be content as easily as a fisherman?
Hard.
This is also the reason why Pi Rixiu resolutely threw himself into the Yellow Nest army later. For Chinese intellectuals, there is no one who does not expect to go into hiding, but the infiltration of the Confucian idea of governing the country into the bloodline of the scholar-doctor class does not allow them to truly abandon their responsibilities and obligations, and truly everything is empty.
Therefore, Lu Xun said in "The Crisis of Essays":
The poetic style of the late Tang Dynasty declined, and the sketches shone brightly. But Luo Yin's "Book of Rumors" is almost all about resistance and indignation; Pi Rixiu and Tortoise Meng think of themselves as hermits, and others also call them hermits, and looking at their essays in "Pi Zi Wen Xue" and "Kasazawa Series", they have not forgotten the world, it is the brilliance and sharpness in the muddy pond.
It is also this glimmer of brilliance and sharpness that has illuminated the hearts of Confucian scholars for thousands of years. Even the late Tang Dynasty, which has always been cold to poets, still shines in the heart of the world in the coldest place.
This is also why today's poets, writing small moods and are complacent, think that they are teachers of Pi Lu, and are proud of their exquisite refining, but they do not know the storms and clouds under the exquisite carving of Pi Rixiu and Tortoise Meng's works.