Invisible Woman The translation of the Hong Kong and Taiwan names is more direct, and they all put the sisters into the title, although there is no suspense, but there is less taste. The main poster is also anxious, very blunt, afraid that others will not understand the plot.
Probably the character of a Brazilian, direct and casual. Technically, it is also more casual, how to come to the eye. A bit of design in addition to the fish tank and the red phone, but feels pretentious.
One is a little rough, telling a story about a feminist right on the other side of the globe, or the 50s. These elements are not very attractive except for scratching their heads. But the movie is just very good to watch, can make people into the play, follow the director's emotions.
Because it hurts.
It hurts, the pain of the first sexual life, the pain of having a child, the pain of throwing a child, the pain of getting cancer, and the pain of being driven out of the house with a big belly, and the pain of being bound by a child and losing his dreams. Lots of close-ups to show these pains.
The audience may not necessarily care what is going on with these two sisters, but they will definitely be stung by these pains once. As long as it hurts once, the back goes into the play, and then I want to continue to hurt, and then I am brought into the emotion.
Birth, old age, illness and death are appearances, and the pain inside will make people hurt. Regardless of geographic time race. Pain is one of the common languages of human nature.
!["The Invisible Woman", now invisible is also a man[fig]](data:image/gif;base64,R0lGODlhAQABAIAAAP///wAAACwAAAAAAQABAAACAkQBADs=)