In the universe of the branch, Li Hao's sigh had a spiritual bright color
Text/Ichikawa
In fact, to believe more in a more sincere force, some things, even if the rebellion is imminent, must admit that all the "robberies" linger deeper below the text, and there is a kind of order that has nothing to do with the directional arrangement of language, and banishes oneself into the order of the "I am accustomed to tears and sand race" one day at noon and meets the "middle age of dog day".
This is the representation brought about by Li Hao's poetry, which is the presentation brought about by more intensive thoughts.
What is the middle age in time, that scolding, is it really able to bring people to a different position to think, or can only be a breath, from the breath of the text to verify the time of existence. In "Dog Day" is a kind of falling worship, which often points to a sigh, and man has a face in front of the idols and sighs, such a face is tortuous, and more deeply, the external things are like mirrors.
Here is Li Hao's personal mentality, of course, he understands the sigh behind him, and he has this god statue. The solar terms he loves are hidden in the time he loves, there is a shadow of books, he thinks that this is the result, and more importantly, those processes that can refer to the result, "the farmer", "a pig", "a tree", perhaps this process should not use linear thinking to arrange a relationship to the result. It should be said that this element of existence is a shining point for that result, and the results presented by looking at "that tender green magazine" from different points have a humble connotation.
Such a humble life, noble life, this is the god statue created by Li Hao alone, when the "middle age of the dog day" came, the "friend of youth" did not leave, he looked for that dream, he preferred that dream would never wake up, never say "dog day" The sighing blade cut the whole person's abdomen, and those tastes flowed with the meaning of the cherished meaning of human life. He sneered, sighed, and examined the meaning of the "cutscene" of life like all poets; like all people who have just woken up from a big dream in middle age, he looked from time for the "spring equinox" that he could exist.
At that time, he could "take wild vegetables to see his mother", he turned over the "mother-in-law, thorny buds, eleutheroccus" in the soil, he thought of sexual taste returning to the scriptures, and people were on the way back. Thinking of the human world in this way can become a prescription again, and the old days will only fade backwards, and the real opponents will long disappear.
In the end, it became a broken arc, and there were thoughts that broke through the barrier, and "there was no ridge in the earth" to feed on the simple "medicine" of the world. This simple memory was born infinitely in that spring, and what is really conceivable is how the relationship between the spirit and man is withering in the present moment of great material abundance. Why the humanity of that vast world is always more noble in the face of poor materials, perhaps this is the real meaning of "I wrote letters with maple leaves in those years", needless to say. Before more metaphors are used as a carrier of life, it is possible to "tie a rope to the original intention".
Attached: Selected Poems of Li Hao
Poetry World 丨 Li Hao: Our sideburns are suddenly white, like the fall of willow silk
Li Hao, born in the autumn of 1970 in Xinjin County, Liaoning Province (now Pulandian District, Dalian City), began writing poetry in middle school, joined the army in March 1989, joined the Dalian Evening News in December 1999, served as the editor-in-chief of haiyan literary monthly, and now works for Dalian Daily. Master of Arts of Northeast Normal University, member of Chinese Writers Association, first-class literary creation. He has published works in newspapers and periodicals such as People's Daily, People's Liberation Army Daily, Guangming Daily, People's Literature, Poetry Journal, People's Liberation Army Literature and Art, Youth Literature, Beijing Literature, Shanghai Literature, Zhong Shan, Writers, Stars Poetry Journal, Poetry Monthly, etc. His works have been reprinted by Xinhua Digest, Youth Digest, Selected Essays, Selected Poems, Chinese Literature Anthology, Overseas Edition of Essays, Writers Digest, liaoning Literature Award, Bingxin Prose Award, Beijing Literature Annual Poetry Award, And Beijing Literature Annual Poetry Award. The Yalu River Annual Poetry Award, the People's Liberation Army Daily Long March Literary and Art Award, and the Poetry Journal and other institutions held various essay awards, including the prose collection "A Man's Dictionary", "The Rain Arrives at the Hometown" and the poetry collection "Hitting the Wood and Singing", "Remembering a Voice", "Between Time" and so on.
Yichuan, a well-known poetry critic and poet, whose works have appeared in newspapers and poetry anthologies such as "Stars", "Yangtze River Poetry Journal", "Poetry Tide", "Yalu River", "People's Liberation Army Daily", "People's Armed Police Alarm" and other newspapers and poetry anthologies.