In the second year of Zhiping (1065), at the age of thirty, he was appointed as the capital city of Bieliang. In May, the widowed Wang Fu.
「Treasure Moon Post」
| on paper 23.2×17.8cm Collection of the National Palace Museum, Taipei
In the second year of Xi Ning (1069), at the age of thirty-four, Wang Anshi's new law.
「ZhiPing The"
| on paper 29.2×45.2cm Collection of the Palace Museum
In the fourth year of Xi Ning (1071), at the age of thirty-six, he wrote to Emperor Shenzong to discuss politics, and in April he was sentenced to Hangzhou.
"Tingping Guo Junti"
| on paper 26.4× 30.3cm Collection of the National Palace Museum, Taipei
"To the Luck Sentence Tai Bo Ti"
| on paper 25.6× 24.5cm Collection of the National Palace Museum, Taipei
In the first year of Yuan Feng (1078), at the age of forty-three, he toured Xuzhou, and Wang Anshi resigned.
「North Travel Post」
| on paper 26.1×29.5cm Collection of the National Palace Museum, Taipei
In the second year of Yuan Feng (1079), the forty-four-year-old Wutai poetry case.
"Sub-rhyme Qin Tai Void Poetry Thesis"
| on paper 30.7×45.3cm
Collection of the National Palace Museum in Taipei
In the third year of Yuanfeng (1080), at the age of forty-five, he degraded Huangzhou and lived in Dinghuiyuan.
「Kyo Sake Post」
| on paper 26.2× 14.9cm Collection of the National Palace Museum, Taipei
"Sip Tea Post"
| on paper 23.2× 17.9cm Collection of the National Palace Museum, Taipei
Yuan Feng lived in Lingao Pavilion at the age of forty-six in the fourth year (1081). Ten acres of garden, ploughing the eastern slope.
"The Poetry of Chen Gong of the Ministry of Paibu"
| on paper 27.8×60 .6cm collection of the National Palace Museum in Taipei
"New Year's Fair Celebration Post"
| on paper 30.2×48 .8cm collection of the Palace Museum
"Book Du Fu Alder Poetry Scroll"
| on paper 27.9×85.4cm Lan Qianshan Collection
In the fifth year of Yuan Feng (1082), at the age of forty-seven, he visited Chibi in Huangzhou and called himself a resident of Dongpo.
"Huangzhou Cold Food Poem"
| on paper 34.5×199.5cm
Collection of the National Palace Museum in Taipei
"Get a post"
| on paper 28.2×37.8cm Collection of the National Palace Museum, Taipei
In the sixth year of Yuan Feng (1083), he lived in Huangzhou at the age of forty-eight and visited Chengtian Temple at night.
"Pre-Chibi Poetry Scroll"
| on paper 23.9×258cm
Collection of the National Palace Museum in Taipei
"Ministry Posts"
| on paper 27.8×38 .8cm the collection of the National Palace Museum in Taipei
"Man Comes to Get the Book"
| on paper 29.5× 45.1cm Collection of the Palace Museum
「Raspberry Post」
| on paper 27.7×44.8cm collection of the National Palace Museum in Taipei
"One Night Post"
| on paper 27.6× 45.2cm Collection of the National Palace Museum, Taipei
In the eighth year of Yuan Feng (1085), at the age of fifty, Emperor Shenzong of Song died and returned to the court.
"Yang Envy The"
| on paper 27.5×22 .6cm collection of Lushun Museum
"Long Stay Post"
| on paper 30.4×25 .8cm collection of the National Palace Museum in Taipei
「Screen Post》
| on paper 25.1×23.1cm Collection of the National Palace Museum, Taipei
In the first year of the Yuan Dynasty (1086), at the age of fifty-one, he was appointed as a Hanlin scholar. Wang Anshi and Sima Guangzhao.
"Titled King's Poetry"
| on paper 29.9×25.7cm
Collection of the Palace Museum
"Homecoming Post"
| on paper 35.1×12.4cm
Collection of the Palace Museum
《Gui'an Qiu Garden Post》
| on paper 25.6×31.1cm
Collection of the National Palace Museum in Taipei
In the second year of Yuan You (1087), at the age of fifty-two, he served as a waiter at the feast and served Song Zhezong.
"Several Scrolls of Sacrifice to Huang"
| 31.6× 121.7cm Collection of Shanghai Museum
"The Second Rhyme Of The Three Houses Saves poetry"
| on paper 30.9×47.9cm Collection of the National Palace Museum, Taipei
In the third year of Yuan You (1088), at the age of fifty-three, Shu Luoshuo fought in the party and served as a tribute to the Ministry of Rites.
"The Poetry of the King of the Mountains"
Silk book | 26× 138.5cm Collection of Shanghai Museum
About the fourth year of Yuan You (1089), at the age of fifty-four, he was a bachelor of Longtuge and knew Hangzhou.
「Tobu Thera"
| on paper 28× 37.2cm Collection of the National Palace Museum, Taipei
In the fifth year of Yuan You (1090), at the age of fifty-five, he dredged the West Lake and repaired the Su Causeway.
"Second Debate Rhyme Poem"
| on paper 29× 47.9cm Collection of the National Palace Museum, Taipei
"YouHu Running Fountain Poem"
| on paper 27×31cm Wang Jiqian Old Collection
"After the Book"
| on paper 32×51 .6cm collection of the Palace Museum
In the seventh year of Yuan You (1092), at the age of fifty-seven, he first served as the Rebbe Shangshu, and then released Yangzhou Taishou.
"Spring Post"
| on paper 28.2× 43.1cm Collection of the Palace Museum
In the eighth year of the Yuan Dynasty (1093), at the age of fifty-eight, Emperor Zhezong was pro-government and was released to Dingzhou.
"Honorable Post"
| on paper 26.3× 19cm collection of the National Palace Museum, Taipei
"Li Baixian Poetry Scroll"
| on paper 34.5× 106cm Collection of the Osaka Municipal Museum of Art, Japan
In the first year of Shao Sheng's reign (1094), at the age of 59, he was issued to Lingnan in April. June demeaned Huizhou.
「Lingzi Ti"
| on paper 30.4×25 .8cm collection of the National Palace Museum in Taipei
"Dongting Zhongshan Erfu"
| on paper 28.3×306.3cm Collection of Jilin Provincial Museum
In the third year of Shaosheng (1096), his confidant Chaoyun died at the age of sixty-one.
"To Nam Kyu Envoy Junti"
| on paper 26.1× 20.9cm Collection of the National Palace Museum, Taipei
"Homecoming"
| on paper 32× 181.1cm Collection of the National Palace Museum, Taipei
In the fourth year of Shaosheng (1097), he crossed the sea in June at the age of sixty-two and was distributed to Qiongzhou.
"Fragments of Samadutuzen"
| on paper 29.2×79cm collection of the Palace Museum
In the third year of Yuan Fu (1100), Emperor Huizong ascended the throne at the age of sixty-five, and the north returned to the Hui Dynasty.
"Crossing the Sea"
| on paper 28.6×40.2 cm Collection of the National Palace Museum, Taipei
"Xingshu Thanksgiving To the Minshi Essay Paper"
| on paper 27× 96.5cm collection of Shanghai Museum
In the first year of the Jianzhong Jingguo (1101), he died in July at the age of sixty-six and on the way back to the north.
「Jiang Shang Ti"
| on paper 30.3× 30.5cm Collection of the National Palace Museum, Taipei
As well as the six posters regret that no image has been obtained, only its name is known: "Dinghuiyuan Moon Night Occasional Poetry Manuscript" Yuanfeng Three Years (1080) "Manting FangZi" Yuanfeng Six Years (1083) "BaoWang Jinqing Hidden Ear Tu Ti" Yuan You Six Years (1091) "Prayer Rain Post" Yuan You Six Years (1091 "Sky Dark Cloud Post" Xi Ning Decade (1077) "Near-Ren Ti" Yuan You Years
——Addendum ——
"Dinghuiyuan Moon Night Puppet Poem Manuscript"
Su Shishu was written in the third year of Yuan Feng (1080). Paper. Cursive writing, two poems.
Where 12 lines, 255 words. Size amnesia. I don't know where to hide.
The Book of Man Ting Fang Ci was written in 1083 (yuanfeng 6th year) on paper, with a total of 10 lines and 96 words, and is now in the collection of private collectors in the United States.
"King Jinqing of the Tuowang Hidden Ear Picking Tu Ti"
One
Two
"Praying for the Rain", two pieces of poetry, ink on paper
Where 29 lines, count 239 characters, length 29 cm, width 120 cm
Book in the sixth year of the Northern Song Dynasty (1091 AD)
I don't know where to hide
"Skyline Dark Cloud Thesis", also known as "Songyang Thesis", is a book of thirty-six lines, counting 307 words. This post has no year, the original manuscript was collected by Xiang Yuanbian in the Ming Dynasty, and the Qing Dynasty returned to Weng Fanggang, with a Weng inscription. According to Qing Weng Fang Gang, during the more than ten years from the tenth year of Xi Ning (1077) to the yuan you Ding Di (1087), Su Dongpo was between the ages of forty-two and fifty-two. It should be said that this is a work of the relatively mature period of Su's calligraphy art. After Weng Fanggang collected this post, it caused a debate about whether to fill in the manuscript. Because there are many hooks and fillers in the surviving Sushu, and the paper of this post is seriously scratched, "there are two and one traces missing", so it is doubtful. However, Weng Shi affirmed that this was a genuine manuscript, and compared this post with the engraving of the Kuaixuetang Thesis one by one, and concluded that the engraving of the Kuaixuetang Thesis was based on a facsimile of Dong Qichang's record. It makes sense that we respect Weng's theory until more evidence is found.
"Closer to the People" line of ink, Shanghai Zhang Hanlu old collection.