Text/Knife II
Talking about Wei Zongwan, many people may not be familiar with it.
But when you see his picture, you will definitely have an impressive character in your mind.
This old drama bone is not only superb in acting, but also an old artist with both virtue and art.
He and his 6-year-old second wife went through a 50-year golden marriage, and all the family property was left to his wife's stepdaughter and daughter.
He is a national first-class actor, and a director once knelt down on one knee and asked him to star.
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In 1955, Wei Zongwan, who graduated from junior high school, did not attend high school because of family conditions.
Because of the difficulties of life at that time, he entered the steam turbine airport and worked as a worker for 4 years.
When he was a child, Wei Zongwan liked to watch Peking Opera, and he also had a dream of becoming an actor from an early age.
During the 4 years of working at the airport, when other workers were entertaining, Wei Zongwan found high school course books to teach himself.
Because of the dream in his heart, he can endure loneliness, and he can restrain his mind to study hard and prepare for the future.
At work, Wei Zongwan also joined the drama team in the airport because he had the dream of becoming an actor.
In addition to work and study, he often runs dragon sets in the drama team and accumulates experience.
In 1959, Wei Zongwan saw that the drama was recruiting people.
Faced with this opportunity, he decided to give it a try.
Because of his early self-study, profound cultural skills, and the performance experience of the dragon set, he was admitted to the theater.
In 1963, Wei Zongwan graduated from shang opera.
Because of the late start of school, he was 25 years old at this time.
There was also an older brother in the family who was a few years older than him, and it just so happened that his brother got married that year, and the family's housing was tight.
When he was a child, Wei Zongwan did not get the favor of the old man, but was a little unpopular.
Faced with this situation, Wei Zongwan could only find a place not far from work to rent a house.
At that time, Wei Zongwan was assigned to Shanghai Renyi as an actor, and his main job was to run dragon sets.
This run is more than ten years.
This is also the situation faced by many skilled actors.
It's not like today's traffic era, a little traffic can play the leading role.
The days of running the dragon set are tedious, but such days can best hone one's performance skills.
On such days, Wei Zongwan met his second wife, Zhou Weiming, who was 6 years older than him.
In 1965, when Wei Zongwan left the rental house, he saw the landlord's daughter Zhou Weiming in tears.
Wei Zongwan, who has lived here for two years, probably knows that the other party should be an emotional problem.
Because there were often quarrels between Zhou Weiming and her husband, he would often return to his mother's house to live.
Shortly after that, Wei Zongwan learned that the other party was divorced.
At that time, Wei Zongwan was already 28 years old, and he was married late in the 60s.
The main reason is that the family conditions are not good, and their own image is a little poor.
Although I have been in love, I have not come to fruition.
Zhou Weiming is a primary school teacher, beautiful and gentle.
Although Wei Zongwan has a similar appearance, he has a personal humor and humor.
In the contact with Zhou Weiming, the two still have common topics and can talk.
As the contact time grew, the two became fond of each other.
But there are two conundrums in front of them.
One is the age gap, where the woman is 6 years older than the man.
Although there is a saying that "the third year of the female university holds the golden brick", this is a bit too big.
The second is that the woman is married for the second time with a daughter, and Wei Zongwan is single and unmarried.
There was no such open atmosphere in those days.
Men and women are too big, or marry a second-married woman and marry a second-married man, will face the wind and rumors.
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Because of various considerations, Wei Zongwan and Zhou Weiming dragged on for two or three years before they made up their minds to be together.
In 1969, Wei Zongwan, who was still running the dragon suit, earned a monthly salary of 55 yuan.
After several years of contact, Wei Zongwan embodied the responsibility of a man and directly asked his family to propose to the Zhou family.
In 1970, two years before they were ready to get married, friends on both sides were persuading.
The man's relatives and friends talked about the woman's 6 years older, and her daughter, who is prone to family discord.
The woman's relatives and friends said that the other party is an artist and may have an unstable life after marriage.
According to the view at that time, Wei Zongwan was worse than the woman.
Wei Zongwan has always been a dragon set character, and he is not very famous. And Zhou Weiming is an advanced worker in the unit or a teacher.
At that time, Wei Zongwan said to the woman: "Gold will shine, as long as you work hard, there will always be a day to come out." ”
Two people who are loyal to themselves and loyal to their feelings, despite all difficulties, got married on May Day of this year.
The man is 32 years old and the woman is 38 years old.
In his life after marriage, Wei Zongwan did everything in his power to make his stepdaughter accept him.
The child is sick with an injection and carries the child on his back.
The child went to school, and he picked him up and took the candy with him.
Two years later, Wei Zongwan's daughter was born, but he treated the two children with the same warmth.
Because his wife was very busy at school, Wei Zongwan finished the housework and did not want his wife to be affected.
In private, Wei Zongwan also had a sense of gratitude to his wife.
He felt that he was not loved by anyone at that time, and his wife was under pressure to marry him.
With this in mind, he did everything he could to help his wife lighten his burden.
Especially after the birth of his youngest daughter, Wei Zongwan took over all the dishes to cook and change diapers.
He said: "Children you come to live, I will raise, very fair." ”
It makes a lot of sense, but very little can be done today.
After 10 years like this, the children gradually grew up, and Wei Zongwan could safely leave home to take the play.
In 1982, at the age of 44, Wei Zongwan starred in his first film, One and Eight.
He plays a deserter wan old man, partnered with Tao Zeru and Chen Daoming.
Later, he participated in "Shipwreck" and "Xiangxi Bandit Chronicle".
Slowly, Wei Zongwan relied on more than ten years of dragon set experience to hone his acting skills solidly and superbly.
In this way, his fame began to spread.
But the audience still remembers only his appearance.
1987 was a turning point in Wei Zongwan's acting career.
This year, he acted in a classic drama "Thinking Of Wrong", in which he played the old man Munch O'Neill.
The show lasted two hours, and he danced and danced on the stage alone, pouring himself wine.
Shortly after the performance, Wei Zongwan was named a national first-class actor.
After the time entered the 90s, Wei Zongwan slowly became familiar to the national audience.
He has no handsome appearance and can only rely on his own performance to win applause from the audience.
It is also because of his solid acting foundation that he has never played a role.
He is considered to be the "golden oil" in the actor.
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In 1991, Wei Zongwan and Serenity starred in "I'm Ugly, But I'm Gentle".
He played a kind umbrella maker, rich character heart, three-dimensional character image, so that more audiences know him.
In 1992, he played the old ghost of Bingyouzi in "Sanmao From the Army".
Before filming began, director Zhang Jianya adapted the script and added a bingyouzi role that was not in the original book.
The director locked the role on Wei Zongwan.
This year, Wei Zongwan was already 54 years old.
He felt that he was old and wanted to play with his children, so he did not accept it.
But unexpectedly, director Zhang Jianya suddenly knelt down on one knee and requested, which frightened him into hurrying to kneel.
Because of the director's sincerity, Wei Zongwan accepted the script.
It is also because of this that there is a classic role "old ghost" that countless people remember.
In 1994, Wei Zongwan played "Lao Wan" in "Desperate Circumstances", partnering Pan Changjiang.
This comedy between the two of them is very wonderful and very classic.
Because this type of comedy is completely different from the popular "nonsense" in Hong Kong and Taiwan, it has very national characteristics.
But later, because the market gradually commercialized, this type of film slowly disappeared.
In 1995, Wei Zongwan played the role of "Old Man" in "Smart Run and Magic Escape".
There is a brainwashing song in this film, "Play cotton".
"Play cotton, play cotton, half a pound of cotton into eight or two."
I watched this movie more than a decade ago, and I still remember this song vividly.
In these similar types of comedy themes, the roles played by Wei Zongwan are all suitable for the role.
Acting like something, probably said of people like him.
After the good guys acted so many times, Wei Zongwan began to play the bad guys, and he was also angry with many audiences that year.
In "Romance of the Three Kingdoms", Wei Zongwan played "Sima Yi".
He confronted "Zhuge Liang" played by Tang Guoqiang six times, and interpreted Sima Yi's form, intention, wisdom, and strategy quite clearly.
On top of his own plot, coupled with his pure acting skills, the character of "Sima Yi" came alive.
At that time, this CCTV masterpiece, Wei Zongwan's salary for first-class actors in these countries was 250 yuan per episode.
In order to shoot this drama, they did not go home for two or three years and followed the crew around the country.
Such a dedicated attitude is not for money and fame.
Later, Wei Zongwan played "Gao Qiu" in "Water Margin", and "Sui and Tang Heroes" played "Yu Wenhua".
These big villains, Wei Zongwan's performance is also very familiar.
The expressions, tones, and temperaments of these characters all come alive under Wei Zongwan's portrayal.
After watching the villain role he played, there should be many people who wanted to curse at that time, right?
The acting skills of the old drama bones are slowly honed from the bits and pieces, accumulated over time.
Since acting is an art, there are no shortcuts.
Such as Wei Zongwan and some other old drama bones.
In their long career in dragon sets, they not only test their persistence in performance, but also test their foundation is not firm.
With a flat floor and no foundation, how can it be made out of nothing?
After turning 70 years old, Wei Zongwan slowly left the screen and lived a retired life.
In addition to acting, which he loves, there are also people in his family who he cares about.
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Wei Zongwan officially starred in movies and TELEVISION series, starting from the 80s.
The salaries of that era were low, and for people like him who only played supporting roles, the salaries were not high.
Also because I personally like acting, when I encounter a favorite role, I don't mention the issue of remuneration.
After twenty or thirty years of struggle, he bought a house on the outskirts of Shanghai.
The houses that Wei Zongwan bought were the names of his wife's stepdaughter and daughter.
In his heart, the relatives in the family are all.
After retirement, Wei Zongwan took his wife to live a slow life.
Because I have been to many places with good views before filming.
Wei Zongwan took his wife to travel the country to relax his heart, in order to compensate for his wife's silent support for so many years.
Zhou Wei has high blood pressure and diabetes after his elderly age, and as a result, he has become obese and has limited mobility.
When going to travel, some places have poor guesthouses, and you need to step into the bathroom.
Wei Zongwan carefully placed a chair by the door, so that his wife could hold on to a stable point.
Up to now, Wei Zongwan and Zhou Weiming's marriage has gone through 50 years.
They are the golden marriage of the hand of the son and the old man.
Only because of the firm emotions they had when they were young, the sincere emotions that lasted until they were old.
In each other's hearts, they will always be the ones they love the most.
How many Chinese celebrities have torn off the "fig leaf" of Chinese stars by an old artist like Wei Zongwan?
In recent years, the entertainment industry, from big directors to young idols, has often been criticized in private life.
Some directors have changed wives more than once, getting younger and younger, and the age gap is even greater than between father and daughter.
Some well-known actors, after being rich and famous, abandoned their wives and replaced them with young and beautiful women.
Some young idols, about twenty years old, pedal two boats or even four boats.
In order not to pull the step, these examples will not say the name of the person, and the number of online searches will not be less.
In the past, Wei Zongwan was asked by reporters whether he had ever been touched by young actors?
He said: "I always think of them as children. ”
This is the gap in thinking.
On the issue of feelings, with the material prosperity, many people have various arguments about feelings.
In the entertainment industry, the most talked about is the emotional discord, and the feelings are gone.
Those who divorced more than once, each time it was a discord, the feelings disappeared?
How false and impure does this feeling have to be?
Those who often change regular partners, and so do their feelings?
Are you looking for freshness, or do you want to be the right person?
After material prosperity, the income of being a star rises.
What was once a showbiz circle has slowly become an entertainment circle.
Many stars no longer lay a solid foundation, and a little fame begins to show their faces in various ways and eat youth meals.
Many stars lack training, not only have poor ability, but also have no ability to resist various temptations of fame and fortune.
In such a traffic world, many people's eyes are blinded.
Whoever divorces today is married twice and married three times, tomorrow who has children out of wedlock and who abandons their children, and the day after tomorrow who steps on a few boats is exposed by his girlfriend.
Nowadays, there are not many old drama bones like Wei Zongwan who are both virtuous and artistic.
In the hearts of people like Wei Zongwan, they are all simple and grateful.
When in obscurity, the wife is willing to marry him.
When he became famous, his wife supported him behind his back.
Their feelings are not mixed with any fame and fortune, any falsehood.
In terms of performance, Wei Zongwan did not play the role.
In life, his private morality is admirable.
Such performing artists and stars should be the direction of the future development of Chinese stars.
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