Hua Yuhan | wen
Whether it is from the aspects of script setting, storyline or actor acting skills, "Little Minjia" is a remarkable work.
He has the delicate and considerate heart of middle-aged people in the face of feelings, and also has the lively cheerfulness and rebellious autonomy of modern teenagers.
What is even more rare is that the characters in the play can be as close to real life as possible, whether in the trivial matters of life or in their work careers.
From this point alone, it is worth a big thumbs up for "Little Minjia".
You know, when you come out of the "Journey of No Confusion" that drinks red wine without a word, it is easy to feel good about it after seeing the daily trivialities that are so close to life.
"Little MinJia" shows the audience many parents with a pyrotechnic taste, and the descriptions in these aspects are very flattering and easy to achieve.
But even so, it is not common in many modern urban dramas.
A lot of times it's a brush stroke, or it doesn't appear in the shot at all.
If such a shooting method can be valued by more TV series, at least in terms of word of mouth, it will be rewarded.
For example, Liu Xiaomin, who is an obstetric nurse, is not used to using the toilet in the hotel, disinfecting the luggage after a long journey with alcohol before taking it into the house, and disinfecting her hands with alcohol before eating out.
Such a cleanliness habit, which Chen Zhuo called a "professional habit", was only used by Liu Xiaomin on herself, and would not force everyone around her to do so.
Coupled with Zhou Xun's acting skills and play, Liu Xiaomin's role has both a sense of reality and will not have the problem of excessive force.
What warmed the author's heart the most was that Liu Xiaomin actually found some "small props" in the nightstand.
The appearance of this thing can be said to be very unexpected, and it also feels the degree to which "Xiao Minjia" is serious about real life.
Later, after Liu Xiaomin's mother picked up the "small props" that her daughter dropped on the ground, her words and deeds were also very much in line with the correct attitude of women of an era.
Therefore, because such a "small prop" that does not often appear in film and television works, it is also necessary to give a big thumbs up to "Xiao Minjia".
What makes the author see that there is a strong smoke and fire in "Xiao Min's House" is the breakfast of the Liu family.
Although there is nothing wrong with Jiujiang people liking to eat rice noodles, there is no need to deliberately arrange such a rice noodle breakfast for the family in the play.
But "Xiao Min Family" solidly let Wang Sumin make a hearty rice noodle breakfast for the two daughters of Bei drift.
Seeing this, I can't help but wonder if the crew on the scene at that time could eat a bowl of steaming rice noodles after the end of filming?
Writing this, I can't help but think that "Xiao Min Jia" is indeed a sincere work in every way.
Not only do the characters in the play have very good acting skills and eye-catching performances, but also have many very witty dialogues and famous scenes.
It can be said that it is a good work that is very easy for people to relax and watch.
However, there is always no perfect thing in the world, and the same is true for a film and television work, and "Little Minjia" will also have some deficiencies.
And these deficiencies have actually existed in most film and television works for a long time.
That is, there are many plot settings and character backgrounds that will be out of touch with reality, simply put, people and things that most people will not encounter.
For example, the characters and characters who have appeared in the first 2 episodes or have only heard their names and have not seen them are almost all CP recombined after divorce.
Such character settings, although not impossible, but they are almost all interrelated and entangled, it is too artistic.
Of course, I have to admit that such a setting will have more and more wonderful dramatic conflicts.
And the most surprising thing for the author is the role of Hong Wei.
It can be said that this has become a stereotype, no matter what type of drama, as long as it is a modern urban drama, there will be one or several "overbearing presidents" like Hong Wei.
They are either young and handsome, or old-fashioned, or middle-aged and greasy, no matter what kind of identity they appear in, they cannot be separated from the character settings of "rich", "powerful" or "powerful".
The only difference is that some "domineering presidents" are pleasing to the likable, while others are repulsive.
To be honest, I'm not denying the appearance of such characters, because they always provide a lot of powerful dramatic conflict for the characters in the play.
It's just that these characters are always a little too far away from real life, and then make people feel that they are so unreal, and some insult to iq.
Take the plot in "Xiao Min's House", Hong Wei in Chen Jiajia's life party, in fact, only play a drone can be, but the fireworks show behind is a bit too ridiculous.
In any case, the opening 2 episodes of "Little Minjia" are very successful and brilliant in the author's opinion.
It can be said that it is one of the few family dramas in recent years that is so close to life, and the performance of most of the characters in the play can be said to be the most normal and closest to real life.
"Little Min's House" is a very good work worth looking forward to, I don't know how the plot will tell us the story of these men and women after the divorce?
I also hope that in future film and television works, there will be fewer characters like Hong Wei, or at least let Hong Wei be closer to the settings of normal people and ordinary people.
(Remember to pay attention to "Hua Yuhan" after reading it!) Image from the web! ）