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Wen Zhengming's small lishu has a different taste

Wen Zhengming's calligraphy is a model of Bo Fei's specialization. Wen Zhengming's Xiao Kai was the most accomplished. The main teachers were passed down to Wang Xizhi's "Huang Ting Jing", "Le Yi Theory", Zhong Xuan's "Declaration", Wang Xianzhi's "Thirteen Elements", etc., and they could be integrated into the Tang Dynasty Xiaokai pen method in one furnace, forming a "warm and pure essence" of their own style.

Wen Zhengming Xiaokai

Wen Zhengming's small lishu has a different taste

Wen Zhengming's lishu works are not many, but he is quite self-satisfied. Mainly study Zhong Xuan, Liang Hu and so on. He sometimes used Lishu as a trek, such as the "Baofan'an Shihu Poetry Scroll", "The Book of Li Baishi of the Baokang Lizi mountain", etc.; he also often composed four-body thousand-character texts (正, 草, 立, 篆); sometimes he used the large character Lishu as the introduction. His big-character lishu is very different from the small-character lishu.

Wen Zhengming Lishu "Qingming River Map"

Wen Zhengming's small lishu has a different taste

In addition, he once collected Han Li to write the "Han Li Rhyme" (Zhu Yunming School Rhyme, National Library Collection), which shows his diligence in Lishu, and spares no effort to promote this body. Although Wen Zhengming's Lishu is not the style of calligraphy he is best at, it is also a typical style of Lishu in the Ming Dynasty, which is probably not unrelated to this move. Wen Zhengming's seal book is a weakness compared to other calligraphy. However, in the Ming Dynasty, when the atmosphere of writing seal books was silent, his seal books were still quite rare and precious. Because wen zhengming is a thousand-word text for daily lessons, its seal book has considerable basic skills.

Wen Zhengming's small lishu has a different taste
Wen Zhengming's small lishu has a different taste
Wen Zhengming's small lishu has a different taste
Wen Zhengming's small lishu has a different taste

Wen Zhengming Lishu works to appreciate the "Qingming Shanghe Tuji", Jiajing twenty-eight years have been unitary (1549) February, Changzhou Wenhengshan eighty years old Lishu inscription Qingming Shanghe Tu Qiu Ying facsimile, Taiwan Palace Museum collection.

Wen Zhengming (文征明, 1470– 28 March 1559), originally known as Bi (or Zuobi), was a character zhengming from the age of forty-two. Because the ancestors were Hengshan people, they were called Hengshan residents, and they were called "Wenheng Mountain". Nanzhi was a native of Changzhou County, Suzhou Prefecture (present-day Suzhou, Jiangsu). Ming Dynasty painter, calligrapher, writer, and connoisseur.

Wen Zhengming studied literature in Wu Kuan, calligraphy in Li Yingzhen, and painting in Shen Zhou, and failed to pass the township examination nine times in his life. In the second year of Jiajing (1523), he took the official examination as a gongsheng and was awarded the post of waiting for the Hanlin Academy. In the fifth year of Jiajing (1526), Wen Zhengming resigned from his official position and returned to his hometown to specialize in creation. On February 20, the thirty-eighth year of Jiajing (1559), Wen Zhengming died at the age of ninety. His disciples offered their virginity privately.

Wen Zhengming's poems, texts, books, and paintings are all exquisite, known as the "Four Absolutes", and he and Shen Zhou co-created the "Wu School". In the history of painting, together with Shen Zhou, Tang Yin and Qiu Ying, they are collectively known as the "Four Houses of The Ming Dynasty". In literature, together with Zhu Yunming, Tang Yin, and Xu Zhenqing, he is called "the four talents of Wu Zhong".

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