Haiqing was born in the Gaomen compound, his mother was a rich and famous woman, and his father was proficient in piano, chess, calligraphy and painting.
Parents treat Haiqing as a bridesmaid to cultivate, copy the "Zhuzi Family Training", can not make a sound when eating, and go out to dress neatly.
A little older, Haiqing was sent to the Children's Palace to practice dance, and because of his talent, he was selected to enter the Jiangsu Provincial Song and Dance Theater and danced for another eight years.
Because of repeated physical injuries, Haiqing could only give up dancing, choose Nortel, become a student of Huang Lei, and embark on the road of acting.
Haiqing was once sentenced to death by his teacher: "I can't act, I don't like to laugh, I can't act in TV dramas." ”
Haiqing did not believe in fate, but found a path suitable for himself and became a "daughter-in-law professional household".
20 years after his debut, Haiqing used the "daughter-in-law quadrilogy" to eat the dividends of the times.
This "four-part" are "Double Sided Tape", "Wang Gui and Anna", "Snail Residence", and the recent hit "Heart Residence", and the story takes place in Shanghai, and the director is Teng Huatao.
Haiqing is very suitable for playing this kind of mother-in-law's drama, her performance is grounded, full, meticulous, and has a strong memory point.
The first part: "Double-sided tape"
This drama is a turning point in Haiqing's career, before that, she has been running dragon sets for 5 years.
Haiqing can get Teng Huatao's appreciation, thanks to Huang Lei's recommendation, Huang Lei also bitterly told her: "Even if there is no money, this play must be filmed." ”
Hai Qing waited bitterly for half a year, and finally entered the group.
Hu Lijuan, who she plays, is a typical Shanghai girl as soon as she appears.
A fashionable curly hair, a Shanghainese accent, and her husband Li Yaping's hair is spoiled.
In the company, Hu Lijuan is the object of jealousy and hatred of female colleague Xia Mu, married a good husband, eats ready-made every day, and her face is full of pride and superiority.
Back home, Hu Lijuan is also the pearl in the palm of her parents, snorting, pouting and selling cuteness, and getting rid of the appearance of a petite lady.
Haiqing is a Jiangsu girl, but from her voice to her expression, she has pinched the characteristics of a Shanghai girl.
Hu Lijuan was originally a proud daughter of heaven, her parents were Shanghai natives, her husband was obedient and enterprising, and everyone circled around her.
But all this disintegrated little by little after the mother-in-law came.
The northern mother-in-law played by Li Mingqi has a strong feudal ideology, doting on her son, mistreating her daughter-in-law, and trying to transform Hu Lijuan, so that Hu Lijuan feels suffocated and bound, thus causing contradictions, Li Yaping circling between her mother and wife, like a piece of double-sided tape, wherever it is wrong.
The viciousness of the mother-in-law and the weakness of the husband made Hu Lijuan wither little by little, from Miss Qianjin to a desperate young woman, resulting in a tragedy in life.
From Haiqing's interpretation, we can glimpse the subversive changes before and after Hu Lijuan.
At the beginning, Hu Lijuan's words and deeds to her mother-in-law were more shocked and disdainful.
For example, taking a taxi back to the residence from the train station, the mother-in-law stares at the meter, and her face is full of reluctance to money. Hu Lijuan, who was sitting on the side, had a smile on her face full of contempt and arrogance.
Hu Lijuan has never suffered since she was a child, nor has she seen the darkness of human nature, and she completely underestimated the strength and domineering of her mother-in-law. Seeing her mother-in-law cover the sofa at home with a towel quilt and attach a wall calendar to the famous painting "The Great Bath Girl", she was full of helplessness and resentment.
The first time Hu Lijuan and her in-laws confronted each other was because of the birth of her in-laws, she did not want to reduce the quality of life because of the birth of children, but she was trained by her father-in-law to "pass on the generations". Hu Lijuan was silent, but the grievance was about to overflow the screen.
The in-laws' unclear reasoning has aggravated the contradiction between Hu Lijuan and Li Yaping. After the child miscarried, Yaping's indifference made Hu Lijuan sad and disappointed.
Later, Li Yaping's "ma bao" characteristics gradually appeared, he understood his mother's difficulties, but ignored Hu Lijuan's feelings, and the two always quarreled.
What really crushed the marriage between Hu Lijuan and Li Yaping was that the contradiction between the two families intensified, because Li Yaping's sister wanted to raise funds, and Li Yaping asked Hu Lijuan to borrow 100,000 yuan from her parents for emergency relief, and the money finally drifted.
Li Yaping's father got lung cancer, Hu Lijuan ran before and after contacting the doctor, while letting Li Yaping consider the reality, can not blindly treat, and finally lost his family, more than worth the loss, the result is Hu Lijuan was misunderstood as a cold heart.
After the birth of the child, the mother-in-law was even more vicious to Hu Lijuan, while "robbing" the child, while instilling the idea of "mother bad" to the child, Hu Lijuan could no longer bear it, to drive the mother-in-law away, Li Yaping protected her mother's heart, and waved her fist at Hu Lijuan.
The ending of the original work is that Hu Lijuan was killed by Li Yaping, but the director could not bear to release this ending, and finally used Hu Lijuan and Li Yaping to create a happy ending.
The prototype of "Double Sided Tape" is a true story, and the reality is much more cruel than the TV series.
The tragedy of The marriage between Hu Lijuan and Li Yaping lies in the ideological gap between the two generations, in the difference in the conditions of the two families, and even more in the value gap between the two people that cannot be crossed.
The selfishness and hypocrisy of the Phoenix man, the mannerism and self of the Shanghai woman, like two time bombs, are all scaled in the end.
After the release of this drama, it triggered a warm response, and Haiqing became famous overnight, until now, the drama is still classic, several times of reminiscence, still deeply touched.
The second part: "Wang Gui and Anna"
"Wang Gui and Anna" is written by the original team of "Double Sided Tape", and the title of the play is taken from the rural theme novels "Wang Gui and Li Xiangxiang" and "Anna. Karenina".
Two very different styles of names, alluding to the innate gap between the male and female protagonists.
However, the drama abandons the dog blood bridge section and only shows the triviality and warmth of the Chinese family in the context of the revolutionary era to the audience.
In order to present the most lifelike effect, Haiqing and Lin Yongjian also deliberately studied how loud and fast they should use for quarrels.
Different from the characters in "Double Sided Tape", Anna played by Haiqing and Wang Gui, played by Lin Yongjian, are like the people around us, simple and ordinary and have their own personalities.
Haiqing, who is in her early thirties, plays Anna in her twenties, without any sense of violation. Two ponytails, a pink bow, a plaid shirt with strappy jeans, quite a sense of age, and Anna's "petty bourgeoisie" is revealed.
Anna was originally born in a privileged family, ten years of catastrophe, the family fell in the middle of the road, after the return of Zhiqing to the city, she became a worker in the tannery.
But she still did not give up her pursuit of literature and art, during the lunch break, other workers were busy eating and chatting, but she sat by the window watching "Anna. Karenina", fantasizing about vigorous love.
This scene shows Anna's personality characteristics of "Qinggao" and "does not eat human fireworks", and also lays the groundwork for the twists and turns of her and Wang Gui's love.
When she first met Wang Gui and learned that Wang Gui also liked to listen to drama, Anna thought that she had found a fellow traveler, and her eyes lit up.
Until Wang Gui said that he was listening to Henan Zizi and sang on a whim, Anna's face immediately changed, and her eyes were full of disgust.
Born in the countryside, Wang Gui, looks ordinary, dresses rustically, eats and snorts, exudes clumsiness and tastelessness all over his body, and cannot enter Anna's eyes, but he can't stand Anna's family thinking that Wang Gui is honest and reliable, and under the misunderstanding and matchmaking of many parties, he still entered the marriage hall.
After marriage, Anna and Wang Gui had a lot of friction in their living habits, such as Wang Gui's reluctance to "use water" because of his dignity, and the two had their first conflict. Anna's face was stretched long, and her face was grim, as if she had been wronged.
As soon as the camera turns, Anna pouts, glances at her eyes, and speaks harsh words, but her face is full of shyness, and she is free from the appearance of a newly married daughter-in-law.
And Wang Gui returned to the country's mother-in-law's house, looking at the low and dilapidated house, a room full of dirty brothers and sisters, and the blackened water cup, Anna was uncomfortable, but had to pretend to be happy, the smile was almost uglier than crying, and compared with the excited Wang Gui, it was full of comedy.
After the birth of the child, the mother-in-law came to the city to help watch the child, and the sloppy hygiene habits of the mother-in-law in the countryside caused Anna a lot of dissatisfaction, resulting in a fierce quarrel. After several years of marriage, Anna's pride has been reduced by half, and more married women's helplessness and market wells.
Anna is a woman who is not willing to be mediocre, after the restoration of the college entrance examination system, she is bent on entering the university and pursuing her unfinished dreams, but pregnant with her second child, she cannot get the support of Wang Gui, and the relationship between husband and wife has fallen into a freezing point.
Anna and Wang Gui had countless quarrels, big and small, but as long as Wang Gui was soft, Anna would forgive.
The only thing Anna could not forgive was that Wang Gui and her colleague Xiao Guifang were ambiguous, and the moment she broke Wang Gui's "adulterous feelings", she was not hysterical, her eyes were full of tears, her face was written with despair, and Haiqing used extreme restraint to show Anna's heart like a knife.
Later, Anna and her first love Liu Bo reunited, the unfinished confession of youth erupted instantly, in the face of Liu Bo's olive branch, Anna still chose Wang Gui.
The story of Anna and Wang Gui is more like the feelings of our parents' generation, no matter how many storms they have experienced and how many betrayals they have encountered, they are still growing old in vain.
At first glance at the story of "Wang Gui and Anna", I was touched by the bitter and bitter true feelings between the male and female protagonists, but when I read it again, my heart was more of a mixture of five tastes.
Wang Gui's marriage with Anna is difficult to measure with the word "happiness", behind which there are countless compromises and tolerances, smoothing out their own edges and corners, giving up their dreams, in exchange for whiteheads with you to grow old, whether it is worth it or not, it is the fate of a generation.
The third part: "Snail Dwelling"
In 2009, "Snail House" was a dark horse in the annual TV series, which won the climax of the ratings with zero publicity.
At the same time, Haiqing also entered the peak of his career with this drama.
In just 35 episodes, it includes several key words in the society at that time: house slaves, lovers, and corruption, exposing the darkness and cruelty of reality, and attracting countless people to analyze and think.
The whole story revolves around Guo Haiping's dream of buying a house, and Guo Haizao's road to the top is the side line, which vividly shows the love and pain of the low-level women who wander in the Shanghai metropolis.
After graduating from university, Haiping and Su Chun went to Shanghai to work hard, renting a ten-square-meter house in the old-fashioned loft, and the kitchen and bathroom were shared with neighbors. HaiPing, who is just starting out, has light in her eyes, and she is looking forward to the future.
After Graduating from University, Haiping's sister Seaweed squeezed into Seaweed's rental house in order to save rent, and with the birth of her child, Haiping wanted to buy a house more and more.
In order to save money to buy a house, Haiping sent her children back to the countryside, saving money from between her teeth and not even making long-distance calls.
The working class receives a dead wage every month, and there is simply not enough to make a down payment. Watching the children grow up and the house prices getting higher and higher, Haiping asked Su Chun to borrow money from her parents, but Su Chun could not open her mouth and quietly borrowed 60,000 usurious loans.
Economic tension, husband and wife contradictions intensified, Haiping always complained about Su Chun's incompetence, and the two would start a war from time to time. With an aggressive expression and fast-paced lines, Haiqing perfectly interprets Haiping's strong and persistent personality.
Haiping is very realistic on the one hand, but on the other hand, she wants to take shortcuts, such as buying lottery tickets to try her luck, which lays the foundation for Haiping's tacit relationship between seaweed and Song Siming.
The woman who is driven to the bottom by money, the selfishness and greed in her heart, are fully revealed in the subtleties.
Hook up with Song Siming's seaweed, use Song Siming's relationship, lend money to Haiping, help Haiping find a tutor job, and silently hold Haiping's dream of buying a house, thus falling into a place of doom.
In order to make money, Su Chun did not hesitate to leak the company's trade secrets, and was eventually criminally detained, and with the help of Song Siming, he helped Su Chun break the siege.
After that, under the care of Song Siming, Haiping and Su Chun lived in a big house, and Seaweed became a mistress with no worries, and the family fell deeper and deeper in the whirlpool of reality.
In the end, Song Siming fell, seaweed aborted, and after three months of grief, she went abroad, and Haiping and Su Chun returned to ordinary and ordinary days.
This whole story seems to be the dream of buying a house for women from other places, but in fact it contains too much sensitive and corrupt content, tearing apart the dirtiest side of human nature for the audience to see.
Haiping's desire to buy a house in Shanghai is not wrong in itself, but the fault lies in her own high self-esteem and inability to recognize her own limitations. When one wants to get something that doesn't belong to oneself, one has to pay a huge price.
The same is true of seaweed, from an ordinary origin, but wants to climb the branches by a face, and the result is to go astray and bury his life.
There is a classic line in "Beijingers in New York": If you love him/her, send him/her to Jiangzhou because it is heaven; if you hate him/her, send him/her to Jiangzhou, because it is hell.
One thought becomes a demon, one thought becomes a Buddha, heaven and hell, all depends on one's own choice.
Part IV: "Heart Dwelling"
"Heart Residence" and "Snail Residence" are only one word apart, but they are completely different stories.
The beginning is all around the beginning of buying a house, but "Snail Residence" stands from a higher perspective and shows the side of social deformity, while "Heart Residence" is more about how a foreign daughter-in-law restarts her life in Shanghai after the death of her husband.
After more than ten years, Haiqing once again appeared under the lens of Teng Huatao, and she was over forty years old, and she was more natural and agile when playing such roles. There is no need to deliberately dress up maturely, just stand there and stand up for the character.
The story of "Heart Residence" begins in Shanghai in the autumn of 2017.
As soon as Feng Xiaoqin appeared on the scene, she bought vegetables and bargained in the vegetable market, dressed in a simple dress, and did not apply powder, showing the image of a foreign daughter-in-law who bought and burned every day.
Ten years after marrying into the Gu family, Feng Xiaoqin's life revolved around the food, clothing, and housing of a large family, every day chai rice oil salt sauce vinegar tea, but also to face the elders and the eldest sister-in-law squeezed.
Feng Xiaoqin's biggest wish is to buy a house of her own and live a family of three with her husband and son. In her view, the house is the face of a person, and what kind of house is what kind of person.
In order to buy a house, Feng Xiaoqin instigated her husband Gu Lei and her eldest sister-in-law Gu Qingyu to borrow money, but Gu Qingyu did not agree.
Immediately after that, a group of relatives came to persuade Feng Xiaoqin not to buy a house. After Feng Xiaoqin was provoked, she counted the elders on the spot and said what was in her heart.
The sensible father-in-law decided to help Feng Xiaoqin and call him aside to speak from his heart, and when the father-in-law said that he had never treated Feng Xiaoqin as an outsider, she shed tears for a second, and all the grievances and resentments were exported.
In addition to buying a house, Feng Xiaoqin also has a goal of hoping that her husband Will become a dragon, send Gu Lei to night school, let him take the certificate, and strive for an early promotion and salary increase. But Gu Lei is a person who does not seek advancement, no matter how Feng Xiaoqin whips, he is not a tool.
Gu Lei died unexpectedly, Feng Xiaoqin was devastated, and this plot Haiqing contributed textbook acting skills. The heart was like ashes, desperate to the extreme, but there was not a single tear. Extreme restraint, easy to retract, instantly mobilize the audience's emotions.
After her husband left, Feng Xiaoqin embarked on the road of self-reliance and self-reliance, she no longer relied on anyone in the Gu family, she began to deliver takeaway food to earn money, to support herself and her son.
Getting up early and greedy, the days are busy and hard, but at this time, Feng Xiaoqin is in the Gu family, no longer only promises, she has become more determined and free.
Because of Gu Lei's unexpected death, there was a gap between Feng Xiaoqin and the Gu family, but under the initiative of her father-in-law, she gradually opened her heart knot and decided to get along with the Gu family.
This drama has not yet been broadcast, but it can be expected that the later Feng Xiaoqin must have lived a stronger and more confident self.
Compared with the previous three "songs", Haiqing's performance in "Heart Residence" has many more details to portray, making the characters more full and vivid.
In the face of her father-in-law's concern, she tried her best to restrain her tears, and subconsciously made the action of wiping sweat, showing Feng Xiaoqin's soft and sad inner activities.
After Feng Xiaoqin delivered the takeaway, every time she returned home, her walking posture was somewhat hunched over, her movements were slow, and her tired appearance was painful.
The intention of "Heart Residence" is to find a spiritual destination, which can be a house, a love, or a self-consistent self.
In today's fast-paced era, houses and car tickets have made countless urban people anxious, but in addition to anxiety, how to put our restless hearts, this is a problem worth thinking about for everyone.
Summary: Actors grow with their characters
Why do I say that Haiqing has eaten the dividends of the times, because the "daughter-in-law" role she plays is closely following the development of society.
"Wang Gui and Anna" reflects the current situation of the family since the reform and opening up, while "Double Sided Tape" and "Snail Residence" embody the marriage concept and values of more than a decade ago, and the current "Heart Residence" reflects the self-reliance and self-reliance of women in the new era.
In the past, women had no choice in marriage, they could only gamble on luck, and if luck did not work, they would tolerate and compromise, and live their lives in confusion.
In this day and age, marriage is no longer a necessity for women, they can fulfill themselves, they can give themselves a harbor.
Haiqing's "Daughter-in-law Quadrilogy" reflects the changes of the times and also shows the transformation and growth of Haiqing along the way.
Playing a Shanghai daughter-in-law in your thirties and playing a Shanghai daughter-in-law in your forties is a completely different feeling.
When he was young, he had to dress up as a mature city, and now Haiqing is fully integrated into the role, contributing a hearty interpretation to the audience.
(End of full text)
【Healing Girl】Record the sudden changes in the entertainment industry, thank you for your praise and attention!