The works of the six calligraphers of the Qing Dynasty were appreciated, wonderful and eye-opening.
Liu Yong's painting is written in jingshuiping mountain kaishengjing, Yaolin pearl tree to pick up the name of the incense. The writing is broad, round and thick, clumsy and interesting.
Weng Fanggang's work is written by Gao Huai to send Baiyun Yilian. The characters are slender and long, the ink color is thick, and the pen strength is strong. There seems to be the sound of gold and stone, sonorous and powerful.
Wang Wenzhi's painting is written in the fishing market full of oblique days, chrysanthemum weather near the new frost. The font is elegant and flowing, the style is high and ancient, and it is intriguing.
This painting in Liang Tongshu is written that people smile like Buddhas, and Dai Kasa hangs himself as a fairy. It looks like it gives people a relaxed and pleasant feeling, which is really pleasing to the eye.
Tie Bao's painting is written in the painting of a good mountain and a real cliff. The style is high and ancient, handsome and flowing, and the heritage is deep.
Zheng Banqiao's work is written in the Song Dynasty Su Shi's "Reply to qin too virtual book", which is worthy of being a geek and has the fun of paving the streets with stones. Lishu, cursive and xingshu are integrated into one furnace, flexible and free, and endlessly interesting.