As the leader of the new generation of contemporary Chinese green landscape painting, An Yihui's works have a distinct style, with strong regional characteristics and aesthetic characteristics of the times. An Yihui was born in Xuzhou and worked at Three Gorges University, and the regional style and customs of the Three Gorges area have become common themes in An Yihui's works.
An Yihui, also known as An Yihun, was born in Xuzhou. Graduated from the China Academy of Arts with a master's degree, under the tutelage of Mr. Yuan Xuejun. He is currently the secretary and deputy director of the Party Branch of the Fine Arts Department of the Art College of China Three Gorges University, a member of the China Artists Association, a painter hired by the Chinese Painting Creation Research Institute, the deputy secretary-general of the Youth Painting Academy of the Chinese Painting Creation Research Institute, the director of the Chinese Painting Art Committee of the Yichang Artists Association, a specially appointed painter of the Three Gorges Painting Academy, and an academician of the Yichang Branch of the Central Academy of Fine Arts of the China Democratic League.
His works and papers have been published in Peking University Art College 2013 Chinese Painting Teaching Literature, Three Gorges Ink Tide, World of Calligraphy and Painting, Art Guide, Calligraphy Newspaper, Fine Arts Newspaper, Great Fine Arts, Three Gorges Forum, Three Gorges Art Garden, Three Gorges Daily, Three Gorges Evening News, Journal of Central China Normal University and other publications.
2017—— Freehand China Damei Liaoning - The 2nd Chinese Painting Ink Painting Exhibition, the 1st "Baishan Black Water Beautiful Siping" National Chinese Painting Exhibition, the 10th Western China Land Conditions Chinese Painting and Oil Painting Exhibition, "Damei Yichang Poetic Zigui" Three Gorges Painting Academy SketchIng Exhibition, Art Nanjing Invitation Exhibition, International Invitation Exhibition of the National Academy of Arts of the Republic of Uzbekistan, "Danqing Huamao" Contemporary Young Chinese Painters Nomination Exhibition, "Chenghuai Taste Elephant" Three-person Chinese Painting Exhibition;
2016—— "Jingchu Fengjiang Hanchao" Jianghan Plain Calligraphy and Painting Joint Exhibition, "Damei Yichang" Three Gorges Painting Academy Zhijiang Sketching Works Exhibition, "As It is Cool" Contemporary Chinese Painting Masters Painting Fan Exhibition, "Han Mo Le'an" China's Second Invitation Exhibition of Chinese Painters, "State" Five-Person Calligraphy and Painting Joint Exhibition, "Academy Space" Youth Art Works Exhibition, "Gu Ben Liuyuan" Contemporary Chinese Painting Masters Academic Invitation Exhibition, Rong Baozhai Chinese Painting Biennale; 2015 - "Qingshan Mountains Outside the Mountains" An Yihui Landscape Painting Exhibition, "Ink Pengcheng" ---- National Freehand Chinese Painting Exhibition, "Seeking Swords in Boats" Youth Ink Painting Invitation Exhibition;
2014 - "Jia Wu Ying Chun" Wan Shuang Quan An Yihui Calligraphy and Painting Joint Exhibition, "Chu Yun Ba Feng" ZhenBaotang Academic Nomination Calligraphy and Painting TourIng Exhibition, The Second Seal Book Seal Engraving Exhibition and Three Gorges Printing Society, Nanji Printing Society Exchange Exhibition, Yichang 12th Fine Arts Exhibition; 2013 - "Hou College Art" Hubei College Teachers' Fine Art Works Exhibition, "Hawthorn Tree Feelings" Three Gorges Academy Of Fine Arts Exhibition; 2011 - "Summer Solstice Impression" Nine-Person Works Exhibition, Hubei 21st Workers' Gallery Works Exhibition.
An Yihui has studied in Nanjing Academy of Arts, China Academy of Art landscape major, for the traditional brush and ink of landscape painting, French style of in-depth and unique insights, "speculation" is An Yihui for learning the tradition of distinctive characteristics, combined with a large number of sketches, An Yihui from the momentum, blank, rhythm, pen and ink, color, creation and other aspects of deconstructing landscape painting, giving traditional landscape painting a new style, forming its unique painting style.
For An Yihui's works, the tutor Yuan Xuejun has a high evaluation: "His sketches, the overall sense of the picture is strong, the simplicity is still, the picture space is mostly sparse and empty, each blank place is the most ingenious, the layout of the mountain stone, trees, and houses has its own aesthetic interest; the color is exquisite, the color is exquisite, the thickness and lightness are appropriate, the fresh and elegant, the picture is strange and leisurely, and the artistic conception is far away." In the context of the overlap of tradition and nature, you can find your own pen and ink language, and further improve the pen and ink, keep up with the pace of the times, and outline a new dimension of new perception and perception. ”
Text/An Yihui
Painting has been a part of my life since I was in elementary school. Paint every day when there is nothing to do, and paint in the gap when there is something. The daughter said: "Dad is painting every day except to paint, like a nerd." I don't want to be a painter in the future, it's boring", this seems to be boring and boring, and I enjoy it.
After working, painting has another meaning for me. When I first left the campus, I had a dream and left my hometown to come to a strange city. I need to prove myself that nature painting is the best way to participate in the exhibition and win the award. Many years ago, my teachers and classmates advised me to participate in more exhibitions, and I was a person with hindsight, who was very dismissive at first, and then the exhibition could not be selected.
Helpless, looking for exhibited works to study, there are still some routines to be found, but I am stupid and can't do the work of picking up people's teeth and wisdom, and can only slowly follow my own rhythm. Flipping through books to read theories, laying out paper to do experiments, picking up a seed in a busy work, taking root and sprouting branches and leaves by him, bearing some self-righteous fruits, taking it to participate in some exhibitions, being selected for awards, but it was too much to be addicted.
I don't feel that I have reached the middle age of busyness. Painting has become the best way to face yourself alone. After work, after socializing, I plunged into the studio, put on headphones to listen to Zhao Chen, and painting him in the dark was the most enjoyable and happiest thing. Sometimes the painting is like going back to one night when I was reading, until my legs are weak, my arms are trembling, and I have seen the light when I open the window.