Inside the language Ann left a narrow door
Text/Ichikawa
I can vaguely see that the condensed vocabulary is metaphysically gathered, the timeless tiny waves lie on the paper, stop to hear, hear a more skillful imagination, and find a proper interpersonal expression between words and words, which is the most important gift that the poet An Haiyin gave to the reader.
In the text, she is good at grasping the vertical inertia of the metaphor and the subject. From the horizontal point of view, it is one dimension, and from the side it is another dimension, which repeatedly refines words and imagery, and opens up its own path within the language with a deeper and more powerful rhyme.
"This endless wave is like a field / The dark shadow is full of psychedelic temperament / Sometimes maintains the restraint of water droplets" In the infinite imagination of "Walking Stop", she uses "water droplets", "shadows" and "waves" to summarize autumn, and in fact, the description of autumn does not occupy a favorable geographical position, more is the asymmetrical composition of the parts below the sun, such as "coast", "shell" and "algae", and the whole of "Walking Stop" "seduces" the poetic gravitational force with the tendency of the Leaning Tower of Pisa.
As Nietzsche said, "The more the head grows upwards, the more the roots plunge into the abyss." The more lush the rice grows in the field, the more vigorous the wet and dark ocean becomes, and there is no doubt that this gap between distance and distance has a natural presence above the sky and below the ground. This sense of inclination maintains the intense originality of Ann Hain's text, which is a kind of confusion, looking for inner guidance in the confusion. It is the proof of re-inserting things inside the penetrating meaning, and it is another turning pen in the whole metaphysical world.
In the endurance of reading, it bears the pressure of the center of things and reaches the position of "indestructibility". Break free from the shackles of formal language in another important center, planning the future of language. In it, it is necessary not only to consider whether the basis of metaphor conforms to the existing literary imagination, but also to get rid of homogeneous linguistic traditions, and there is no doubt that Ann Hain has the ability to reverse.
She did not eagerly carry out some kind of socialization of language, but chased the existing "poet" in her heart within the "zero degree" range. This image is constantly internalized and divided and unified in her personal experience, a new process of revision, fragmentation and reconstruction in the real reading experience. "Attempting/piecing together a frightening dream on top of a hand-drawn strong still life" is exactly the direction she can see, and it is the "angry whale fairy line of the benevolent person" that is the kind of coldness of watching the world, and choosing to grasp the blade in her mind. The liquid flowing on the surface of the knife does not disturb the dreams of the successful, but it makes the reader ponder again, all the meaning that poetry gives to the poet—"a narrow door that is bound as a light of reconciliation." ”
Attached: An Haiyin's poetic works
Strings of action
Lights far away
It is the home of the stars in the distant mountains
They can't help but look down
Every beautiful flower room and in the dark of night
Every loose wave that falls alone
At night incense spreads the spring breeze
Immortal Forest belongs to the thorny asceticism
The prodigal son who looks back frequently
Repeatedly covered in flesh-and-blood strings returning to youth
And slow, do not have to be fine
The tail feathers of the bird and
A few more green hillsides
And the flow of desire that always passes away
How many sharp star tracks to pinch precisely
There are many strings that travel to the wide
crack
An attempt to try on a hand-drawn still life
Patching together frightening dreams,
Never be exhausted,
Also unpopular.
A place of escape in the bushes,
There are still moments of suspense,
It was finely worn by hard labor.
Poplar trees have golden bright deciduous leaves,
Continue to grow with what you think in your heart.
The wrath of the benevolent whale fairy line,
The seaside boardwalk watches over the fiery twisting and collapsing,
A narrow door that is constricted as a light of reconciliation.
Stop
This endless wave is like a field
The dark shadows are all psychedelic
Sometimes there is the restraint of water droplets
Even in autumn
The fields are packed with golden aromas
Nor can it ever occupy the peak of the waves
Just "shine a lifetime with His giving"
Forgotten answers on the beach
It is the obscure soul of the young years
Localized rain Shell soft
Algae sometimes flaunt and sometimes hide
At this moment, it mingles with the jagged shade
The taste is hidden in the core of offshore
The prodigal son in his twilight years is on his way home
Repeatedly delayed by the congested carriages again
Repeatedly rushed to run
This journey is like an endless wave
Cut the silent reef one by one
Hurricane-like scrambling and then decaying rapidly
An Haiyin, female, born in 1975. During his university years, he published literary works, including novels, essays, and poems, and included in annual anthologies. Vice Chairman of Harbin Writers Association. Associate Editor of Shilin.
Yichuan, a well-known poetry critic and poet, whose works have appeared in newspapers and poetry anthologies such as "Stars", "Yangtze River Poetry Journal", "Poetry Tide", "Yalu River", "People's Liberation Army Daily", "People's Armed Police Alarm" and other newspapers and poetry anthologies.