Qingwei 丨 Side Note "QiHe Writers Group" (Part 1)

Qingwei 丨 Side Note "QiHe Writers Group" (Part 1)

Li Hengchang

On the bank of the great river, Yanzi Caiyi, this place called Qi River, is a magical land and a fertile land of culture. The source of Qing civilization and the water of the great river have not only nurtured the people of Li in this hot land, but also nurtured generations of talented literati who have led the way. Especially in entering the contemporary society, entering a new period and a new era, excellent writers are like stars, and excellent works are mushrooming. They have both distinct personalities and common pursuits, both like a large garden with a hundred flowers blooming, and form a large-scale cluster phalanx, thus becoming a landscape in today's Qilu literary circle, which can be named after a specific name such as "Qihe Writers Group". In this fiery land, they cherish dreams, hold the light in their hands, and write magnificent poems that belong to themselves and the times with the feelings of the Yellow River and the loyalty of the naked children. With their unique efforts, outstanding performances and brilliant achievements, they have demonstrated the power of struggle and refracted the light of literature. For many years, Qihe County has maintained the honorary title of "Top 100 Counties" in the country, which mainly refers to the economic "Top 100". If there is a "top 100 literary" saying, Qi He should also be on the list. Because, whether it is all kinds of literary awards in the province or the city, whether it is the Taishan Literary and Art Award or the Changhe Literature Award, the writers and poets of Qihe have never been absent. At present, the creative team of Qihe Literature includes 7 members of the Chinese Writers Association, 26 members of the Provincial Writers Association, and 66 members of the Municipal Writers Association. Today, let us slowly walk into them, to examine their growth experience, to taste the spiritual food they have created, and to listen to the sound of their soul beating.

First, the starry sky of poetry

Qi He's contemporary literary creation is the most remarkable achievement in poetry, not only a large number of poets, but also excellent works, especially award-winning works. These poets, one thing in common, is that they have a star-like effect. Their poems, like the stars in the dark night, not only shine with beautiful light, but also warm people's hearts with their sincere feelings. Reading their poems makes people believe that the flame and life of poetry, seemingly weak, are actually as long as the Yellow River.

"Seven Stars of Yancheng", soothing the soul. In the Qihe poetry circle, there are seven poets of different ages and different experiences, who write poems with their hearts, "hurt" poems with their hearts, and create countless beautiful poems that comfort the soul. These poets can be called "The Seven Stars of Yancheng". These include the late poet Zhu Duojin, the poet Evergreen Zhang Qingling, the Mesozoic poets Yinglun, Wei Baohe and Guo Hongling, the young poet Hou Shouwei, and the ancient poet Zhang Xinming. They have common characteristics, but also show their own style and style.

Zhu Duojin (1945-2013), a native of Chengguanzhuang, Zhao Guanzhen, was formerly known as Zhu Xiaoquan and Zhu Xiaoquan. During the "Cultural Revolution", Zhu Duojin studied at Shandong Normal College, and was sent to Liaocheng for reform because of his words. After that, he successively coached in Yucheng, Qihe and other places. In 1985, the Luyuan Poetry Society was founded. After 1995, he served as the editor of the poetry column of Shandong Literature, during which time he founded the "Huaxia Literature Circle" and the "Seven Mu Garden Cultural Forum". He has published poems such as "Years of Contemplation", "Selected Poems of Zhu Duojin in the New Century", and "Discovery and Criticism", a collection of theoretical criticism.

Zhu Duojin's literary activities began in the 1980s, or earlier during the Cultural Revolution. Mr. Zhao Fangxin believes that Zhu Duojin's early poetry was full of idealistic brilliance, flowing with boiling blood and shouting; after the 1990s, his poetry tended to be calm thinking, replacing the enthusiastic and passionate straightforward lyricism of the early years with speculative tension; after the new century, he introduced ironic criticism into his works, so that his poetic art rose to a new height.

Zhu Duojin's literary achievements are mainly manifested in the exploration of modern narrative poetry, the creation of urban poetry, and the construction of poetry theory. The long narrative poem "Wife Intention" written in 1985 and "Father's Sorghum" in 2011 represent his efforts in modern narrative poetry. The narrative method of "Wife Intention" breaks through the traditional narrative poems "Wang Gui and Li Xiangxiang", "Song of Lei Feng" and "Back to Yan'an", and realizes the essential transformation from song line to poetry. The work narrates the encounter between an ordinary rural woman and the poet's husband in the difficult years, meticulously portrays the simple and frank inner world of this peasant woman, and at the same time reflects the devastated fate of intellectuals in a special era, issuing a bitter sigh. Another feature of this long poem is that it pays attention to the portrayal of details, leaving many poetic detailed famous sentences. "Father's Sorghum" traces back a painful past, through a sorghum field secretly cultivated by his father, unfolds a special picture of a special era, expressing an intellectual's reflection and criticism of the "Cultural Revolution". These two narrative poems poured a lot of effort into Zhu Duojin, refining words and refining meanings, and contributing indispensable works to contemporary poetry. In Zhu Duojin's later poetry creation, works with urban themes accounted for a large proportion. In this part of the work, he observes the city as a wanderer, thinks about the city, in his eyes the city is an incomprehensible monster, there are too many incomprehensible to fill it, he put his worries and criticisms of the city vividly through one scene and detail. His achievements in poetry theory are mainly manifested in the division of contemporary poetry genres, the analysis of the aesthetic construction of modern poetry, and the study of modern narrative poetry.

Zhang Qingling is an iconic figure in the Qihe poetry circle, marking the achievement of Qihe poetry and also marking the broad mind of Qihe poets. We have enough reason to pay tribute to this poet.

Zhang Qingling was born in November 1947 to an ordinary peasant family in Maji Town, Qihe County. He has worked as a private teacher and a township cadre. In 1978, he was admitted to Texas College, and in 1980, he was assigned to teach at Qihe Normal School. He began his literary work in early 1986.

Since the launch of the creation, Zhang Qingling has officially published 19 works such as "The Sun Recovered", "Three-edged Sword", and "Good Poetry and Wonderful Works". He has published more than 2,600 poems in literary professional journals such as People's Literature, Beijing Literature, Stars, and Poetry Journal. The group poem "Sunset, Sunset..." won the first prize of the Annual Prose Poetry National Grand Prix of the "Stars" Poetry Journal; for "Left-behind Children", he was named a poet on the "China Good Poetry List".

Although he has achieved good results in literary creation, Zhang Qingling is still very modest. This can be seen in his "monologue". "A man who is overwhelmed by fate; a man who has been crushed into dry grass by life; a man who has searched for himself all his life; a man who will eventually be buried by time. I often lament my many accidents - playing a small love of mathematics, physics and chemistry, but not falling in love with Chinese language and literature; when I was reading, I hated composition the most, but in the end I became a language writer; I just stepped into society to work as a township official, and God made the ghost messenger finally 'pinch the head of chalk' as a profession; in his bones, he was concerned about the rise and fall of the nation, but he was keen on the exploration of the authenticity of human nature; he fell in love with poetry at nearly forty years old, but repeatedly advocated 'remembering poetry and forgetting poets'... He was not a poet, much less a writer. All he did was just to find a place in literature where he could place his soul, so he wrote a little bit of branch or not, so that the soul could get a little comfort after being broken. ”

Zhang Qingling's most commendable thing is the establishment of poetry magazines, the holding of poetry salons, and the cultivation of new poets. The reason why the Qi He poetry circle is so prosperous is inseparable from his unremitting efforts and selfless dedication in this regard. Since 2006, he founded and edited the poetry journal "Little Thumb", which has been arranged and published for more than fifty issues, which has had a great impact on the whole country, and is called "Jiangnan Poetry in the south" and "Little Thumb" in the north". In the past 16 years, he has held hundreds of "poetry lectures", held more than 20 "poetry lectures" throughout the country, edited and published "Poetry World - Ten Years of Selected Poems of Little Thumb Poetry Journal", and hundreds of famous poets across the country have published them, which has had a great impact on the whole country.

England is a heavyweight poet in the Qihe poetry circle, with rich creative achievements and strong creative strength. Born in December 1957 in Qihe, he is a member of the Chinese Writers Association, mainly composing poetry, as well as prose and reportage, poetry and prose poems scattered in literary journals such as "Poetry Journal", "Stars", "Stars Prose Poems", "Poetry Selection" and other literary journals, and has been selected into many annual anthologies such as "Selected New Poems of Chinese Poets in a Hundred Years". Published four books: poetry collections, prose poems "Gentle Nails", "Nocturnal Carriage", "Crazy Gaze", and "After Crying". He has won more than 100 awards in poetry contests organized by the China Writers Association, China Writers Network, Poetry Journal, Stars, etc., and has been praised as an "award-winning professional household".

England believed that poetry had better return to its essence—to write because it wanted to write, to write the heart by hand. Poetry is becoming more and more holistic. Nowadays people remember a poet mostly because of one of his poems, not because of one or two sentences in his poem. Remembering one of his poems is more about the overall mood he expresses. Even in imagery poetry, narrative is increasingly becoming an important element. He has always adhered to the principle of "living first and then art, living first and literature first, and living before poetry". England also firmly believes that poetry is the sail of his life and the wind that he feels at all times for his consumption. His feelings mainly come from taking his own destiny as the main line, taking the encounter of life as the starting point, and grasping the implantation density of imagination and emotion. Poetry is like a flame, burning in every square word he writes, illuminating his deep spiritual cave and moral conscience, and he is pleased that his poetry can intentionally or unintentionally burn something.

British poetry pays attention to inheritance and abandonment, and makes great efforts to innovate in the excavation of artistic conception and language expression, and the works gradually form unique expressions and distinctive artistic characteristics. The theme actively pays attention to real life, strives to praise the new era, and pays attention to the social attributes of poetry. Britain believes that a person who does not pay attention to social reality, but only hides in the ivory tower and plays with his own small mood in poetry, is doomed not to become a poet who is accepted by the public, let alone a good poet. Fiery real life is far more likely to stimulate creative enthusiasm and inspiration than self-contrived negative emotions such as loneliness, depression and sadness. His poems on the themes of Saihan Dam, the construction of a moderately prosperous society, and local customs and objects were all published in the Poetry Journal. In order to celebrate the seventieth anniversary of new China, the small long poem "Looking up at the motherland in a piece of steel" and "Some Scenes of Poverty Alleviation in Mulberry Village" created for poverty alleviation have been favored by the journal and praised by readers, the former was launched by the title of the poetry column of "Mangzhong" and selected by the "Selected Poetry Journal", and the latter was also listed on the "Poetry Anthology" in the 12th issue of the "Poetry Anthology" in 2020 to win the all-round well-off decisive battle against poverty.

"What I love, I hope to end up being burned to ashes by her." Fortunately, what he loved did not turn to ashes, but became a shining star in the sky, comforting people's souls.

Wei Baohe, a post-60s writer, pen name "Wei Qing". Because he was born in Qihe and loved Qihe, the famous poet Sun Jingxuan gave him the pen name "Qihe". His creative genre is very diverse, including novels, poetry, prose, essays, essays, and reportage, especially poetry. His works have been published in many newspapers and periodicals such as "Youth Literature and Art", "Shandong Literature", "Poetry Journal", "Stars", "Poetry Monthly" and other newspapers and periodicals of the People's Daily, and some works have been reprinted by "Newspaper Digest", "Special Digest" and "Reader". Published a collection of essays, "A Teacher's Mind Atlas", "Chasing Dreams", and "Meteors Crossing the Night Sky".

Wei Baohe's love of writing began in junior high school, and the initial reason was only an indescribable fondness for words. In July 1985, the essay "I am a seed" won the second prize of the "National Literary and Historical Knowledge and Composition Grand Prix for Middle School Students" jointly organized by the editorial department of the "Juvenile Literature and History Newspaper" and the National Geological Science Popularization Committee, which greatly enhanced the confidence of creation, and then gradually moved towards the road of literary creation. At the end of the last century, I became obsessed with poetry. At the beginning of this century, he was also exposed to essays, and had a ten-year period of "passing from the very secret" with essays, and published thoughtful, bottom-up, and literary works in the "Essay Newspaper" many times.

Wei Baohe's poems are like the allegories of his name, full of texture, gentle and steady, often using daily details to stir the reader's emotional nerves, and the attention to the bottom makes his works full of a sense of compassion. The representative works in this regard are his "brothers and sisters series" works, including "Imaginary Big Sister", "Second Sister", "Little Sister" and "Brothers", which express the suffering and sorrow of "relatives" living at the bottom of society, reflecting a compassionate heart of the poet. At the beginning of "Little Sister", he wrote: "Little Sister belongs to the sheep / Always led by the rope of fate." These two sentences alone show the misfortune of the "little sister's" life. The reason why he is so lyrical is not only because of sympathy and pity, but more importantly, he hopes to change, change the fate of the little sister, change the fate of people. He hopes that everyone who struggles in distress can find their own "spring".

He "insisted on writing poetry casually and loosely, not forcing himself, not deliberately doing it" and "not repeating others, let alone repeating himself." He believes that a poet "does not matter if he writes more or less, what is important is to open up a spiritual highland for himself, to build a small perch for the soul, to let himself live poetically, even if he is mixed with any kind of person, he can be recognized with a single eye, no matter how undignified the poet is mixed, his maverick behavior still labels him as a poet." In the creation of poetry, he "tends to a poem that is not carved, just like a fruit born in a barren mountain, a natural gift that comes from water to water, and it does not matter whether others see it or not; this kind of poetry is a chance encounter between the poet and the poem, and the agility and novelty of the poem determine that the poem will not run according to the poet's expected thinking." Or that good poetry has a certain incubation period, and it will not be easy to appear without a certain time (time, place, scene, etc.). ”

Guo Hongling is a very noteworthy female poet. Her pen name is Guoguo, originally from Heilongjiang Province, and now lives in Jiaomiao Town, Qihe County. Her poetry is deeply rooted in the soil and personal experience, like a country wanderer gently chanting the passage of time and the change of seasons. Her poetry has an independent character and a quiet temperament, the disturbances of the poetry world have nothing to do with her, the worldly disputes are far away from her, and what flows under her fingertips is the fresh birdsong, the calm and distant Yellow River, the drink in the light rain, the pastoral flavor and classical meaning. Her grip on poetic narratives always gives the right amount, neither light nor heavy, not loose nor tight; her grasp of the rhythm of poetry seems to be implicitly in line with some mysterious force that makes her work exude a seductive magic. Her poetry collection "The Unprepared" epitomizes her aesthetic pursuits.

Because she lives in the countryside, while farming, taking care of children, while writing poetry, she is both a "peasant poet" and a "mother poet". At first, she couldn't tell why she fell in love with writing poetry, but she just turned her prose writing into "branch" writing. However, it is this "branch" writing that makes a good poet. Why did she succeed? The most fundamental thing is her unique understanding of poetry: poetry is the quiet bloom of flowers, to have a sense of beauty. It's also a breath, but your breath is unique. Poetry is still the sound of fruit falling to the ground, a kind of return. Poetry, more healing, leads you back to life.

It should be noted that it was her poetry that "healed" her soul and made her "resurrect" herself. Her village is remote and culturally backward. But she insisted on working farming, and she did not quit. In the past ten years, he has published a large number of poetry works in county, municipal, provincial and national magazines. The publication of "Qing Shui Collection" in 2020 is not only a natural progression, but also a precious gift for future journeys. Over the years, she has actively participated in various activities organized by the county writers association, going out of the house, out of the countryside, into the vast world, fully demonstrating her personal creative charm, and growing into a new woman with knowledge, taste, achievement and vitality.

Not only that, Guo Hongling also strives to intervene in real life through poetry creation. Living along the Yellow River, she has successively written a group of poems about the Mother River, "River", proud to be able to live on the Yellow River; "Meet the Qi River" and other award-winning poems, proud of being in the Dayi Qi River. She actively participated in rural style collection activities, appreciated the style of new agriculture, the style of new types of farmers, wrote poems and articles for them, in order to spread the new style and new look of the new era, and contributed to the revitalization of the agricultural economy.

Guo Hongling herself introduced: "Since the villagers discovered me, a child who wrote poetry, the concept of feudalism and conservatism has been greatly improved, and my poetry has injected a cultural element into the village, and the peasants can no longer just dress and eat, but also write articles, which is not one of the great changes that have taken place in the modern countryside." Who says "a hundred useless is a bookworm"? Guo Hongling's growth and creative experience tells us that not only is it useful for students, but also for poets, and it has the "great use" of changing lives and comforting hearts.

Hou Shouwei, a poet born in the 1980s, is a member of the Shandong Writers Association, vice chairman of the Qihe County Writers Association, and the editor of Qihe Literature and Art. Although young, he has published a large number of poems. His works have been scattered in newspapers and periodicals such as "Shandong Literature" and "Qilu Weekly", and his poems have been selected for the "Qilu Literary Works Annual Exhibition (Poetry Volume)" and "Shandong Poetry Dictionary", and the poetry collection "Wind Wears The Shoes of Petals" has been published.

When it comes to poetry, Hou Shouwei's understanding is very different from that of the public, reflecting the new poetic concept of a new generation of poets. He believes that poetry brings him an inexplicable feeling. It is this inexplicable feeling that makes a poem. Make you fall deeply in love with her, just like your skin color, you can't wash it off. The poet's duty, he said, is to "graft these feelings, using their own unique language." Thus making a poem. ”

In his conception, poetry is innate. He reads poetry and loves poetry, and keeps a loving distance from this era and the world. Hou Shouwei did not care about the meaning of poetry, but about the beauty of life and human nature that she conveyed. This is the poet's inner expression of the world.

Although Hou Shouwei said that he did not care so much about the meaning of poetry, it seemed a bit "frivolous", but his poetry objectively showed a meaning that was "incompatible" with his age. Guo Hongling read his "Words Hurt by the Yellow River", read "The Hometown Surging in the Chest / The Words Of the Yellow River Hurting Out", read the "surging" of the poet's inner hometown, and read the "surging" of the Mother River. From a word of "pain", I read the great love of the mother river and the great love of the world.

For the author, I like Hou Shouwei's poem the most: "Go to Dongying to see the estuary of the Yellow River / The junction of the Bohai Sea and the Yellow River / Along this waterway - / Going back up will awaken my mother tongue / Opening up downwards can open the heart of the East." Here / The amniotic fluid that nourishes our nation / Magnificent and quiet. "The estuary of the Yellow River is only a meeting point between the Yellow River and the sea, but the young Hou Shouwei wrote so naturally and so civilized; so deep and so open; so vicissitudes and so magnificent. It really makes people doubt that such a poem could come from the hands of a young poet after the 80s.

Zhang Mingxin is a unique existence in the "Seven Stars of Yancheng" and a meritorious figure in the Qihe literary circle. Because unlike other poets who specialized in modern poetry, he immersed himself in classical poetry and achieved extraordinary achievements. His poems are wonderful in imagery, beauty in the artistic conception, and high in the realm. Created in the Qi River, the influence is in the whole country.

Zhang Mingxin was born in October 1956 in Nanbei Village, Yancheng Town, Qihe County. He graduated from Qihe No.1 Middle School in January 1973 and studied at Beijing Language and Writing Self-study University from 1980 to 1983. He started his career in 1973. Although he has retired, he has never quit the poetry world.

It seems to be fate, Zhang Mingxin fell in love with poetry at first sight from an early age, read and recited a large number of Tang poems and Song poems, and explored and studied from them, gradually mastering the rules of the grid, and successively creating a large number of poems. After the revival of poetry, countless poems were published, which were scattered in national journals such as "Chinese Poetry", "Poetry Journal", "Chinese Dictionary", "Poetry China" and so on, including 71 poems in the key project of the Chinese Poetry Society, "Contemporary Poetry Library". He has published two collections of works, "Zhang Mingxin Poetry" and "Yangliu Village". He has been hired as a judge or poetry critic by many poetry societies, poetry clubs, and famous WeChat platforms. He is a member of the Chinese Poetry Society, the Shandong Poetry Society, and the Beijing Poetry Society. In recent years, he has participated in global (Chinese), national and local poetry competitions, winning more than 50 awards. Among them, "Rhapsody of Tianzhu Mountain" and "Peach Forest" won the "Chinese Good Poetry" award of The Chinese Poetry Magazine in 2015 and 2018 respectively. He has twice served as a judge in the National Poetry Competition, reflecting his authority in the poetry world.

Zhang Mingxin won the first prize at the Second Poetry Traditional Chinese Poetry Creation Competition jointly organized by the Chinese Poetry Society, the Chinese Poetry Research Institute of the State Council, CCTV, Guangming Daily, Zhonghua Bookstore, China Publishing Group, and China Mobile Corporation.

"The spring wind road in the southern country is thousands, and the willows in the song are filled with smoke."

The sunset is like a red bean, and it has written acacia all over the sky. ”

This "Farewell" is the award-winning work in the "200,000 Yuan Search for Contemporary Wang Wei" campaign, which won the second place among more than 110,000 participating poems in 11 countries, and is the most widely known classic in contemporary times and recognized as "enough to be passed down through the ages". Jiangsu Hongdou Group built a poetry wall specifically for this poem. Someone wrote on the Internet that he learned from the China Federation of Literary and Art Circles that two of the best contemporary works were "Farewell" and the other was written by the master of traditional Chinese studies, Wen Huaisha, and it was later confirmed that Wen Huaisha's poem was engraved on the cultural relics excavated from Mawangdui. There is also a public case about the poem: Mr. Ding Mang, who has the final judge and is in charge of the preliminary review, revealed that "this poem is actually the first". The reason why this poem has won such a high honor, I personally believe that the most important thing is the magnificent artistic conception and unique imagery it creates, which is very artistic and vivid from the red bean, from the soul to the heavens and the earth, which is extremely magnificent and beautiful.

"QiHe Four Sheets", popular for four seasons. In the QiHe poetry circle, there is a saying of "Four Zhangs of Qihe", they are the four poets of Zhang Haimei, Zhang Yuhua, Zhang Lihua and Zhang Fangjiang. They got their name from the coincidence that they co-authored "Four Seasons of The Wind". The publication of "Four Seasons of Wind" has become a beautiful and infinite landscape in the history of Qi He's poetry. Their poems are enough to achieve the beauty and charm of "four seasons of wind".

Zhang Haimei - the erection of spring. Zhang Haimei is the most distinctive poet in the "Four Zhangs of QiHe". The biggest feature of her poetry is ethereal, philosophical, and flexible, like a cold spring. The famous poet Sang Hengchang commented: "Haimei's poetry is a unique, a sublimation, and another kind of world. Her poems have been selected for many consecutive years in "China's Annual Excellent Poetry", "Chinese Poetry Ranking", "Poetry Annual Selection", "Qilu Literary Works Annual Exhibition", "Hunan Poetry Annual Selection", "Selected Poems of Chinese Powerful Poets", "Selected Chinese Short Poems" and so on.

In his review of "Four Seasons of Popularity", the critic Mr. Cheng Xiaoyuan believes that Zhang Haimei's poems are a kind of "affectionate inquiry of beauty". With its unique perspective and different expression, what is presented to the reader is almost indescribable, reaching the depths of the soul of individual life. The sublimation of the dimension from "nature" to "sentimentality" highlights the poet's cherishing and protective beauty of the soul. The dimensional tension from sentimentality to hope interprets the --- poems that the poet calls for and recognizes are white jade flawless things.

The writer Kui Chunjie believes that the poem "The Yellow River is like a sea" in the poem "The Yellow River Is Said" can be called a sentence passed down from generation to generation. In the preface to "The World Is Smaller than a Pupil", the critic Mr. Wang Lishi places Zhang Haimei's poetry in the "field" of the development history of New Chinese Poetry, and accurately analyzes the "uniqueness" of Zhang Haimei's poetry from the perspective of "poetics" theory from the perspective of "life and language", "emotion and imagery" and "imagination and philosophy". This collection of poems enriches the connotation of new poems with personalized creation, writes down unique feelings and profound reflections on life, freedom and love, and contains the essence of Chinese philosophy, deep and introverted. The text is pure, beautiful, atmospheric, artistic. The works highlight several unique expressions of life and language, emotion and imagery, imagination and philosophy, absorb the experience and understanding of ordinary life, poetic and ethereal, delicate and sincere, water and milk, true and illusory, to achieve a harmonious and aesthetic artistic conception, which is enough to become the reason for her to win the "Yangtze River Literary and Art Award".

Reading Zhang Haimei's works, the most touching thing is the uneasy part of her life that flows through her life. "The Yellow River Flows With My Restless Parts Day and Night" can be seen as the "poetic eye" of all her poems. Her Yellow River portrays the authenticity, background and pursuit of her life. Throughout her entire poetry, almost every capital flows through the uneasy parts of her life. This uneasiness is not her dissatisfaction with life, nor is it her inner instability, or even her uneasiness with the status quo, but a flexible, beautiful life that belongs to the poet's unique state of life. The poet is destined to be such a person. In her seemingly unremarkable life, there was a throbbing and fiery heart. In her eyes, life is not only about the present, but also about the distance and poetry. In Zhang Haimei' case, uneasiness is not only a state of life, but also a philosophical revelation and poetic expression of the real world, which can always resonate with the reader, let people read her uneasy soul from her poetry, and also read out her own soul, just like the poet Pound peeks into his soul like "a lover of underwater flames".

Zhang Yuhua - Xia's passion. Zhang Yuhua is a teacher and an excellent poet. In "Four Sheets of Qihe", his poems, known for their passion, have summer-like fiery heat and power. In his view, poetry is discovery, it is listening, it is sincerity, it is the power of discovery, the power of listening, and it is also the power of sincerity. In this regard, the poet Mr. Wang Jiliang has profound insight and accurate evaluation. He said that only a group of poems,"Home in Qihe", shows that his shot is extraordinary, seemingly casual lyricism, but the meaning behind the literal is deep, and the language is straight to the core enough to shake the reader's heart. A poet's understanding of poetry determines what kind of poems he will write, and to read Mr. Yuhua's poems is to read his sincerity about life, to read his feelings about his hometown, to read the throbbing and uninhibited imagination of his soul. Hometown is the mother of the poet's umbilical cord culture, "Home in Qihe" uses the most simple language to write about the discoveries in life, reflecting the real and original meaning of life, and expressing a nostalgia that cannot be entangled by the people in the city.

Reading Mr. Zhang Yuhua's poems, what is read is the depth of the poet's voyeurism, listening and examination of life. Alessandre once said, "Poetry cannot be poetry if it is not understood by other minds." Zhang Yuhua wrote the most about the things left over from the farming civilization and the working life of the rural people in the city, and there was sadness hidden in the words, hidden in the hardships of part-time work, and sympathy for survival itself. For example, "Father Goes to the City", a father who has contributed to the construction of the city, the city in his eyes is born of eyes, it is indifferent, "like the brick under the ass / recognize me", leaving enough space for readers to think. Such as "Return from Part-time Work", "At this time, she is holding a few hard cotton peaches in her hand / Those cotton peaches have not yet had time to open / She was beaten by frost / She is trying to rescue them", in stark contrast to the previous paragraph, the scene that appears in front of the eyes of the returnees of the migrant worker, and the description of the wife's labor in the latter paragraph, the outside world of flowers and flowers is finally outside, it is dazzling but not as warm as the women around her, reading such poems makes people feel what is the essence of life.

"Home in Qihe" uses poetry to explain the hometown, to express the questions and answers of the soul in the face of many circumstances, not only has multiple directions in the poem, but also has its own unique discoveries. "Ladder" is a kind of deep understanding of putting yourself in the shoes of the place, the concluding sentence of "Buy Fish" "They must think // Spring -/ has come", almost ridiculed, "Sable Cicada" has a certain practical significance, and it is ironic to women who eat youth meals by posture. "Insure Love" is uniquely conceived and unforgettable. "The wife said / Just cried / As if the man is me", it seems that the words are casual but the finishing touch, poetry writing is not necessarily hot to write such a work.

Zhang Lihua - the clarity of autumn. Zhang Lihua is a member of the Chinese Poetry Society and the executive editor of Yanyi Chunqiu. Her poetry gives the impression of autumn: solemn, clear, serene, lofty.

Zhang Lihua began to write poetry in middle school, organized the "Youlan Literature Club" in college, and founded the hand-copied magazine "Youlan". In 2006, he joined the "Qinhu Poetry Society" and officially began his poetry creation career, and more than ten years of literary creation have borne fruitful results. He has successively published poems in publications inside and outside the province such as Selected Poems, Stars (prose poems and theoretical editions), Mangzhong, Shandong Literature, and Times Literature.

Zhang Lihua believes that poetry creation is a kind of soul presentation, reflecting the poet's struggle against life and destiny, and is the spirit brewed after the sublimation of the poet's personality. Poetry is a kind of essence art of truth, goodness and beauty, and in the pursuit of poetry art, it will also produce attachment, infatuation and lust, collide and antagonize with reality, and produce painful tempering and baptism that cannot be desired, thus producing rich poetry. Zhang Lihua's poetry, full of emotion, is the product of the combination of emotion and speculation, and many poems are also blended with scenes. In order to break free from the limitations of the "small me", she pursues a lofty and clear artistic conception, puts the "small me" in a specific time and space, and looks down on the "small me" with the "big me", so as to purify the body, mind and soul sublimation.

Zhang Lihua's early poetry works are mainly oral narrative poems, her narratives with deep feelings, reflecting the struggle of her fathers and relatives against fate, and her nostalgia for the farming homeland where she grew up in her childhood, her poems also have rural customs and Yellow River scenery descriptions, clear and beautiful. After poetry entered the Internet age, Zhang Lihua began to blend with the large poetry magnetic field and entered a higher level of spiritual writing, after which her poetry incorporated more modern elements, developed richer imagery, deeper philosophical connotations and imagination space, and absorbed rich nutrients in traditional Chinese culture. Like "Spring Unveils the Final Veil", "The clouds and fog have not yet dissipated / Heavy rain hides itself behind the rain / A fish hides itself in bone spurs / The sun is giving itself acupuncture", in this poem, there are no real scenes and objects, all of which are the perception and projection of the poet's own soul, clouds, heavy rain, fish, bone spurs, all have a deeper and broader meaning, a broader imagination space. "Look at the mountain is the mountain, see the water is the water / Spring unveils the final veil / A cloud abandons the shadow / A big mountain is transparent throughout", this paragraph is very speculative, and it is not rigid, anyone can see what I see, get what I get.

After Experiencing the impermanence of life, Zhang Lihua's poetry has a deeper sense of vicissitudes and the leap of time and space, and the poetry writing style tends to be lofty and vast. Like her Farther Away, "A Cicada Chirps miserably / I lost a horse... / The cicada cries that it can never find the horse / I also look for my horse on the horse mountain", the world is like the wind, can some things that have passed away really be found? "My Horse" reveals a deep and rich connotation, and we are all people in the world who can't find ourselves.

For Zhang Lihua and her poetry, the poet Guo Hongling has the most profound understanding. Zhang Lihua is a weak woman after all, and from Zhang Lihua's poems, Guo Hongling read more "painful" feelings. Guo Hongling found that in Zhang Lihua's heart, there were too many poems called wine, scallops, rain, autumn wind, stones, snow, reeds, lotuses, plantains, acacias, moons, poplar trees, and fish. When these poems are written, the pain grows wings, and the poems will alleviate the pain of the flesh. A woman with a public office also has to take care of a home, life and work, and when they become messy, poetry is a kind of combing, also like practicing tai chi. Zhang Lihua is really practicing tai chi. After calming down, you can hear what you want, and Lihua has been writing poetry quietly, practicing tai chi, and listening carefully to her own voice.

Mr. Ma Qidai commented on Zhang Lihua's "After Pouring Out", believing that her poetry is the closest to the inner feeling, its emotions are particularly strong, and its brushstrokes are particularly delicate, I write, because I am willing to write, I have to write, which is close to the core of true art, close to the true meaning of writing. It is only when real writing can produce poems that are shocking. Moreover, Ma Qidai found that Lihua was also a pathologist and caring person who transcended his own selfishness, with a broad emotional boundary and spiritual pursuit. Like her prose poem "Dai Temple" published in "Stars" group poems.

Reading Zhang Lihua's poems, I am more concerned about the "autumn meaning" contained in it - a kind of "autumn meaning" of "winning the spring tide". In "Autumn Water Is Long", she wrote: "The sun is full of embrace / The rose in this twilight / Autumn water is like practicing flowing gold" "A leaf flat boat gently slides into / The wave heart of the hometown" This "like the flowing gold of practice" is the light of autumn; this "wave heart of the hometown" surges the soul of the poet. "Only you mussel my pipe / still ringing all over the ground", this beautiful "whistle" is the poet and the wings of autumn.

Zhang Fangjiang - the coldness of winter. Zhang Fangjiang, pen name Banyu, is known for his poetry. His works have been published in newspapers and periodicals such as "Times Literature", "Shandong Literature", "Shandong Poetry Classics", and together with other "three pieces", the poetry collection "Four Seasons of Wind" has been published, and the representative work is "Weaving N Years of Love". The biggest feature of his works is calmness, coldness and stubbornness, whether it is lyrical love or lyrical life, it has some characteristics of "winter".

Zhang Fangjiang has his own unique understanding of poetry and poetry creation. He said: "Since we have the privilege of coming to this new era of miracles, we will never fail to live up to this great era." I must use my wisdom, sweat and inspiration to create poetry that resonates and resonates with this era, and share with you the joy and fulfillment that poetry brings us. ”

For Zhang Fangjiang's poetry, the poet Yan Zhen has an extremely thorough understanding and grasp. He said that Ban Yu has a good understanding of the eight-sided wind of today's poetry world