The movie "Manslaughter 2" is still starring Xiao Yang, but it has nothing to do with the first part of "Manslaughter" and is a brand new story. If you have to find the common denominator of the "manslaughter" series of IP, it is probably the eternal family affection, the description and presentation of fatherly love, in the difficult situation, in the difficulty and suffering.
Without some kind of mirroring effect of "Manslaughter 2", perhaps what we ordinary people understand is that the dilemma we are experiencing about the role of the father is a certain kind of uniformity that has nothing new under the sun, survival, life, how to balance the relationship between the identity of the father and his role in the work of survival and hard work in society, that is, about the trade-offs of time, energy, and money.
In fact, even if it is the father-son family story of ordinary people, it is impossible to balance, there is always tilt, there is always bias, after all, people are 24 hours a day, the pressure and burden are constantly increasing, the so-called balance is actually to give up some, get some, want to lift up, is unlikely.
Yes, it is already difficult for ordinary people to be a good father.
Not to mention Lin Rilang, played by Xiao Yang, he encountered a greater dilemma.
It is difficult to maintain daily life, it is even more difficult to get together a huge amount of money when sick, and it is even more difficult to work together until the heart of his son who originally belonged to his son was "snatched away" by others, and it is even more difficult to plan to get back this life-saving heart as an ordinary person.
The confrontation between ordinary people and elites is naturally on the weak side.
Sometimes, even the threshold can't be stepped in.
Walls exist so brazenly and so blatantly.
Headless flies are running wild, bumping into walls, overwhelmed, and more importantly, really scared.
This kind of fear and fear, as if ordinary people are born with something in the genes, we do not want to break the established state, more afraid to break, we just want to maintain the original state, step by step, can live, just fine.
Shrinking, cautious, and even a cautious and stealthy attitude, in the face of life, Lin Rilang is like this.
However, his son's life is hanging in the balance, and he must retrieve the heart that originally belonged to his son within 8 hours, otherwise, Lin Rilang will lose his son.
The great pain, the devastating pain that will be caused by the loss of his son, makes Lin Zhilang feel lonely.
In spite of this solitude, it seems, so pitiful, so helpless, so humble.
Lin Zhilang's heart is painfully struggling, painfully struggling whether to take that step, although he is forced, if he does not take a step, there is no glimmer of vitality, but as a self-consciousness engraved in the bones of ordinary law-abiding citizens, his heart is still constantly suffering from self-accountability and guilt, at the same time, he does not seem to have any extra time to think about the torture and encouragement of this real self-soul, and it is necessary to lay out, plan, and step by step.
To say that Lin Richang is old overnight is just a literary and artistic statement, and the real every minute and second of life is like a year, and from the whole state of Lin Richang presented by Xiao Yang, you can feel everything.
A kind of choking pain that makes people choke, "I know you know I know, I feel what you feel me feels", like a dark shadow pressing against people, we can't help but be immersed in the huge torment of Lin Rilang's grasshopper shaking the tree.
Because that's ordinary people, because it's fatherly love, because it's a kind of feeling that we can all go through, if we go through all the water and air before the storm that may be more cruel, then the feeling of unconcealed surging across the face, between us and Lin Zhilang, not even a layer of glass, but, "poor body is the person in the eye."
We know we can't do what he did, but we also clearly understand that even if Lin Zhilang did that, he still wouldn't have even the slightest chance of victory.
Such cruelty is the real cruelty.
But the flowers that bloomed from the father's love with blood and tears in this cruel middle were still blooming in the wind on the scorched slope, bitter and kind, and had to do it, and then they were hunted, embattled, the wind was craned, and the crumbling, the subtle suffering of human nature made people crumbling with pain, but Lin Rilang's deep love for his son was still, still, a touch of light. #电影误杀2 #