Under the colorful light surface, it is the beautiful god of poetry that Li Yun is looking for
Text/Ichikawa
On the longer path, the role of language exists for the sake of constant renewal. From the naming of a system, to the title of a position, to the title of an appliance, there must be an era and a social nature, and this linguistic change together constitutes the historical characteristics of mankind.
As a social group dedicated to linguistic renewal, literary creators polish their views on things from different words and phrases, and it does not matter whether this view is true or not, but the most crucial point is whether they have been chasing what they think is true and the impulses of the thinker.
There are not many poets who write based on this quality, and in this regard, the poet Li Yun is undoubtedly one of the representatives, and he has a unique expression in the dynamic grasp of language, in the innovation of exploring the internal logic of words and words, and in the stable swing inside and outside the poetry line.
Judging from the color of Li Yun's text, he is colorful. He broke and shattered the linguistic marker that should have been rushing straight forward towards the goal, and from a distance, the jewel below sea level was sprinkled in front of him, the light after the sunset half fell into the water. "Walking in from the sunny discounted afternoon / Half face lit up with half face pacing dark clouds / Front and back hall feeling, ambiguous and unclear music spreads, washing // Selecting books in the right study, not speaking / Sipping coffee in the corner of the courtyard, not making a sound // Reading the yellowed poem in the frame on the wall / Reading the time of September 8th 17:10 / Silent reading, it is silent film, woodcut, stone carving" In the text, the lines of poetry unfold the description of space in a chaotic form, and behind each handwriting there is the echo of time, this omniscient and all-powerful perspective, Readers outside the text have a stable sense of security, and in just a few lines, "sunshine", "afternoon", "corner, coffee", "silent reading", "woodcut, time carving" have all been incorporated into their minds. But what is ultimately elevated in this smooth reading process is the instability of the author's narrative, the chaotic state is finally confirmed by defamiliarization, the uncertainty of time and space is obtained in the tension of the text, and a more complex rhetoric evolves from metaphor to metaphor, which is why he can construct a stable order between the name and the real. The poetic body dissolves the substance of this world at a greater distance, and uses the carving knife of poetry to construct the legitimacy of the other world in the text.
The power of inheritance is another ideological driving force of Li Yun's text that adheres to the inner writing. He constantly constructed this inheritance in works such as "Looking at Shu Jin" and "Playing Chongqing", and with more meticulous thinking, sketched a new literati painting" A colorful period of time, bashan Shushui standing here is a photo / Cloud smoke and smoke on the back is the Sichuan woman / hanging eyes soft light, bodhisattva / Kamgami Lake light, white or blue" Divinity, humanity, natural wind objects in Li Yun's pen are exquisite, with a more rounded and full face, flat in front of the eyes, that natural sublime, the secret part of the divinity is letting people burned by industrialization breathe out. He incorporates into the lines of the poem with a classical imagery, "A carpet that wants to fly, an embroidered plaque / The thickest book in the world, only one page / positive and negative sides, the fish swimming in yin and yang / / The needle is still standing on the line / A tail line flies in the wind, the flag that wakes up to the wind or the kite that is thousands of miles against the wind / It is also a pin on the record" This exquisite idea is complex and light, and in a certain dissipation of the humanistic dilemma in the process of modernization, it breaks free from the humble poetic light. Li Yun's creative technique is detached and sincere, diving deep into the calm as water can visit the light that shimmers in the heart. It is a sense of verification that finds some kind of power in the middle of words, and the sound of flowers being heard pulling and moving can be heard in the climb. This is exactly what Li Yun pursues to find the poetic power of the existence beyond the flesh in the fragmented secular life, forming a heterogeneous part that is different from the industrial society, which is also the new world that Li Yun intends to build as a writer - the heart that is mixed with agility and always maintains detachment.
Attached: Li Yun's poetry works
Visit the White Nights Bookstore
Step in from a sun-drenched afternoon
Half of his face lit up and half his face paced through the dark clouds
The front hall and the back hall feel, ambiguous and unclear music spreads, washing
Choose a book in the study on the right and don't talk
Sip coffee in the corner of the yard without making a sound
Read the yellowed poems in the frames on the wall
Read 17:10 The time of September 8th
Silent reading is silent film, wood carving, stone carving
"Please send me the six books of my choice"
(The address I'm going to send is where my soul lives)
"So many poetry collections, so few poetry reviews"
(How come there is no collection of my poems)
"Zhai Yongming, Li Yawei, how come they are not here"
(Actually, here we come, we don't know)
When we said goodbye, the sky was sick and noisy
I said a lot
Look at Shu Jin
A colorful section, Bashan Shushui stands here to save photos
On the back of the cloud smoke is a Sichuan woman
Gaze down at the soft light, Bodhisattva
Nishiki Lake Light, white or blue
All the color lines are made up of careful thought
From the longitude and latitude, the arrangement is staggered
Interspersed with ambushes, hidden ups and downs
All the past and the present are silent or boiling in Jinbu
The joys and sorrows of many talented women meander vividly
Sichuan opera, high cavity and crowd accompaniment singing endlessly in the city
The person who tops the bowl lamp is far away, and the face changer comes later
The trumpet on the river drowned itself Twilight was heavy
A flying blanket, embroidered plaque
The thickest book in the world has only one page
On both positive and negative sides, the yin and yang fish swim
The needle was still standing on the line
A tail line flies in the wind, a flag that wakes up or a kite that is thousands of miles against the wind
It is also a pin that stops on the record
A word, in a four-square city surrounded by rosewood
Walking horses, just no hooves
Play Chongqing
I'm not going to rip it off, I'm telling you just north and south
The Chongqing forest is here, and the golden python passes through
Mercedes on both sides of the river with cars, beetles, deer and leopards
Flocks of white elephants...
Driven by the Kawa people
Two giant trees lie across here, tree color
One green tree, one yellow
The boat flute is the best native of the trees
Legends floating above the river the fish are playing friends
At night, the lights are lit from the hot pot first
Scorching mountain city throat and heart
Fireflies fly around doing Bashi
People in the forest
Will face each other hugging and kissing, singing, drinking, writing, picking sticks, playing mahjong...
They are not people with soft feet, sleepy fans, and two people who do not push five
They are a group of strange, cute and rare high-class animals and plants
I don't pull the handle, just north and south
Li Yun was born in October 1964. Secretary General of Anhui Writers Association, Editor-in-Chief of Poetry Monthly. Novels, poems, and essays have been published in publications such as People's Daily, People's Literature, Poetry Journal, Novel Monthly Original Edition, Selected Poems, Stars, Jiangnan, Green Wind, Chinese Writers, Caotang, Beijing Literature, Rain Flower, Novel Forest, Chinese Poetry, Yangtze River Literature and Art, Good Novel, Everyone, Works and Controversies, and Poetry Tides. Top Ten Poets in China, Top Ten Chinese Poets of 2021, the novella "Big Fish in Huai" won the Anhui Provincial Government Literature Award, published the poetry collection "Waterway", "Everything is By Sorrow and Joy", the novel "Big Ventilation Cloud", and the long reportage "A Big River With Wide Waves" (in collaboration with others).
Yichuan, a well-known poetry critic and poet, whose works have appeared in newspapers and poetry anthologies such as "Stars", "Yangtze River Poetry Journal", "Poetry Tide", "Yalu River", "People's Liberation Army Daily", "People's Armed Police Alarm" and other newspapers and poetry anthologies.