No need to buy books, Zhao Mengfu Xiaokai", "Tao Te Ching" I will give you a high-definition version!

Zhao Mengfu was a great calligrapher of the Yuan Dynasty. In March of the third year of the Yuan Dynasty, at the age of 63, Zhao Mengfu wrote this small Kai DaodeJing for the Jin Zhi Gaoshi.

The Tao Te Ching is one of Zhao Mengfu's masterpieces of Xiao Kai, written in the third year of Yanyou (1316 AD), and has been more than 700 years. He was sixty-three years old at the time, with a beautiful font, steady writing and unique style. At the beginning of the volume, there are six characters of the Ming Yao Shuo Xing Shu "Song Xue Shu DaoDe Jing", and there are two questions on the front of the water Aya. It was once collected by Ming Xiang Yuanbei and Xiang Dushou.

At the beginning of the volume, Zhao paints a portrait of Lao Tzu, followed by a whole volume of the Tao Te Ching. This volume of ink, on paper, is 245 mm long and 6,188 mm wide, and is now in the Palace Museum. Zhao wrote Xiao Kai's Tao Te Ching many times in his lifetime. In his later years, he wrote this volume of 5,000 words of small letters, with rigorous calligraphy, fine strokes, the nitrogen of tranquility in seiko, and the god of spiritual movement in stability, which is consistent with the rhyme before and after, which can be called the best of his small letters.

Zhao Mengfu (1254-1322), ziang, songxue Daoist, also known as Shuijinggong Daoist, Ou Bo, etc., known as "Zhao Songxue". Grandson of Defang the Prince of Qin. A native of Wuxing (present-day Huzhou, Zhejiang), he was later known as "Zhao Wuxing". Young and intelligent, he has read and recited, and has established himself for his literary skills. After his birth, from Yuan Shizu to Yuan Yingzong, he experienced a total of five emperors, successively serving in Jinan and Zhejiang, and then serving as a soldier's attendant, Jixian Zhishi, Hanlin waiter's bachelor, Hanlin bachelor's undertaking and other positions in the central government, "five dynasties of glory, full of fame and seas". After his death, he was posthumously awarded the title of "Duke of Wei" (魏国公), courtesy name "Wen Min". Therefore, later generations also called him "Zhao Jixian", "Zhao Chengzhi", "Zhao Wenmin", "Zhao Weigong" and so on. The Biography of Yuan Shi Zhao Mengfu says: "(Renzong) compared Zhao Mengfu to Tang Li Bai and Song Sushi Zizhan. He also tasted that Meng Fu was pure in his conduct, knowledgeable and knowledgeable, his calligraphy and painting were outstanding, and he bypassed the buddha and the will of the old man, which was beyond the reach of anyone. ”

Zhao Mengfu re-established a rigorous legal degree in various fields such as kai, xing, grass, subordinate, and seal in the way of comprehensively learning from the classics, especially the Jin and Tang dynasties, and established the authoritative value of the classical style, thus correcting the huge defects of the southern Song Dynasty calligraphy style and light law, so that the development of calligraphy entered a relatively healthy track. His own calligraphy, xingshu deep into the Right Army Tang Ao, the wind god is elegant, dashing and flowing, the calligraphy is integrated into the Tang Dynasty and The Jin Dynasty, which is both dignified and simple, but also smooth and graceful, forming a unique posture, and is known as "Zhao Body". His calligraphy ideas and style not only dominated the calligraphy of the entire Yuan Dynasty, but also directly affected the development of calligraphy in the early and middle periods of the Ming Dynasty.