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The beauty of Qili - Fusu Landscape And Water Discussion

In the early spring of Renyin, Vientiane was renewed, spring returned to the earth, and the new year began, and the painter Fu Su created several landscape works that could express his temperament and inspire people with a warm heart.

The Book of Rites and Universities says, "Those who desire to be clear and virtuous in the world of the ancients will first govern their country; those who want to govern their country must first cultivate their homes; those who want to cultivate their homes first cultivate their bodies; those who want to cultivate their bodies first straighten out their hearts; those who want to straighten out their hearts first be sincere; those who want to be sincere in their intentions, first give them knowledge, and know that they are in the qualities." After knowing the qualities, knowing and then knowing the sincerity, sincerity and then the heart, the heart and then the body cultivation, the body cultivation and then the family Qi, the family Qi and then the country rule, the country rule and then the world is peaceful. "The motherland is getting stronger and stronger, and as a painter who serves the people, Fu Su feels that he has a responsibility and obligation to embody cultural self-confidence. He wants to use his majestic painting style to stir people's hearts with the spirit of pen and ink, so as to pray for the safety of the country and the people and let the epidemic end as soon as possible.

Fu Su's early landscape paintings were mainly based on Lingu, and the works more reflected Shi Tao's style, not only the techniques of Li Cheng, Guo Xi, Wang Meng and others, but also some of the pen and ink personalities of Pu Hua and Wu Changshuo. His recent landscape creation, for the fixed style period, mainly based on linchuang, mostly using leather paper and linen paper creation, The method is more with the Ming Dynasty Wu Wei pioneered by the vigorous and powerful broken pen scattered, the color likes to use Shi Tao's kind of ochre, flower blue, plus multi-level ink to create a thick and beautiful beauty, with the unique character taste of Lao Lian to present the landscape in Fu Su's heart; the work presents a magnificent atmosphere, a smooth and beautiful charm.

The road is long and its cultivation is far away, Fu Su in the creation of landscape painting: continuous summary, progress, will be sure to present friends with the atmosphere of majestic, Jun Tianguangle, Qili Grand View of the landscape and water masterpieces, this is Fu Su's lifelong artistic pursuit.

The beauty of Qili - Fusu Landscape And Water Discussion

Title: Backgammon

Size: 180cm*90cm

Author: Fu Su

The beauty of Qili - Fusu Landscape And Water Discussion

Title: "Water Sill Listening Spring"

Artwork size: 97cm*180cm

The beauty of Qili - Fusu Landscape And Water Discussion

Title of work: "Kusado Dou"

The beauty of Qili - Fusu Landscape And Water Discussion

Title: "Listening to the Waterfall"

The beauty of Qili - Fusu Landscape And Water Discussion

Title: "Smooth Sailing"

The beauty of Qili - Fusu Landscape And Water Discussion

Title: "Flowing Spring Map"

Size: 48cm*180cm

The beauty of Qili - Fusu Landscape And Water Discussion

Title: Fusu Landscape

Fu Su, formerly known as Li Lei, the character 甫苏. Figure painter, born in 1973 in Jilin, Inner Mongolia, settled in Beijing. A family of calligraphy and painting, he studied calligraphy and painting with his father since childhood, graduated from Ningxia University majoring in art and design, and inherited his father's feelings for the god of wealth, and the god of wealth series was quite rich. In 2021, he entered the advanced study class of the National Academy of Painting of China for further study, and his teacher was inherited from Wenjiang, while Li Yan, Qiu Ting, Hong Houtian and other domestic front-line people also had guidance and teaching. His representative works are Chinese god of wealth ink figures, set up pigment elegance, the pursuit of calligraphy line quality, imposing and realistic. The characteristics of landscape brush and ink are full of sense of the times, and the vigorous and broken brush is scattered to express the majestic and beautiful landscape of the landscape, which is a grand view. He has held and participated in calligraphy and painting exhibitions in Beijing and Japan for many times, and is now the vice chairman of the Genhe Calligraphers Association; a registered teacher of the Chinese Calligraphers Association; a special researcher of the Chinese and Foreign Celebrity Art Academy, an overseas member of the Japan Calligraphy Association; a painter in the Yu Wenjiang Studio of the National Academy of Painting of China; a scholar of folk culture; and the deputy director of the Creation Center of the Hongqi Piaopai Calligraphy and Painting Institute.

Chronology of artistic activities:

In June 1992, he won the Fifth National "Double Dragon Cup" National Junior Excellent Work Award.

In June 2015, he studied at the Beijing Examination Center and obtained the qualification of registered teacher of the Chinese Calligraphers Association.

On January 23, 2016, he studied Taoist culture at the Beijing Baishi Taoist Wudang Taiyi Shenjian Gate Research Institute.

On July 18, 2016, he took refuge in a Buddhist monastery in Beijing.

On August 13, 2016, he was invited to auction calligraphy and paintings on the spot. The theme is "Love for Disaster Areas, Acts of Great Charity" and the activities of The Charity PEN For Disaster Relief in Heshun Town, Linzhou City.

On December 28, 2017, he was invited to participate in the auction of calligraphy and paintings held by the China Welfare Aging Career Development Center on "Caring for the Elderly and Helping Health".

In December 2019, he was selected as one of the top 100 Chinese calligraphy teachers in the exhibition of Chinese calligraphy teachers.

In December 2019, he was hired as a lecturer at the Japanese Dragon Yang Calligraphy Association.

On December 21, 2019, the Japan International Economic and Cultural Exchange Association collected Fu Su's works.

On October 17, 2020, the Cultural Relics Management Office of Yunju Temple in Beijing collected the "Boy of Good Fortune" of the God of Wealth series.

On September 26, 2021, the work "Red Fire Ben Xiaokang" created by calligrapher and painter Fu Su was collected by the Zhoukoudian Site Museum.

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