preface
Su Shi once had a set of absolute sentences, which were praised by Weng Fanggang:
"Five Absolute Nights in the West Lake", with the true realm of greatness and energy. In the last sentence, the ancients are empty. "Poetry of Shizhou"
When appreciating this group of poems, there are a few points to pay attention to. The five absolutes in "Five Absolute Sentences of the Night Pan West Lake" do not mean five words and seven sentences.
Secondly, the seven words and sentences are not necessarily all near-body poems (Gelug poems), there are also many ancient poems, and Su Shi's five seven-word poems are all ancient poems.
In addition, these five sentences also use the rhetorical technique of the thimble (thimble is also known as the top truth, the bead or the winning).
1. Seven ancient words
The ancient style of the Seven Utterances is also a absolute sentence, and these five absolute sentences of Su Shi are not Gelug poems:
The crescent moon was not safe, and it was only after five or six years of discord. Tonight the vomit is as beautiful as half a bi, and tourists have to look at the three more.
The three more towards the moon gradually fell, wanting to fall before the scene of the special. Ming Dynasty personnel who expected, see canglong west no time.
The dragon has no bull fighting, and the eastern mangjiao has risen to chang gung. The fisherman closed the cylinder and did not know, and the only sound of the boat passing by was the sound of puddling.
The boundless water is vast, and the lotus flowers bloom at night and the wind is fragrant. Gradually see the lights out of the far temple, and wait for the moon to see the lake light.
The lake is neither ghost nor immortal, and the wind and waves are quiet and full of rivers. When he entered the temple in pairs, he could not see the emptiness.
The number of ancient sentences of the Seven Sayings is not much, and there are few masterpieces, so it is not noticed. So much so that many people think that the seven must be Grammatical poems.
In fact, during the Tang Dynasty, Li Bai had many seven ancient sentences, such as "Yongwang East Tour Song", "Knot Socks" and so on.
Second, the thimble technique
Many people say that Su Shi's poem is modeled after Cao Zhi's "White Horse Wang Biao", cao Zhi's group of poems is five words, using the technique of thimbles, such as the end of the second chapter: I Ma Xuan huang, the beginning of the third chapter: Xuan Huang can enter. All the way to the last chapter.
【Part 1】
The Gurudwara Emperor Chengming Lu will return to the old frontier when he dies. In the morning, the emperor is sent, and the sun and sunset pass through the first sun.
Iloilo is wide and deep, and there is no beam in the river. Boating over the flood, complaining about the length of the East Road.
Gu Zhan loves the city que and leads the love wound.
【Part 2】
Taigu He Is silhouette, and the mountain trees are lush and green. Rain and mud I paint, flowing and sweeping.
Zhongkui was absolutely trackless, and he changed his way to ascend Takaoka. Shusaka made clouds, and I Ma Xuan was yellow.
【Part 3】
Xuan Huang can still enter, and I am depressed. What will Yu Lun think? Dear ones are leaving.
This picture is the same as kai, and the middle is even more unkempt. The owl sings and chokes, and the jackal is the road.
The flies are white and black, and the slander makes the relatives close. If you want to return, you can stop the hesitation.
【Part 4】
Where to stay? Acacia has no ultimate. The autumn wind is slightly cool, and the cold cicadas chirp on my side.
The wilderness is depressed, and the day is hidden. The bird went to Jolin and flew its wings.
The lone beast walks the herd, and the grass does not eat. Sentimental things hurt my heart, and my heart is often too resting.
【Part 5】
What will TaiShi be? The Mandate of Heaven is against me. Even if you think of the same life, you will never return to the form.
Lone soul xiang homeland, coffin sent to the Beijing division. The survivors suddenly returned, and the dead died and decayed.
Life is one life, go to Ruo Chao Lu Xi. Years in the mulberry elm, the impact can not be chased.
Self-care is not a golden stone, and aggressiveness makes the heart sad.
【Part 6】
My heart moved my god with sorrow, and I forsaken Mo Fu Chen. The husband is full of ambitions, and the thousands of miles are close to each other.
Love is not lost, in the distance of the day of affection. Why bother with you and then show your hospitality.
Sorrow becomes a disease, and there is no child or child. Can you not be bitter and hardworking?
【Part 7】
Why bother? The Mandate of Heaven letter is suspicious. Nothingness asks for immortals, matsuko hisashi deceives.
Change in Sisu, who can hold for a hundred years? Parting will never happen, when will the hand be held?
Wang Qi loves jade and enjoys the yellow hair period. Collecting tears is a long road, and the help pen has since resigned.
The thimble technique exists in the verses, such as the Daya Wen Wang's Shi. Similar masterpieces, there are Xie Lingyun's "Denglin HaiYue Chu Fa Qiang Zhongzuo and from the brother Huilian can see the sheep He Republic" and so on.
Third, the background and sustenance
In the fourth year of Xining (1071), Su Shi wrote a letter to bluntly say that the shortcomings of the new law caused Wang Anshi to be angry, so Wang Anshi asked Yushi Xiejing to impeach Su Shi.
Su Shi was also very knowledgeable, so he took the initiative to request to leave Beijing to take up a post, and Xi Ning was sent to Hangzhou for four years to serve as a general judge. The following year (1072, the fifth year of Xi Ning), Su Shi and Lü Zhongfu wrote this set of sentences when they were boating in the West Lake at night with prostitutes.
Su Shi was incapable of stopping this change. Therefore, he often expressed his dissatisfaction in his poems, either implicitly or explicitly. This group of poems writes about boating at night, which more or less reminds people of the obscurity of the situation, and also shows That Su Shi's confusion about his future.
During the Southern Song Dynasty, the lyricists liked to have sustenance in the chants. Su Shi's poem "Night Moon Lake Light" also has this meaning and sustenance.
Weng Fanggang said: "The Five Absolutes of the West Lake at Night are large and capable of being truly large. This means that Su Shi writes about the real scenery he sees in his eyes, but he can also implicitly express his inner depression through the description of the scenery.
Conclusion
Song poetry is longer than argument, and Tang poetry is more charming. Su Shi's few absolute sentences were exaggerated by Weng Fanggang's praise of "empty and absolute ancients", but these seven absolute poems were written in a narrative and did not discuss, that is, the so-called "deeply rooted in the will of the wind".
However, Su Shi did not escape the disaster in the end, that is, the later Wutai poetry case. His opponents looked for words that implied irony from his poems, intending to put Su Shi to death.
@Old Street Taste
Mountains and rivers are doubtful, willows are dark flowers and bright villages, luyou is not original, where did you steal it from?